A sweeping and eye-opening study of wealth inequality and the dismantling of local government in four working-class US cities that passionately argues for reinvestment in people-centered leadership and offers "a welcome reminder of what government can accomplish if given the chance" (San Francisco Chronicle). Decades of cuts to local government amidst rising concentrations of poverty have wreaked havoc on communities left behind by the modern economy. Some of these discarded places are rural. Others are big cities, small cities, or historic suburbs. Some vote blue, others red. Some are the most diverse communities in America, while others are nearly all white, all Latino, or all Black. All are routinely trashed by outsiders for their poverty and their politics. Mostly, their governments are just broke. Forty years after the anti-tax revolution began protecting wealthy taxpayers and their cities, our high-poverty cities and counties have run out of services to cut, properties to sell, bills to defer, and risky loans to take. In this "astute and powerful vision for improving America" (Publishers Weekly), urban law expert and author Michelle Wilde Anderson offers unsparing, humanistic portraits of the hardships left behind in four such places. But this book is not a eulogy or a lament. Instead, Anderson travels to four blue-collar communities that are poor, broke, and progressing. Networks of leaders and residents in these places are facing down some of the hardest challenges in American poverty today. In Stockton, California, locals are finding ways, beyond the police department, to reduce gun violence and treat the trauma it leaves behind. In Josephine County, Oregon, community leaders have enacted new taxes to support basic services in a rural area with fiercely anti-government politics. In Lawrence, Massachusetts, leaders are figuring out how to improve job security and wages in an era of backbreaking poverty for the working class. And a social movement in Detroit, Michigan, is pioneering ways to stabilize low-income housing after a wave of foreclosures and housing loss. Our smallest governments shape people's safety, comfort, and life chances. For decades, these governments have no longer just reflected inequality-they have helped drive it. But it doesn't have to be that way. Anderson shows that "if we learn to save our towns, we will also be learning to save ourselves" (The New York Times Book Review).

On Election Day in 2016, it seemed unthinkable to many Americans that Donald Trump could become president of the United States. But the victories of the Obama administration hid from view fundamental problems deeply rooted in American social institutions and history. The election's consequences drastically changed how Americans experience their country, especially for those threatened by the public outburst of bigotry and repression. Amid the deluge of tweets and breaking news stories that turn each day into a political soap opera, it can be difficult to take a step back and see the big picture. To confront the threats we face, we must recognize that the Trump presidency is a symptom, not the malady. Antidemocracy in America is a collective effort to understand how we got to this point and what can be done about it. Assembled by the sociologist Eric Klinenberg as well as the editors of the online magazine Public Books, Caitlin Zaloom and Sharon Marcus, it offers essays from many of the nation's leading scholars, experts on topics including race, religion, gender, civil liberties, protest, inequality, immigration, climate change, national security, and the role of the media. Antidemocracy in America places our present in international and historical context, considering the worldwide turn toward authoritarianism and its varied precursors. Each essay seeks to inform our understanding of the fragility of American democracy and suggests how to protect it from the buried contradictions that Trump's victory brought into public view.

On Election Day in 2016, it seemed unthinkable to many Americans that Donald Trump could become president of the United States. But the victories of the Obama administration hid from view fundamental problems deeply rooted in American social institutions and history. The election's consequences drastically changed how Americans experience their country, especially for those threatened by the public outburst of bigotry and repression. Amid the deluge of tweets and breaking news stories that turn each day into a political soap opera, it can be difficult to take a step back and see the big picture. To confront the threats we face, we must recognize that the Trump presidency is a symptom, not the malady. Antidemocracy in America is a collective effort to understand how we got to this point and what can be done about it. Assembled by the sociologist Eric Klinenberg as well as the editors of the online magazine Public Books, Caitlin Zaloom and Sharon Marcus, it offers essays from many of the nation's leading scholars, experts on topics including race, religion, gender, civil liberties, protest, inequality, immigration, climate change, national security, and the role of the media. Antidemocracy in America places our present in international and historical context, considering the worldwide turn toward authoritarianism and its varied precursors. Each essay seeks to inform our understanding of the fragility of American democracy and suggests how to protect it from the buried contradictions that Trump's victory brought into public view.

