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Showing 1 - 7 of 7 matches in All Departments
'For fans of Margaret Atwood' Elle 'Thoughtful...wry, magical' Guardian 'brimming with wonder' Raven Leilani, author of Luster Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behaviour raises suspicions and a woman - especially a Black woman - can find herself on trial for witchcraft. Finally ready to let go of the past, Jo’s future is in doubt. The State mandates that all women marry by the age of 30 - or forfeit their autonomy by registering to be monitored. At 28, Jo is ambivalent about marriage, feeling she has never understood her mother more. When offered the opportunity to honour one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. Reminiscent of the works of Margaret Atwood, Deborah Harkness, and Octavia E. Butler, The Women Could Fly is a feminist speculative novel that speaks to our times – a piercing dystopian tale, set in a world in which magic is real and single women are closely monitored in case they are shown to be witches . . .
"Megan Giddings's prose is brimming with wonder. The Women Could Fly is a candid appraisal of grief, inheritance, and the merits of unruliness." - Raven Leilani Reminiscent of the works of Margaret Atwood, Deborah Harkness, and Octavia E. Butler, The Women Could Fly is a feminist speculative novel that speaks to our times. A piercing dystopian tale about the unbreakable bond between a young woman and her absent mother, set in a world in which magic is real and single women are closely monitored in case they are shown to be witches . . . Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge, because in a world where witches are real, peculiar behaviour raises suspicions and a woman - especially a Black woman - can find herself on trial for witchcraft. But fourteen years have passed since her mother's disappearance, and now Jo is finally ready to let go of the past. Yet her future is in doubt. The State mandates that all women marry by the age of thirty - or enrol in a registry that allows them to be monitored, effectively forfeiting their autonomy. At twenty-eight, Jo is ambivalent about marriage. With her ability to control her life on the line, she feels as if she has her never understood her mother more. When she's offered the opportunity to honour one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. In this powerful and timely novel, Megan Giddings explores the limits women face - and the powers they have to transgress and transcend them. 'It can be tempting to read The Women Could Fly, which comes in the shadow of the recent Supreme Court decision overturning Roe v. Wade, and call the book timely. But the relationship at the heart of this novel - between Jo and her mercurial mother - is much closer to timeless.' - The New York Times
A LIBRARY READS PICK
"Megan Giddings's prose is brimming with wonder. The Women Could Fly is a candid appraisal of grief, inheritance, and the merits of unruliness." - Raven Leilani Reminiscent of the works of Margaret Atwood, Deborah Harkness, and Octavia E. Butler, The Women Could Fly is a feminist speculative novel that speaks to our times. A piercing dystopian tale about the unbreakable bond between a young woman and her absent mother, set in a world in which magic is real and single women are closely monitored in case they are shown to be witches . . . Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge, because in a world where witches are real, peculiar behaviour raises suspicions and a woman - especially a Black woman - can find herself on trial for witchcraft. But fourteen years have passed since her mother's disappearance, and now Jo is finally ready to let go of the past. Yet her future is in doubt. The State mandates that all women marry by the age of thirty - or enrol in a registry that allows them to be monitored, effectively forfeiting their autonomy. At twenty-eight, Jo is ambivalent about marriage. With her ability to control her life on the line, she feels as if she has her never understood her mother more. When she's offered the opportunity to honour one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. In this powerful and timely novel, Megan Giddings explores the limits women face - and the powers they have to transgress and transcend them. 'It can be tempting to read The Women Could Fly, which comes in the shadow of the recent Supreme Court decision overturning Roe v. Wade, and call the book timely. But the relationship at the heart of this novel - between Jo and her mercurial mother - is much closer to timeless.' - The New York Times
With increased compression, every word, every sentence matters more. A writer must learn how to form narratives around caesuras and crevices instead of strings of connections, to move a story through the symbolic weight of images, to master the power of suggestion. With elegant prose, deep readings of other writers, and scaffolded writing exercises, The Art of Brevity takes the reader on a lyrical exploration of compact storytelling, guiding readers to heighten their awareness of not only what appears on the page but also what doesn't.
Reminiscent of the works of Margaret Atwood, Shirley Jackson, and Octavia Butler, a biting social commentary from the acclaimed author of Lakewood that speaks to our times--a piercing dystopian novel about the unbreakable bond between a young woman and her mysterious mother, set in a world in which witches are real and single women are closely monitored. Josephine Thomas has heard every conceivable theory about her mother's disappearance. That she was kidnapped. Murdered. That she took on a new identity to start a new family. That she was a witch. This is the most worrying charge because in a world where witches are real, peculiar behavior raises suspicions and a woman--especially a Black woman--can find herself on trial for witchcraft. But fourteen years have passed since her mother's disappearance, and now Jo is finally ready to let go of the past. Yet her future is in doubt. The State mandates that all women marry by the age of 30--or enroll in a registry that allows them to be monitored, effectively forfeiting their autonomy. At 28, Jo is ambivalent about marriage. With her ability to control her life on the line, she feels as if she has her never understood her mother more. When she's offered the opportunity to honor one last request from her mother's will, Jo leaves her regular life to feel connected to her one last time. In this powerful and timely novel, Megan Giddings explores the limits women face--and the powers they have to transgress and transcend them.
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