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It is said that music gives a soul to the Universe, wings to the
mind, flight to the imagination and life to everything. Before Rock
there was Rock and Roll... Elvis Presley came out of nowhere, hip
snaking onto an almost empty stage, with Little Richard, black and
gay, lurking in the wings. He singlehandedly took he underbelly of
America... dirt-poor greaser, glorifying it. Elvis was all four
Jungian archetypes rolled into one - the child- the wise man, the
fool or trickster and lastly, the sexual being, desirable, yet
unobtainable. In his wake spawning countless scores of look and
sound alikes. In this edition we feature the man himself as well as
the mighty Creedence Clearwater Revival, Deep Purple, Foo Fighters,
Guns n Roses and the indefatigable Iggy Pop. Fashion Industry
Broadcast is a leading global publisher of lifestyle titles, this
multi edition set has been created as a hard cover colour coffee
table books for $45.00, e-books for $9.99 from Amazon Kindle,
Barnes and Noble Nook, Apple iBook's, Google books, Stanza and
Kobo, Apps for mobile devices and a TV documentary series is also
in the works. A very special video rich multimedia App version with
1000+ original videos, interviews, runway shows, behind the scenes
at fashion shoots and advertisements, is available through Apple's
iTunes App store and other major App stores for just $2.99 per
edition. Look for "MASTERS OF MUSIC" on the Apple App store.
Contact [email protected] Author Ian Hartley
Credits Art Direction Samantha Mayfair Design Samantha Mayfair
Video Link Editing Alice Hoffman Ross Project Management Pip Dalton
Deep Purple and Aerosmith along with the Rolling Stones, filled
Sports arenas all around the world, in an orgy of excess. The Who
smashed their amplifiers as they exploded into an attention-seeking
heap, not unlike naughty schoolboys, while Iggy Pop buried his
Jewishness in an avalanche of broken glass. Good old boy country
Rockers such as Creedence Clearwater Revival, sang about grapevines
and gumbo. The sublimely angelic Jimi Hendrix cut down a mountain
with the palm of his hand. For every androgynous David Bowie, there
was an equally insensitive Alice Cooper... David Bowie fell to
Earth, Bruce Springsteen CAME from the Earth. If Bob Dylan was
riding freight cars, then Springsteen was in a speeding, souped up,
forties Hudson careening down a Lonesome Highway. Ginger Baker, the
drummer from super group Cream was once accused that his band gave
birth to heavy Metal, he replying that if he did, then he surely
should have aborted it. If anyone did conceive that genre, then the
blame must fall squarely on the shoulders of Led Zeppelin, the
fathers of Air Guitar, who dragged the sixties beat blues, kicking
and screaming into the Seventies, and who even now forty something
years later still hold sway and a kind of mythical worship like the
Gods of ancient times. Jimi Hendrix Led Zeppelin Nirvana Oasis Pink
Floyd Queen The Ramones Fashion Industry Broadcast is a leading
global publisher of lifestyle titles, this multi edition set has
been created as a hard cover colour coffee table books for $45.00,
e-books for $9.99 from Amazon Kindle, Barnes and Noble Nook, Apple
iBook's, Google books, Stanza and Kobo, Apps for mobile devices and
a TV documentary series is also in the works. A very special video
rich multimedia App version with 1000+ original videos, interviews,
runway shows, behind the scenes at fashion shoots and
advertisements, is available through Apple's iTunes App store and
other major App stores for just $3.99 per edition. Look for
"MASTERS OF MUSIC" on the Apple App store. Contact
[email protected]
An interdisciplinary collection in the new field of environmental
humanities, this volume brings together Chinese environmental
ethics, religious ontology, and religious practice to explore how
traditional Chinese religio-environmental ethics are actually put
into social practice both in China's past and present. It also
examines how Chinese religious teachings offer a wealth of
resources to the environmental project of forging new ontologies
for humans co-existing with other living beings. Different chapters
examine how: Buddhist ontology avoids anthropocentrism, fengshui
(Chinese geomancy) can help protect the landscape from economic
development, popular religion organizes tree-planting, ancient
dream interpretation practices avoided constructing the possessive
individual subjectivity of modern consumerism, Buddhist rituals and
ethics promoted compassion for animals and modern recycling,
Confucian ancestor rituals and tombs have deterred industrial
expansion, and also how Daoism's potential role to deter
desertification in northern China was stymied by state operations
in contemporary China. A significant advance in the field of
Chinese environmental anthropology, the outstanding scholars in
this volume provide a unique and much needed contribution to the
scholarship on China and the environment.
