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John Locke's complex masterpiece, "An Essay of Human
Understanding," was a sustained attack on the dogmatism of the day
and the last great work of philosophical realism before the onset
of idealism. One of the most influential books in the history of
thought, it is the most renowned work of the great English
philosopher. Originally published in two volumes, this one-volume
edition of "Locke" examines the historical meaning and
philosophical significance of this work through careful
explanations of the context of debate to which it was a decisive
contribution. The first volume of this comprehensive work focuses
on Locke's "Essay" from the epistemological side, and the second
turns to the concepts of Locke's ontology--substance, mode,
essence, law, and identity.
This book is available either individually, or as part of the
specially-priced Arguments of the Philosphers Collection.
First published in 1999. Routledge is an imprint of Taylor &
Francis, an informa company.
The internet played a central role in some of the most memorable instances of contemporary political activism. On-line information sites enabled more than 70,000 protestors to come together to take on the World Trade Organization at the "Battle of Seattle" in 1999; similar ad-hoc groups were assembled at the April 2000 World Bank protests in Washington, D.C., at George W. Bush's inauguration, and most recently at the World Economic Forum in New York. Cyberactivism examines the growing importance of on-line activism. The contributors show how online activists have used new technologies as a tool for change, and how they have given new meaning to terms such as 'activism' and 'community'. Topics addressed include the Mexican Zapatista movement's use of the web to promote their cause globally, and the activities of 'hacktivists' who disrupt commercial computer websites.
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Locke (Hardcover)
Michael Ayers
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R3,954
Discovery Miles 39 540
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Ships in 12 - 17 working days
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John Locke is the greatest English philosopher. An Essay Concerning
Human Understanding, one of the most influential books in the
history of thought, is his greatest work. In this study the
historical meaning and philosophical significance of Locke's Essay
are investigated more comprehensively than ever before. Locke was
originally published in two volumes, Epistemology and Ontology.
This paperback edition has within its covers the full text of both
volumes.
The internet played a central role in some of the most memorable instances of contemporary political activism. On-line information sites enabled more than 70,000 protestors to come together to take on the World Trade Organization at the "Battle of Seattle" in 1999; similar ad-hoc groups were assembled at the April 2000 World Bank protests in Washington, D.C., at George W. Bush's inauguration, and most recently at the World Economic Forum in New York. Cyberactivism examines the growing importance of on-line activism. The contributors show how online activists have used new technologies as a tool for change, and how they have given new meaning to terms such as 'activism' and 'community'. Topics addressed include the Mexican Zapatista movement's use of the web to promote their cause globally, and the activities of 'hacktivists' who disrupt commercial computer websites.
What is knowledge? What, if anything, can we know? In Knowing and
Seeing, Michael Ayers recovers the insight in the traditional
distinction between knowledge and belief, according to which
'knowledge' stems from direct and perspicuous cognitive contact
with ('seeing') its object, whereas 'belief' relies on 'extraneous'
justification. He conducts a careful phenomenological analysis of
what it is to perceive one's environment as one's environment, the
result of which is not only direct realism, but recognition that in
being perceptually aware of anything we are at the same time
perceptually aware of how we are aware of it. Perceptual knowing
comes with knowing how you know. Some other forms of knowledge are
similarly direct and perspicuous, but not all; a distinction is
accordingly drawn between primary and secondary knowledge, and
Ayers argues that no secondary knowledge is possible without some
primary knowledge. Perceptual knowledge supplies the paradigm to
which other cases of knowledge are diversely analogous - hence the
notorious difficulty of defining knowledge. These conclusions,
supported by a detailed examination of the relations between
different grammatical constructions in which 'know', 'believe' and
'see' occur, fuel extended critiques of two lines of thought
influential in contemporary epistemology: John McDowell's
conceptualist and intellectualist account of perceptual knowledge,
and Fred Dretske's 'externalist' employment of sceptical argument.
Ayers unpicks the arguments for these other views, explains the
failure of recent attempts at a comprehensive definition of
knowledge, explores the tight relation between knowledge and
certainty, and gives an account of how 'defeasibility' should and
should not be understood in epistemology.
