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Showing 1 - 7 of 7 matches in All Departments
Charlotte lives with her family near the bustling city of Boston. What an exciting time she has! There's Mama's garden to tend to, Papa's blacksmith shop to visit, and lots of brothers and sisters to play with. But best of all, Charlotte is a brand-new American girl, born just one generation after the United States of America was formed.
In this "delightful mash-up of Little House on the Prairie and The
Spiderwick Chronicles" ("SLJ"), experience life on the
prairie--with one fantastical twist
In Skull Cathedral, Melissa Wiley pulls stories from the vestigial remnants of the creatures we were or could have become. The appendix, pinky toes, tonsils, male nipples, wisdom teeth, and coccyx are starting points through which Wiley explores exaltation, eroticism, grief, and desire. Using the slow evolution and odd disintegration of vestigial organs to enter the braided stories of the lives we establish for ourselves, the people we grieve, and the mysteries of youth, memory, and longing, Wiley's lens is deeply feminist and compassionate. Turning to these mysterious anatomical remnants, she finds insight into the lingering questions of loss and the nagging sensations of being incomplete. For instance, in considering the appendix, Wiley finds herself working through her grief after the loss of her father, a sensation that again resurfaces in the face of the moon as she looks to the sky. Testing the boundaries of genre and fighting to expand the limits of perception, the stylized essays of Skull Cathedral embrace the strangeness of life through the lingering peculiarities of the human body. Skull Cathedral, Wiley's second book of nonfiction, won the 2019 Autumn House Nonfiction Prize.
Fox and Crow can agree on two things: their love of cheese and loathing of each other. These cagey animals will do whatever they can to outwit their sworn enemy and claim sole possession of the prized cheese they keep finding. But they are too caught up in their plotting and planning to realize they've picked the wrong house to steal from--since the mother of the house is one fed up Mama Bear who knows exactly how to contend with freeloaders.
Meet Martha the little girl who would grow up to be Laura Ingalls Wilder's great-grandmother. It's 1788, and six year old Martha lives in a little stone in Glencraid, Scotland. Martha's father is Laird Glencaraid, and the life of the Laird's daughter is not always easy for a lively girl like Martha. She would rather be running barefoot through the fields of heather and listening to magical tales of fairies and other Wee Folk than learning to sew like a proper young lady. But between her dreaded sewing lessons, Martha still finds time to play on the rolling Scottish hills.
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