The intellectual scope and cultural impact of British writers cannot be assessed without reference to their European "fortunes". These essays, prepared by an international team of scholars, critics and translators, record the ways in which Virginia Woolf has been translated, evaluated and emulated in different national and linguistic areas of Europe. Diverse as her reception has been, as analyst of consciousness, as a decadent (censored and banned), as stylistic innovator of Modernism, as crusading feminist and socialist, and as a model for other writers, she has emerged as one of the foremost writers and principal icons of the century

Aristocrat, novelist, essayist, traveler, and lover of Virginia Woolf, Vita Sackville-West lived a fascinating and daring life on the periphery of the Bloomsbury circle. She wrote in an astounding variety of genres, including travel narrative, historical and literary studies, poetry, fiction, and essays, and is probably best known or her novels, The Edwardians and All Passion Spent, and incomparable writings about English country houses and gardens. Here, for the first time, is an anthology that represents the full expanse of her interests and styles. Over half of the works, including intimate diaries and a dream notebook, have never been published. Edited by a foremost expert on the Bloomsbury circle, Vita Sackville-West: Selected Writings provides the best and most accessible introduction to this unique writer.

Originally published in 1990, Women of Bloomsbury takes a fresh look at the lives of Virginia Woolf, her sister Vanessa Bell, and Dora Carrington. Connected by more than bonds of friendship and artistic endeavour, the three women faced similar struggles. Juxtaposing their personal lives and their work, Mary Ann Caws shows us with feeling and clarity the pain women suffer in being artists and in finding - or creating - their sense of self. Relying on unpublished letters and diaries, as well as familiar texts, Caws give us a portrait of the female self in the act of creation.

Originally published in 1990, Women of Bloomsbury takes a fresh look at the lives of Virginia Woolf, her sister Vanessa Bell, and Dora Carrington. Connected by more than bonds of friendship and artistic endeavour, the three women faced similar struggles. Juxtaposing their personal lives and their work, Mary Ann Caws shows us with feeling and clarity the pain women suffer in being artists and in finding - or creating - their sense of self. Relying on unpublished letters and diaries, as well as familiar texts, Caws give us a portrait of the female self in the act of creation.

Art is seen as a solitary, even a reclusive, endeavor. But visual artists, writers, and musicians often find themselves energized by a collective environment. Sharing ideas around a table has always provided a starting, and a continuing, place for fruitful exchanges between artists of all kinds. In her wide-ranging new book, Mary Ann Caws explores a rich variety of gathering places, past and present, which have been conducive to the release and sustenance of creative energies. Creative Gatherings surveys meeting locations across Europe and the United States, from cityscapes to island hideouts, from private homes to public cafes and artists' colonies. Examples include Florence Griswold's house in Old Lyme, Connecticut, meeting place of the Old Lyme Art Colony; Prague's Le Louvre caf , haunt of Kafka and Einstein; Picasso's modernist hangout in Barcelona, Els Quatre Gats; Charleston, gathering place of Virginia Woolf and Vanessa and Duncan Bell; and the caf s of Saint-Germain-des-Pr s and Montparnasse: the hangouts of Apollinaire, Sartre, and Patti Smith. Interweaving two hundred examples of collaborative artworks throughout the text, with more than one hundred in color, Creative Gatherings is a beautiful, erudite commingling as inspiring as the gathering places Caws depicts.

