Highlighting literature and philosophy's potential impact on economics, health care, bioethics, public policy and theology, this book analyses the heuristic value of fiction. It alerts us to how we risk succumbing to the deceptions of fiction in our everyday lives, because fictional representations constantly feign to be of the real and claim a reality of their own. Philosophy and literature disclose how the substantive sphere of social, economic and medical practice is sometimes driven and shaped by the affect-ridden and subjective. Analysing a wide range of literature - from Augustine, Shakespeare, Spinoza and Deleuze to Kafka, Sylvia Plath, Philip Roth, W. G. Sebald and Jonathan Littell - Michael Mack rethinks ethical attitudes towards the long or eternal life. In so doing he shows how philosophy and literature turn representation against itself to expose the hollowness of theologically grand concepts that govern our secular approach towards ethics, economics and medicine. Philosophy and literature help us resist our current infatuation with numbers and the numerical and contribute towards a future politics that is at once singular and diverse.

Spinoza and the Specters of Modernity draws new theoretical conclusions from a study of Spinoza's legacy in the age of Goethe and beyond, largely transmitted through the writings of Herder, that will have implications for the study of German intellectual history and, more broadly, the study of religion and literature. Michael Mack describes how a line of writers and thinkers re-configured Spinoza's ideas and how these ideas thus became effective in society at large. Mack shows that the legacy of Spinoza is important because he was the first thinker to theorize narrative as the constitutive fabric of politics, identity, society, religion and the larger sphere of culture. Indeed, Mack argues for Spinoza's writings on politics and ethics as an alternative to a Kantian conception of modernity.

This book argues for the importance, and societal impact, of the study of the arts and humanities, and of literature in particular. The capacity of the arts and the humanities, and of literature in particular, to have a meaningful societal impact has been increasingly undervalued in recent history. Both humanists and scientists have tended to think of the arts as a means to represent the world via imagination. Mack maintains that the arts do not merely describe our world but that they also have the unique and under appreciated power to make us aware of how we can change accustomed forms of perception and action. Mack explores the works of prominent writers and thinkers, including Nietzsche, Foucault, Benjamin, Wilde, Roth, and Zizek, among others, to illustrate how literature interacts with both people and political as well as scientific issues of the real world. By virtue of its distance from the real world - its virtuality - the aesthetic has the capability to help us explore different and so far unthinkable forms of action and thereby to resist the repetition and perpetuation of harmful practices such as stereotyping, stigma, exclusion, and the exertion of violence.

Considering the support behind Brexit and Donald Trump’s ‘America first’ policies, this book challenges the idea that they are motivated solely by fear and instead looks at the hope and promises that drive these renewed forms of nationalism. Addressing these neglected motivations within contemporary populism, Michael Mack explores how our current sense of disappointment with our ecological, economic and political state of affairs partakes of a history of failed promises that goes back to the inception of modernity; namely, to Spinoza’s radical enlightenment of diversity and equality. Through this innovative approach, Spinoza emerges less as a single isolated figure and more as a sign for an intellectual constellation of thinkers and writers who – from the romantics to contemporary theory and literature – have introduced various shifts in the way we see humanity as being limited and prone to disappointment. Combining intellectual history with literary and scientific theory, the book traces the collapse of traditional values and orders from Spinoza to Nietzsche and then to the literary modernism of Joseph Conrad and postmodernism of Philip Roth and Thomas Pynchon.

Whereas many other post-Holocaust Jewish thinkers - including Derrida - have concentrated on a refusal of totality and celebration of 'otherness', the poet and intellectual Franz Baermann Steiner (1909-1952) combines this emphasis with an equal stress on the 'need' for certain collectively acknowledged limits. Next to the wider significance of this book for discussions of Holocaust studies in relation to current theoretical and social issues, it will also offer a new interpretation of Elias Canetti's work. This is the first detailed examination of Steiner's anthropology and philosophy and its relation to the work of his close intellectual friend Canetti.

While offering a new interpretation of Sir Philip Sidney's elegant and influential treatise, Apologie for Poetrie (c. 1582), Michael Mack also makes a case for a new understanding of the historical process by which human beings were first thought to be endowed with the power to create -- in Sidney's day a power still reserved for God alone. Showing that secularist accounts of modernity cannot explain the development of Sidney's idea of creativity, Mack offers a version of the birth of modernity in which sacred and secular values are not necessarily opposed. Unlike previous accounts, his accommodates what are now recognised to be the continuities between medieval and Renaissance culture, between the Renaissance and Romanticism, and between theological speculation and literary theory.

