This book, first published in 1973, examines the period when wars, famines and epidemics bred widespread conflicts, culminating in the revolutionary years of 1378–82 with the Florentine ‘Ciompi’, revolts in Flanders and France and the risings among English labourers. The analysis ends with the Hussite crisis which gave the movement a new aspect. The troubles were varied, with hunger riots in cities and brigandage in the country, open struggles between lords and peasants, urban conflicts over municipal power, and labour conflicts over pay and hours.

This book, first published in 1973, examines the period when wars, famines and epidemics bred widespread conflicts, culminating in the revolutionary years of 1378-82 with the Florentine 'Ciompi', revolts in Flanders and France and the risings among English labourers. The analysis ends with the Hussite crisis which gave the movement a new aspect. The troubles were varied, with hunger riots in cities and brigandage in the country, open struggles between lords and peasants, urban conflicts over municipal power, and labour conflicts over pay and hours.

In the 1960s, art patron Dominique de Menil founded an image archive showing the ways that people of African descent have been represented in Western art. Highlights from her collection appeared in three large-format volumes that quickly became collector's items. A half-century later, Harvard University Press and the Du Bois Institute are proud to publish a complete set of ten sumptuous books, including new editions of the original volumes and two additional ones. Africans in the Christian Ordinance of the World, written by a small team of French scholars, has established itself as a classic in the field of medieval art. The most striking development in this period was the gradual emergence of the black Magus, invariably a figure of great dignity, in the many representations of the Adoration of the Magi by the greatest masters of the time. The new introduction by Paul Kaplan provides a fresh perspective on the image of the black in medieval European art and contextualizes the classic essays on the subject.