In Re-enchanting Modernity Mayfair Yang examines the resurgence of
religious and ritual life after decades of enforced secularization
in the coastal area of Wenzhou, China. Drawing on twenty-five years
of ethnographic fieldwork, Yang shows how the local practices of
popular religion, Daoism, and Buddhism are based in
community-oriented grassroots organizations that create spaces for
relative local autonomy and self-governance. Central to Wenzhou's
religious civil society is what Yang calls a "ritual economy," in
which an ethos of generosity is expressed through donations to
temples, clerics, ritual events, and charities in exchange for
spiritual gain. With these investments in transcendent realms, Yang
adopts Georges Bataille's notion of "ritual expenditures" to
challenge the idea that rural Wenzhou's economic development can be
described in terms of Max Weber's notion of a "Protestant Ethic".
Instead, Yang suggests that Wenzhou's ritual economy forges an
alternate path to capitalist modernity.
An elaborate and pervasive set of practices, called guanxi,
underlies everyday social relationships in contemporary China.
Obtaining and changing job assignments, buying certain foods and
consumer items, getting into good hospitals, buying train tickets,
obtaining housing, even doing business all such tasks call for the
skillful and strategic giving of gifts and cultivating of
obligation, indebtedness, and reciprocity.Mayfair Mei-hui Yang's
close scrutiny of this phenomenon serves as a window to view facets
of a much broader and more complex cultural, historical, and
political formation. Using rich and varied ethnographic examples of
guanxi stemming from her fieldwork in China in the 1980s and 1990s,
the author shows how this "gift economy" operates in the larger
context of the socialist state redistributive economy."
The long twentieth century in China and Taiwan has seen both a
dramatic process of state-driven secularization and modernization
and a vigorous revival of contemporary religious life. "Chinese
Religiosities" explores the often vexed relationship between the
modern Chinese state and religious practice. The essays in this
comprehensive, multidisciplinary collection cover a wide range of
traditions, including Buddhism, Daoism, Islam, Confucianism,
Protestantism, Falungong, popular religion, and redemptive
societies. Contributors include: Jose Cabezon, Prasenjit Duara,
Ryan Dunch, Dru C. Gladney, Vincent Goossaert, Ji Zhe, Ya-pei Kuo,
Richard Madsen, Rebecca Nedostup, David Palmer, Benjamin Penny, and
Mayfair Mei-hui Yang.
In Re-enchanting Modernity Mayfair Yang examines the resurgence of
religious and ritual life after decades of enforced secularization
in the coastal area of Wenzhou, China. Drawing on twenty-five years
of ethnographic fieldwork, Yang shows how the local practices of
popular religion, Daoism, and Buddhism are based in
community-oriented grassroots organizations that create spaces for
relative local autonomy and self-governance. Central to Wenzhou's
religious civil society is what Yang calls a "ritual economy," in
which an ethos of generosity is expressed through donations to
temples, clerics, ritual events, and charities in exchange for
spiritual gain. With these investments in transcendent realms, Yang
adopts Georges Bataille's notion of "ritual expenditures" to
challenge the idea that rural Wenzhou's economic development can be
described in terms of Max Weber's notion of a "Protestant Ethic".
Instead, Yang suggests that Wenzhou's ritual economy forges an
alternate path to capitalist modernity.
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