Before 1850, all legal executions in the South were performed
before crowds that could number in the thousands; the last legal
public execution was in 1936. This study focuses on the shift from
public executions to ones behind barriers, situating that change
within our understandings of lynching and competing visions of
justice and religion. Intended to shame and intimidate, public
executions after the Civil War had quite a different effect on
southern Black communities. Crowds typically consisting of as many
Black people as white behaved like congregations before a macabre
pulpit, led in prayer and song by a Black minister on the scaffold.
Black criminals often proclaimed their innocence and almost always
their salvation. This turned the proceedings into public,
mixed-race and mixed-gender celebrations of Black religious
authority and devotion. In response, southern states rewrote their
laws to eliminate these crowds and this Black authority, ultimately
turning to electrocutions in the bowels of state penitentiaries. In
just the same era when a wave of lynchings crested around the turn
of the twentieth century, states transformed the ways that the
South's white-dominated governments controlled legal capital
punishment, making executions into private affairs witnessed only
by white people.
Before 1850, all legal executions in the South were performed
before crowds that could number in the thousands; the last legal
public execution was in 1936. This study focuses on the shift from
public executions to ones behind barriers, situating that change
within our understandings of lynching and competing visions of
justice and religion. Intended to shame and intimidate, public
executions after the Civil War had quite a different effect on
southern Black communities. Crowds typically consisting of as many
Black people as white behaved like congregations before a macabre
pulpit, led in prayer and song by a Black minister on the scaffold.
Black criminals often proclaimed their innocence and almost always
their salvation. This turned the proceedings into public,
mixed-race and mixed-gender celebrations of Black religious
authority and devotion. In response, southern states rewrote their
laws to eliminate these crowds and this Black authority, ultimately
turning to electrocutions in the bowels of state penitentiaries. In
just the same era when a wave of lynchings crested around the turn
of the twentieth century, states transformed the ways that the
South's white-dominated governments controlled legal capital
punishment, making executions into private affairs witnessed only
by white people.
Occasionally in life we come across something that is different and
quite exceptional. `Living Proof' comes in that category. It is not
often that a mature male opens his heart and mind to the world in
order that other people can feel and follow the traumas he has gone
through seeing his wife die. The difference in this book is the way
Michael Ayers' wife, Libby, has been able to reach back to him from
the Spirit World in order to help him overcome the depression
following her death and to develop his own spiritual gifts that
serve to guide and comfort others.
Kayla is a 17 year-old girl who has a unique best friend. He has
helped Kayla through many rough times. He was there when she lost a
very important person in her life and when a friend of hers got
into some serious trouble. What makes this best friend so unique?
He's an angel. An Archangel to be exact. Archangel Michael (St.
Michael): Chief of the Army of God and Patron Saint of police
officers and soldiers. He's also Kayla's protector and best friend.
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Nightcrawlers (Paperback)
Will Grant; Michael Ayers
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R246
R206
Discovery Miles 2 060
Save R40 (16%)
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Ships in 10 - 15 working days
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NIGHTCRAWLERS lurk in the woods looking for hapless travelers,
adventuring heroes, anyone fool enough to wander out when the moon
is full. They have their say in everyone's life, even though they
are rarely seen by anyone still around to talk about it. "This was
no ordinary death I ran from." NIGHTCRAWLERS collects for the first
time the thrilling fantasy series by Mike Ayers and Will Grant.
This book covers mass media and the sensational crime.Centered on a
series of dramatic murders in nineteenth- and early
twentieth-century Richmond, Virginia, ""The Body in the Reservoir""
uses these gripping stories of crime to explore the evolution of
sensationalism in southern culture.In Richmond, as across the
nation, the embrace of modernity was accompanied by the prodigious
growth of mass culture and its accelerating interest in lurid
stories of crime and bloodshed. But while others have emphasized
the importance of the penny press and yellow journalism on the
shifting nature of the media and cultural responses to violence,
Michael Trotti reveals a more gradual and nuanced story of change.
In addition, Richmond's racial makeup (one-third to one-half of the
population was African American) allows Trotti to challenge
assumptions about how black and white media reported the
sensational; the surprising discrepancies offer insight into just
how differently these two communities experienced American
justice.An engaging look at the connections between culture and
violence, this book gets to the heart - or perhaps the shadowy
underbelly - of the sensational as the South became modern.
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