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This anthology brings together essays written by BA, MA and PhD
students of Nordic Cinema at UCL. The essays discuss the key
directors and movements in Nordic film history, including Victor
Sjoestroem, Carl Th. Dreyer, Ingmar Bergman, Lars von Trier, and
Dogme 95, but they also include work on topics and eras rarely
discussed in English, such as alternative endings in early Danish
cinema, inter-war drama in Norway, and the Finnish war film. The
essay format is a staple of an Arts and Humanities education, but
even the best student essays tend to end up languishing in a filing
cabinet. This book project lets a selection of student essays on
Nordic Cinema enjoy an afterlife, and at the same time provides the
students involved with experience of publishing and other facets of
the book production cycle in the digital era.
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