Classic drama from Alfred Hitchcock. In 1831, Irishman Charles Adare (Michael Widling) travels to Australia to start a new life with the help of his cousin who has just been appointed governor. When he arrives he meets powerful landowner and ex-convict Sam Flusky (Joseph Cotten), who wants to do a business deal with him. Whilst attending a dinner party at Flusky's house, Charles meets Flusky's wife Henrietta (Ingird Bergman) who he had known as a child back in Ireland. Henrietta is an alcoholic and seems to be on the verge of madness.

This book is open access under a CC BY license. This book is the first to develop explicit methods for evaluating evidence of mechanisms in the field of medicine. It explains why it can be important to make this evidence explicit, and describes how to take such evidence into account in the evidence appraisal process. In addition, it develops procedures for seeking evidence of mechanisms, for evaluating evidence of mechanisms, and for combining this evaluation with evidence of association in order to yield an overall assessment of effectiveness. Evidence-based medicine seeks to achieve improved health outcomes by making evidence explicit and by developing explicit methods for evaluating it. To date, evidence-based medicine has largely focused on evidence of association produced by clinical studies. As such, it has tended to overlook evidence of pathophysiological mechanisms and evidence of the mechanisms of action of interventions. The book offers a useful guide for all those whose work involves evaluating evidence in the health sciences, including those who need to determine the effectiveness of health interventions and those who need to ascertain the effects of environmental exposures.

Noel Coward co-directed, wrote and starred in this patriotic World War II drama about a destroyer, told through flashbacks and the reminiscences of the surviving crew after their beloved ship is torpedoed. Coward was awarded a Special Oscar for 'outstanding production achievement'. Also included is a 'making of' documentary.

Podcasts boomen: Immer mehr Anbieter drangen mit eigenen Formaten auf den Markt. Gleichzeitig nimmt die regelmassige Nutzung in allen Publikumsgruppen stetig zu. Diesen vielfaltigen Potenzialen des neuen Mediums steht eine in Deutschland noch verhaltnismassig uberschaubare Forschungslage gegenuber. Der Sammelband soll dazu beitragen, Podcasts als neues Forschungsfeld der Medien- und Kommunikationswissenschaft abzustecken. Der Sammelband erstreckt sich thematisch von den Podcaster*innen, dem Medium und seinen inhaltlichen Besonderheiten bis hin zum Rezeptionsprozess und den Hoerer*innen.

World War Two drama starring James Mason. When four intelligence officers arrive in occupied France on a mission to determine the strength of the German forces, they know full well that they are on a suicide mission. But once they penetrate the Nazi headquarters, can they survive long enough to get their information to the British troops? Roland Culver, Michael Wilding and Hugh Williams co-star.

After his abdication Napoleon Bonaparte (Rod Steiger) is exiled to the island of Elba. However, he escapes to be reunited with his generals and troops, and mounts a last desperate bid for power at the what is now known as the Battle of Waterloo. He has, however, reckoned without the British forces led by Arthur Welsley, the Duke of Wellington, who had just returned from a successful campaign in Spain.

6-movie collection of Hitchcock classics features.

North By Northwest:
North By Northwest is a suspense thriller that finds Cary Grant in the role of Roger Thornhill, a Manhattan advertising executive mistaken for a spy. Considered by many to be the prototypical pure action movie (creating the template for later James Bond and Indiana Jones films), the film is a cross-country roller-coaster ride with Alfred Hitchcock at the helm. The film is duly famous for several classic and indelible scenes, including the desert biplane encounter and the Mt. Rushmore climax.