Salvador Domingo Felipe Jacinto Dali y Domenech, Marquis of Pubol, was born in Catalonia on May 11, 1904, and died on January 23, 1989. Best known as a surrealist painter, his artistic output also included film, sculpture, photography and writing. Dali is also notorious for his eccentric behaviour and his involvement with the Dada movement, which often drew more attention to himself than his art. In this new narrative exploration of Salvador Dali, highly respected art and literary historian Mary Ann Caws surveys the life and work of one of the most fascinating and colourful figures in the history of art. She recounts the influence of the Catalan region and dialect on his early life, as well as his expulsions from school and from the School of Fine Arts in Madrid; his involvement with the Surrealists, and his work with Bunuel and their films "Un chien andalou" and "L'Age d'or", and the impact and reception of both films at the time. Dali's turbulent personal life brought him into contact with a rich assortment of intellectual figures and Caws considers his relationships with his family and his lovers, including Elena Diakonova (Gala), who was married to the poet Paul Eluard when they met, and friends such as poet Federico Garcia Lorca. Caws also closely examines Dali's work: his famous Surrealist paintings, 'hand-painted dream photographs' such as "The Persistence of Memory" and "Autumnal Cannibalism?", as well as his writing, photography, sculpture and film. Well-researched, and full of telling anecdotes, "Salvador Dali" will appeal to the large readership who are already familiar with this extraordinary artist, as well as to those who have heard much and wish to know more about the life and work of this pivotal figure in modern art.

A revealing investigation into Picasso's career-long fascination with the written word Throughout his life, Pablo Picasso had close friendships with writers and an abiding interest in the written word. This groundbreaking book, which draws on the collections of Yale University, traces the relationship that Picasso had with literature and writing in his life and work. Beginning with the artist's early associations with such writers as Gertrude Stein, Guillaume Apollinaire, Max Jacob, and Pierre Reverdy, the book continues until the postwar period, by which time Picasso had become a worldwide celebrity. Distinguished authorities in art and literature explore the theme of Picasso and language from historical, linguistic, and visual perspectives and contextualize Picasso's work within a rich literary framework. Presenting fascinating archival materials and written in an accessible style, Picasso and the Allure of Language is essential reading for anyone interested in this great artist and the history of modernism. Published in association with the Yale University Art Gallery Exhibition Schedule: Yale University Art Gallery, New Haven (January 27 - May 24, 2009) Nasher Museum of Art at Duke University, Durham (August 20, 2009 - January 3, 2010)

This singular book illustrates how to edit a piece of prose and enhance its clarity of thought and felicity of style. The authors first present ten principles of effective composition, and then scrutinize three extended paragraphs, suggesting with remarkable specificity how to improve them. The volume also offers challenging practice questions, as well as two finished essays, one serious and one humorous, that demonstrate how attention to sound mechanics need not result in mechanical writing. Steven M. Cahn and Victor L. Cahn help readers deploy a host of corrective strategies, such as avoiding jargon, bombast, and redundancy; varying sentence structure; paring the use of adjectives and adverbs; properly deploying phrases and clauses; and refining an argument. Here is a book for all who seek to increase their facility in written communication.

Robert Motherwell was by far the most intellectual and articulate of the Abstract Expressionists. This book, written by a friend of the artist, the well-known writer and critic Mary Ann Caws, examines Motherwell's way of thinking and writing in relation to his paintings. The artist, American by birth, yet simultaneously American and European in his way of visualizing and vocalizing artistic and philosophical traditions, always worked between these two poles, and it is this tension that imbues his "oeuvre" with its particular intensity.
The author bases her analysis of Motherwell on the artist's own writings and readings, as well as on extensive conversations and interviews with him. She considers his work and interests in relation to those of other Abstract Expressionists as well as to the work of the Surrealists. Her book highlights his deep attraction to France and French literature and art, and his concern with the idea of elegy and the tragedy of the Spanish Civil War. His singularly American spirit provided him with a manner of painting and thinking unique among the Abstract Expressionists, as well as with a distinctive and highly personal filter through which to interpret his fascination with European literature and history.

This singular book illustrates how to edit a piece of prose and enhance its clarity of thought and felicity of style. The authors first present ten principles of effective composition, and then scrutinize three extended paragraphs, suggesting with remarkable specificity how to improve them. The volume also offers challenging practice questions, as well as two finished essays, one serious and one humorous, that demonstrate how attention to sound mechanics need not result in mechanical writing. Steven M. Cahn and Victor L. Cahn help readers deploy a host of corrective strategies, such as avoiding jargon, bombast, and redundancy; varying sentence structure; paring the use of adjectives and adverbs; properly deploying phrases and clauses; and refining an argument. Here is a book for all who seek to increase their facility in written communication.

