In Human Ecodynamics in the North Atlantic: A Collaborative Model of Humans and Nature through Space and Time, Ramona Harrison and Ruth A. Maher have compiled a series of separate research projects conducted across the North Atlantic region that each contribute greatly to anthropological archaeology. This book assembles a regional model through which the reader is presented with a vivid and detailed image of the climatic events and cultures which have occupied these seas and lands for roughly a 5000-year period. It provides a model of adaptability, resilience, and sustainability that can be applied globally. First, visiting the Northern Isles of Scotland in the Orkney Islands, the reader is taken through the archaeology from the Neolithic Period through World War II in the face of sea-level rise and rapidly eroding coastlines. The Shetland Islands then reveal a deep-time study of one large-scale Iron Age excavation. On to the northern coasts of Norway, where information about late medieval maritime peoples is explained. Iceland explores human-environment interaction and implications of climate change presented from the Viking Age through the Early Modern Era. Rounding out the North Atlantic Region is Greenland, which sheds light on the Norse in the late Viking Age and the Middle Ages.

From user-generated images of streets to professional architectural renderings, and from digital maps and drone footages to representations of invisible digital ecologies, this collection of essays analyses the emergent practices of visualizing the street. Today, advancements in digital technologies of the image have given rise to the production and dissemination of imagery of streets and urban realities in multiple forms. The ubiquitous presence of digital visualizations has in turn created new forms of urban practice and modes of spatial encounter. Everyone who carries a smartphone not only plays an increasingly significant role in the production, editing and circulation of images of the street, but also relies on those images to experience urban worlds and to navigate in them. Such entangled forms of image-making and image-sharing have constructed new imaginaries of the street and have had a significant impact on the ways in which contemporary and future streets are understood, imagined, documented, navigated, mediated and visualized. Visualizing the Street investigates the social and cultural significance of these new developments at the intersection of visual culture and urban space. The interdisciplinary essays provide new concepts, theories and research methods that combine close analyses of street images and imaginaries with the study of the practices of their production and circulation. The book covers a wide range of visible and invisible geographies - From Hong Kong's streets to Rio's favelas, from Sydney's suburbs to London's street markets, and from Damascus' war-torn streets to Istanbul's sidewalks - and engages with multiple ways in which visualizations of the street function to document street protests and urban change, to build imaginaries of urban communities and alternate worlds, and to help navigate streetscapes.