This comprehensive Handbook presents the major perspectives within philosophy and literary studies on the relations, overlaps and tensions between philosophy and literature. Drawing on recent work in philosophy and literature, literary theory, philosophical aesthetics, literature as philosophy and philosophy as literature, its twenty-nine chapters plus substantial Introduction and Afterword examine the ways in which philosophy and literature depend on each other and interact, while also contrasting with each other in that they necessarily exclude or incorporate each other. This book establishes an enduring framework for structuring the broad themes defining the relations between philosophy and literature and organising the main topics in the field. Key Features * Structured in five parts addressing philosophy as literature, philosophy of literature, philosophical aesthetics, literary criticism and theory, and main areas of work within philosophy and literature * An Introduction setting out the main concerns of the field through discussion of the major themes along with the individual topics * An Afterword looking at the interactions between philosophy and literature through itself enacting philosophical and literary writing while examining the question of how they can be brought together The Palgrave Handbook of Philosophy and Literature is an essential resource for scholars, researchers and advanced students in philosophy of literature, philosophy as literature, literary theory, literature as philosophy, and the philosophical aesthetics of literature. It is an ideal volume for researchers, advanced students and scholars in philosophy, literary studies, philosophy and literature, cultural studies, classical studies and other related fields.

Whereas dialectics separates two entities and traverses from one to the other (finally negating negation), contamination allows for the simultaneous interdependence of what has previously been conceived as separate or opposed. The book enquires into the problem of various oppositions between pure entities such as nature and society, body and mind, science and the arts, subjectivity and objectivity, action and contemplation, the sacred and the profane. It examines how works of literature and cinema have contaminated constructions of the pure and the immune with their purported opposite. As an advanced critical introduction to the figure of contamination, the book makes explicit what so far has remained unarticulated-what has only been implied-within postmodern and poststructuralist, and deconstructive theory. Combining theory with literary criticism, the book sheds light on how overlooked aspects of Henry James's, H. Melville's and H. G. Wells's novels question notions of natural order as well as an opposition between the subjective and the objective. It offers fresh readings of classic films and literary texts, including Vertigo and Moby Dick, with the aim to ground theoretical insights in close analysis."

In German Idealism and the Jew, Michael Mack uncovers the deep roots of anti-Semitism in the German philosophical tradition, contending that the redefinition of the Jews as an irrational, oriental Other forms the very cornerstone of German idealism. He shows how fundamental thinkers such as Kant and Hegel created a construction of Jews as symbolic of the worldlines that hindered the development of a body politic, and how thinkers such as Moses Mendelssohn, Heinrich Heine, Franz Rosenzweig, and Sigmund Freud grappled with being both German and Jewish-pinpointing the particular Jewish notion of enlightenment that came out of it. The first analytical account of the connection between anti-Semitism and philosophy, German Idealism and the Jew speaks the unspoken in German philosophy, profoundly reshaping our understanding of it.

New essays providing a comprehensive scholarly introduction to the great writer and thinker Canetti. The Bulgarian-born scholar and author Elias Canetti was one of the most astute witnesses and analysts of the mass movements and wars of the first half of the 20th century. Born a Sephardic Jew and raised at first in the Bulgarianand Ladino languages, he chose to write in German. He was awarded the 1981 Nobel Prize in Literature for his oeuvre, which includes dramas, essays, diaries, aphorisms, the novel Die Blendung (Auto-da-Fe) and the long interdisciplinary treatise Masse und Macht (Crowds and Power). These works express Canetti's thought-provoking ideas on culture and the human psyche with special focus on the phenomena of power, conflict, and survival. Canetti'smasterful prose, his linguistic innovations, his brilliant satires and conceits continue to fascinate scholars and general readers alike; his challenging, genre-bending writings merge theory and literature, essay and diary entry.This Companion volume contains original essays by renowned scholars from around the world who examine Canetti's writing and thought in the context of pre- and post-fascist Europe, providing a comprehensive scholarly introduction. Contributors: William C. Donahue, Anne Fuchs, Hans Reiss, Julian Preece, Wolfgang Mieder, Sigurd P. Scheichel, Helga Kraft, Harriet Murphy, Irene S. Di Maio, Ritchie Robertson, Johannes G. Pankau, Dagmar C.G. Lorenz, Penka Angelova and Svoboda A. Dimitrova, Michael Mack. Dagmar C. G. Lorenz is Professor of Germanic Studies at the University of Illinois-Chicago.

The figure of contamination as developed in this book offers a new perspective of negativity which questions the current influence of Hegelian dialectics in contemporary theory and philosophy (Le. Robert Pippin, Slavoj Zizek, Catherine Malabou). The book also offers an advanced critical introduction to the critique of dialectics to which it at the same time contributes as an original piece of research.

The notion of a harmonious universe was taught by Pythagoras as early as the sixth century BC, and remained a basic premise in Western philosophy, science, and art almost to our own day. In Touches of Sweet Harmony, S. K. Heninger first recounts the legendary life of Pythagoras, describes his school at Croton, and discusses the materials from which the Renaissance drew its information about Pythagorean doctrine. The second section of the book reconstructs the many facets of this doctrine, and the final section shows its influence on Renaissance poetics. Professor Heninger's magisterial work introduces the reader not only to Pythagoras but to a host of other classical, medieval, and Renaissance figures as well--from Plato and Aristotle through St. Augustine and Macrobius down to Sidney and Spenser.