"Mad Love" has been acknowledged an undisputed classic of the surrealist movement since its first publication in France in 1937. Its adulation of love as both mystery and revelation places it in the most abiding of literary traditions, but its stormy history and technical difficulty have prevented it from being translated into English until now.

"There has never been any forbidden fruit. Only temptation is divine," writes Andre Breton, leader of the surrealists in Paris in the 1920s and '30s. "Mad Love" is dedicated to defying "the widespread opinion that love wears out, like the diamond, in its own dust." Celebrating breton's own love and lover, the book unveils the marvelous in everyday encounters and the hidden depths of ordinary things.

The first comprehensive guide to the prose poem, this book covers the history of the genre from Aloyisius Bertrand's Gaspard de la nuit and Baudelaire's Paris Spleen to its most important modern and contemporary practitioners. It gives special attention to the genre's hybridity as well as to its propensity to engage in a dialogue with other genres, discourses and artistic forms. Written by prominent scholars of modern and contemporary poetry and poetics, The Edinburgh Companion to the Prose Poem offers analytical and historically informed narratives of the genre's transformations and variations across the nineteenth and twentieth centuries and into the next.

Originating in 1916 with the avant-garde Dada movement at the famous Cafe Voltaire in Zurich, surrealism aimed to unleash the powers of the creative act without thinking. Max Ernst, Andre Breton, Tristan Tzara, Paul Eluard, Philippe Soupault, and Louis Aragon created a movement that spread wildly to all corners of the globe, inspiring not only poetry but also artists like Joan Miro and Rene Magritte and cinematic works by Antonin Artaud, Luis Bunuel, and Salvador Dali. As the editor, Mary Ann Caws, says, "Essential to surrealist behavior is a constant state of openness, of readiness for whatever occurs, whatever marvelous object we might come across, manifesting itself against the already thought, the already lived." Here are the gems of this major, mind-bending aesthetic, political, and humane movement: writers as diverse as Aragon, Breton, Dali, Rene Char, Robert Desnos, Mina Loy, Paul Magritte, Alice Paalen, Gisele Prassinos, Man Ray, Kay Sage, and Elsa von Freytag-Loringhoven are included here, providing a grand picture of this revolutionary movement that shocked the world.

Mary Ann Caws presents in detail an important feature of modern literary narrative--the setting apart of passages that stand out from the flow of the prose, larger-than-life scenes that seem to hold the essence of the work. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Food has always been a favourite subject of the world's artists, from still-lifes by Matisse and Picasso to the works of Claes Oldenberg and Andy Warhol. But how do artists eat? The Modern Art Cookbook provides a window into how both great and lesser-known modern artists, writers and poets ate, cooked, depicted and wrote about food. A cornucopia of life in the kitchen and in the studio throughout the twentieth century and beyond, the book explores a wide-ranging panoply of artworks of food, cooking and eating from Europe and the Americas - from the early moderns through the Impressionists, Symbolists, Cubists, Futurists and Surrealists up to today's art - as well as writing about food from contemporary novelists, writers and poets. Beautifully illustrated and often surprising, this new paperback edition is a joyous guide to the art of food.

Mary Ann Caws presents in detail an important feature of modern literary narrative--the setting apart of passages that stand out from the flow of the prose, larger-than-life scenes that seem to hold the essence of the work.

Originally published in 1985.

The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The vital synergy between dress and the cinema has been in place since the advent of film. Broaching topics such as vampires, noir, and Marie Antoinette looks, Fashion in Film uncovers the way in which the alliance of these two powerhouse industries use myriad cultural influences shaping narrative, national identity, and all points in between. Contributor essays address international films from early cinema to the present, drawing on the classic and the innovative. This abundantly illustrated collection reveals that fashion in conjunction with film must be understood in a different way from fashion tout simple."