The Wrong Man:
Hitchcock movie starring Henry Fonda and Vera Miles. Manny Ballestero is an honest hardworking musician at New York's Stork Club. When his wife needs money for dental treatment, Manny goes to the local insurance office to borrow on her policy. Employees at the office mistake him for a hold-up man who robbed them the year before and the police are called. The film tells the true story of what happened to Manny and his family.

Dial M For Murder:
Classic Hitchcock movie starring Grace Kelly and Ray Milland. Ex-tennis pro Tony Wendice decides to murder his wife for her money and because she had an affair the year before. He blackmails an old college associate to strangle her, but when things go wrong he sees a way to turn events to his advantage.

I Confess:
Hitchcock movie starring Montgomery Clift and Anne Baxter. Otto Kellar and his wife Alma work as caretaker and housekeeper at a Catholic church in Quebec. Whilst robbing a house where he sometimes works as a gardener, Otto is caught and kills the owner. Racked with guilt he heads back to the church where Father Michael Logan is working late. Otto confesses his crime, but when the police begin to suspect Father Logan he cannot reveal what he has been told in the confession.

Strangers On A Train:
Based on the Patricia Highsmith novel, Strangers On A Train quickly became one of Alfred Hitchcock's most successful thrillers and remains one of his most popular films. En route from Washington, D.C., champion tennis player Guy Haines (Farley Granger) meets pushy playboy Bruno Anthony (Robert Walker). What begins as a chance encounter turns into a series of morbid confrontations, as Bruno manipulates his way into Guy's life. Bruno is eager to kill his father and knows Guy wants to marry a senator's daughter (Ruth Roman) but cannot get a divorce from his wife, Miriam (Laura Elliot). So Bruno suggests the men swap murders, which would leave no traceable clues or possible motives. Though Guy refuses, it will not be so easy to rid himself of the psychopathic Bruno. The film is tightly paced and disturbing from beginning to end, an effect heightened by Hitchcock's inventive camera work, including a terrifying sequence shot through a pair of eyeglasses that have been knocked to the ground.

Stage Fright:
Hitchcock movie starring Jane Wyman and Marlene Dietrich. Jonathan Cooper is wanted by the police who suspect him of killing his lover's husband. His friend Eve Gill offers to hide him and Jonathan explains to her that his lover, actress Charlotte Inwood is the real murderer. Eve decides to investigate for herself, but when she meets the detective in charge of the case, she starts to fall in love.

Collection of ten classic films from the award-winning British director. In 'The Sound Barrier' (1952), Ralph Richardson stars as an aircraft manufacturer whose all-consuming passion with making the ultimate supersonic jet kills both his son and son-in-law and almost destroys him and the rest of his family. In 'Hobson's Choice' (1953), Lancashire bootmaker Henry Horatio Hobson (Charles Laughton) keeps a tight rein on his three daughters until his eldest, Maggie (Brenda De Banzie), marries his assistant, Willie Mossop (John Mills), and sets him up in his own bootmaking firm. To Hobson's consternation, Willie has soon become his father-in-law's main business rival. In 'Blithe Spirit' (1945), cynical writer, Charles Condomine (Rex Harrison), asks a medium (Margaret Rutherford) to hold a seance in his house so he can collect material for his latest book. No one is more surprised than the medium when she inadvertently conjures up the ghost of Condomine's first wife (Kay Hammond). The ghost refuses to go away, preferring to taunt her less sophisticated replacement (Constance Cummings). In 'Brief Encounter' (1945), a respectable, happily married doctor (Trevor Howard) comes to the aid of an equally upstanding housewife (Celia Johnson) when a passing train blows cinder into her eye. Thus begins a tentative romance, conducted in the tearooms and railway cafe of a small English town. In 'Great Expectations' (1946), orphan, Pip (Anthony Wager), befriends an escaped convict before being elevated to higher circles as the companion of Miss Havisham and her niece, Estella (Jean Simmons), with whom the boy quickly falls in love. When the adult Pip (Mills) discovers a mysterious benefactor has paved the way for him to become a gentleman, he assumes Miss Havisham is responsible. In 'Oliver Twist' (1948), Oliver (John Howard Davis) is a young orphan boy who is expelled from the workhouse run by Mr Bumbel (Francis L. Sullivan). After becoming an apprentice to an undertaker, Oliver decides to run away to London, only to meet the Artful Dodger (Anthony Newley) and fall amongst his gang of thieves, led by the scheming Fagin (Alec Guinness). In 'Madeleine' (1949), Madeleine (Ann Todd) is the eldest daughter in a respectable Victorian Glasgow family. She begins an affair with Frenchman, Emile L'Anglier (Ivan Desny), without her father's knowledge. Meanwhile, Madeleine's father insists on her seeing various suitors. When Madeleine becomes engaged to William Minnoch (Norman Wooland), Emile threatens to reveal their relationship. 'The Passionate Friends' (1944) is an episodic tale of an average working class family in the interwar years. The story traces the melodrama caused by illicit affairs, family bereavement, the first ripples of women's liberation and political instability in the country during the General Strike. It highlights the fact that these internal wranglings are all happening in one house in an average street, and that each average house has its own dramatic stories to tell. Finally, 'In Which We Serve' (1942) is a World War II drama about a destroyer, told through flashbacks and the reminiscences of the surviving crew after their beloved ship is torpedoed.