Highlighting literature and philosophy's potential impact on economics, health care, bioethics, public policy and theology, this book analyses the heuristic value of fiction. It alerts us to how we risk succumbing to the deceptions of fiction in our everyday lives, because fictional representations constantly feign to be of the real and claim a reality of their own. Philosophy and literature disclose how the substantive sphere of social, economic and medical practice is sometimes driven and shaped by the affect-ridden and subjective. Analysing a wide range of literature-from Augustine, Shakespeare, Spinoza and Deleuze to Kafka, Sylvia Plath, Philip Roth, W. G. Sebald and Jonathan Littell-Michael Mack rethinks ethical attitudes towards the long or eternal life. In so doing he shows how philosophy and literature turn representation against itself to expose the hollowness of theologically grand concepts that govern our secular approach towards ethics, economics and medicine. Philosophy and literature help us resist our current infatuation with numbers and the numerical and contribute towards a future politics that is at once singular and diverse.

This book argues for the importance, and societal impact, of the study of the arts and humanities, and of literature in particular. The capacity of the arts and the humanities, and of literature in particular, to have a meaningful societal impact has been increasingly undervalued in recent history. Both humanists and scientists have tended to think of the arts as a means to represent the world via imagination. Mack maintains that the arts do not merely describe our world but that they also have the unique and under appreciated power to make us aware of how we can change accustomed forms of perception and action. Mack explores the works of prominent writers and thinkers, including Nietzsche, Foucault, Benjamin, Wilde, Roth, and Zizek, among others, to illustrate how literature interacts with both people and political as well as scientific issues of the real world. By virtue of its distance from the real world - its virtuality - the aesthetic has the capability to help us explore different and so far unthinkable forms of action and thereby to resist the repetition and perpetuation of harmful practices such as stereotyping, stigma, exclusion, and the exertion of violence.

Considering the support behind Brexit and Donald Trump’s ‘America first’ policies, this book challenges the idea that they are motivated solely by fear and instead looks at the hope and promises that drive these renewed forms of nationalism. Addressing these neglected motivations within contemporary populism, Michael Mack explores how our current sense of disappointment with our ecological, economic and political state of affairs partakes of a history of failed promises that goes back to the inception of modernity; namely, to Spinoza’s radical enlightenment of diversity and equality. Through this innovative approach, Spinoza emerges less as a single isolated figure and more as a sign for an intellectual constellation of thinkers and writers who – from the romantics to contemporary theory and literature – have introduced various shifts in the way we see humanity as being limited and prone to disappointment. Combining intellectual history with literary and scientific theory, the book traces the collapse of traditional values and orders from Spinoza to Nietzsche and then to the literary modernism of Joseph Conrad and postmodernism of Philip Roth and Thomas Pynchon.

In "German Idealism and the Jew," Michael Mack uncovers the deep roots of anti-Semitism in the German philosophical tradition. While many have read German anti-Semitism as a reaction against Enlightenment philosophy, Mack instead contends that the redefinition of the Jews as irrational, oriental Others forms the very cornerstone of German idealism, including Kant's conception of universal reason.
Offering the first analytical account of the connection between anti-Semitism and philosophy, Mack begins his exploration by showing how the fundamental thinkers in the German idealist tradition--Kant, Hegel, and, through them, Feuerbach and Wagner--argued that the human world should perform and enact the promises held out by a conception of an otherworldly heaven. But their respective philosophies all ran aground on the belief that the worldly proved incapable of transforming itself into this otherworldly ideal. To reconcile this incommensurability, Mack argues, philosophers created a construction of Jews as symbolic of the "worldliness" that hindered the development of a body politic and that served as a foil to Kantian autonomy and rationality.
In the second part, Mack examines how Moses Mendelssohn, Heinrich Heine, Franz Rosenzweig, and Freud, among others, grappled with being both German and Jewish. Each thinker accepted the philosophies of Kant and Hegel, in varying degrees, while simultaneously critiquing anti-Semitism in order to develop the modern Jewish notion of what it meant to be enlightened--a concept that differed substantially from that of Kant, Hegel, Feuerbach, and Wagner. By speaking the unspoken in German philosophy, this book profoundly reshapes our understanding ofit.

Spinoza and the Specters of Modernity draws new theoretical conclusions from a study of Spinoza's legacy in the age of Goethe and beyond, largely transmitted through the writings of Herder, that will have implications for the study of German intellectual history and, more broadly, the study of religion and literature. Michael Mack describes how a line of writers and thinkers re-configured Spinoza's ideas and how these ideas thus became effective in society at large. Mack shows that the legacy of Spinoza is important because he was the first thinker to theorize narrative as the constitutive fabric of politics, identity, society, religion and the larger sphere of culture. Indeed, Mack argues for Spinoza's writings on politics and ethics as an alternative to a Kantian conception of modernity.