Self-Shadowing Prey, one of the final texts by the Romanian poet Gherasim Luca (1913-1994), is clearly constructed around the sought complications of language. Embodying the surrealist operation of play with considerable exactitude and rigor, Self-Shadowing Prey is rich with neologistic stupors, nouns made verbs, and compelling repetitions and linguistic expansions. Language is not merely put into play but made to participate in an erotic act, and words become the locus of an exploding self. This linguistically-joyous text reveals the arresting syntactic creation and creative stammering which Deleuze and Guattari both saw in Luca and what led Deleuze to call him a great poet among the greatest. "If Gherasim Luca's speech is eminently poetic," Deleuze pronounced, "it is because he makes stuttering an affect of language and not an affectation of speech. The entire language spins and varies in order to disengage a final block of sound, a single breath at the limit of the cry, JE T'AIME PASSIONNEMENT." Transformed for the first time into English by distinguished translator Mary Ann Caws, this bi-lingual edition of Self-Shadowing Prey gives us yet one more important text by a key figure of the Romanian branch of Surrealism. In addition, it is the first book of Luca's verse ever to be translated into English. "Gherasim Luca is a great poet among the greatest: he invented a prodigious stammering, his own." -Deleuze "Mary Ann Caws' passionate translations render deft, delightful facets of the formidable Gherasim Luca: virile servings of refreshment and tumult, liberating language from the yoke of Duty. This collection pairs and contrasts well with the churning self-surgery we had the pleasure of smuggling from Romanian. Self-Shadowing Prey calls for vertiginous reading, in exhilarating reflection of the sonorous scintillations of Luca's own reading performances." -Julian and Laura Semilian, translators of Gherasim Luca's The Inventor of Love & Other Works

This book gives comprehensive coverage of Woolf's reception across Europe with contributions from leading international critics and translators.The intellectual scope and cultural impact of British writers cannot be assessed without reference to their European 'fortunes'. These essays, prepared by an international team of scholars, critics and translators, record the ways in which Virginia Woolf has been translated, evaluated and emulated in different national and linguistic areas of Europe.Diverse as her reception has been, as analyst of consciousness, as a decadent (censored and banned), as stylistic innovator of Modernism, as crusading feminist and socialist, and as a model for other writers, she has emerged as one of the foremost writers and principal icons of the century.Our knowledge of British and Irish authors is incomplete and inadequate without an understanding of the perspectives of other nations on them. Each volume examines the ways authors have been translated, published, distributed, read, reviewed and discussed in Europe. In doing so, it throws light not only on the specific strands of intellectual and cultural history but also on the processes involved in the dissemination of ideas and texts.

Aristocrat, novelist, essayist, traveler, and lover of Virginia Woolf, Vita Sackville-West lived a fascinating and daring life on the periphery of the Bloomsbury circle. She wrote in an astounding variety of genres, including travel narrative, historical and literary studies, poetry, fiction, and essays, and is probably best known or her novels, The Edwardians and All Passion Spent, and incomparable writings about English country houses and gardens. Here, for the first time, is an anthology that represents the full expanse of her interests and styles. Over half of the works, including intimate diaries and a dream notebook, have never been published. Edited by a foremost expert on the Bloomsbury circle, Vita Sackville-West: Selected Writings provides the best and most accessible introduction to this unique writer.

Mina Loy was born in London in 1882, became American, and lived variously in New York, Europe, and finally, Aspen, Colorado until she died in 1966. Flamboyant and unapologetically avant-garde, she was a painter, poet, novelist, essayist, manifesto-writer, actress, and dress and lampshade designer. Her life involved an impossible abundance of artistic friends, performance and spectacular adventures in the worlds of Futurism, Christian Science, Feminism, Fashion, and everything modern and modernist. This new account by Mary Ann Caws explores Mina Loy's exceptional life, and features many rare images of Loy and her husband, the swiss writer, poet, artist, boxer and provocateur Arthur Cravan, who disappeared without trace in 1918.