Diplomarbeit aus dem Jahr 2007 im Fachbereich BWL - Unternehmensfuhrung, Management, Organisation, Note: 3,0, Fachhochschule Technikum Wien (Studiengang Wissensmanagement), 50 Quellen im Literaturverzeichnis, Sprache: Deutsch, Abstract: Der Hauptfokus dieser Arbeit liegt am Informations- und Wissensaustausch uber das Intranet. In den meisten Unternehmen befindet sich bereits ein Intranet im Einsatz. Es sind die unterschiedlichsten Technologien anzutreffen. Die dahinter steckende Grundidee haben alle gemeinsam. Es geht darum, eine organisationsinterne Moglichkeit zu bieten, sich auszutauschen, Informationen zur Verfugung zu stellen und Arbeitsablaufe zu unterstutzen. Doch nicht immer wird das Intranet von den MitarbeiterInnen entsprechend genutzt. Trotz der Bemuhungen, alle notwendigen Informationen in diesem Medium zur Verfugung zu stellen, werden von den MitarbeiterInnen andere Medien und Wege fur die Beschaffung dieser Informationen verwendet. Dies ist oft auch der Anlass, dass bestehende Intranet - Seiten einem so genannten Relaunch unterzogen werden. Das heisst es wird das Intranet auf die aktuellsten Technologien umgestellt, um damit den MitarbeiterInnen die beste Unterstutzung zur Verfugung zu stellen zu konnen. Oft zeigt sich jedoch, dass die Umstellung auf eine neuere Technologie nicht den gewunschten Effekt bei der Intranet-Nutzung erzielt. Anhand des Fallbeispiels soll gezeigt werden, wie eine mogliche Vorgangsweise zur Verbesserung der Intranet-Nutzung aussehen konnte

Der schweizerdeutsche Konjunktiv kann sich besser gegen den Indikativ behaupten als der standarddeutsche, dessen Formen vielfach mit denjenigen des Indikativs zusammenfallen. Haufig hat man darin den Grund fur die besondere Vitalitat des schweizerdeutschen Konjunktivs gesehen. Doch wie lebendig ist er in der aktuellen Sprachverwendung wirklich? Welche raumlichen Gliederungen innerhalb der schweizerdeutschen Dialektlandschaft ergeben sich im Zusammenhang mit dem Konjunktiv? Wie unterscheidet sich sein Formen- und Verwendungsspektrum von dem des standarddeutschen Konjunktivs? Welche Rolle spielt die analytische Bildung des Konjunktivs Prateritum und welches Hilfsverb wird dafur verwendet? Diese und weitere Fragen werden auf der Basis selbsterhobener Daten diskutiert.