The language of the Bible can be beautiful but profoundly elusive, possessing a strangeness that only deepens the committed reader’s sense of its impenetrability. Based on the 2022 Richard E. Myers lectures given by renowned literary scholar Michael Edwards—the first Englishman ever elected to the Académie française—this book offers a close reading of the Bible itself, directing attention to the text rather than to commentaries or to ostensible lessons to be discovered by paraphrase. Edwards explores the apparently simple instruction in Proverbs to eat honey and reveals unexpected complexity. He sounds the unfathomable depths of St. Paul’s revelation that the Christian has "died" and yet now lives in Christ—and goes on to ask what it would mean to take the awesome expression "the kingdom of heaven is at hand" seriously. Three final meditations complete the movement by scrutinizing the visionary world of Revelation: the riddle of the work’s composition, of its images, and of the enigmatic time in which its events occur.

The year is 2097. Far beneath the Caribbean Sea the huge Transcontinental Highway Tunnel links the Americas. Stretching from Florida to Santa Marta, Colombia, South America. This smart road allows commuters to travel in high-speed comfort and ease. These computer controlled one hundred ninety mile-an-hour hydrogen powered Mag-lev. hover cars are the fastest, safest ground vehicles ever mass produced in history. With their sophisticated computer guidance and smart road technology nothing ever goes wrong. well almost never When things go wrong at one hundred ninety miles an hour in a place like the Transcontinental Highway Tunnel it takes a special kind of individual to deal with the Consequences. That's where the brave men and women of the rescue corps come in to play. Meet rescue team Delta Niner four of the best in the business. Follow them on this fateful mission to the bottom of the Caribbean Sea, for tonight's mission will be no ordinary occasion. Rescue Delta Niner is a gripping tale from its high-speed beginning to its suspenseful climax. See Zack See Zack run. See Zack have a bad night. See Zack have a very, very bad night

This volume inaugurates a new critical edition of the writings of the great English philosopher and sage Francis Bacon (1561-1626) - the first such complete edition for more than a hundred years. It contains six of Bacon's Latin scientific works, each accompanied by entirely new facing-page translations which, together with the extensive introduction and commentaries, offer fresh insights into one of the great minds of the early seventeenth century.

A guide for the modern young man. Wizdumz: 99 For Men, 1 For Women, will guide you through the uncertainties of the life ahead and help you avoid the nonsense spewed with righteous certitude by various fools and villains.

In the past two decades, '"civil society" has become a central organizing concept in the social sciences. Occupying the middle ground between the state and private life, the civil sphere encompasses everything from associations to protests to church groups to nongovernmental organizations. Interest in the topic exploded with the decline of statism in the 1980s and 1990s, and many of our current debates about politics and social policy are informed by the renewed focus on civil society. Michael Edwards, author of the most authoritative single-authored book on civil society, serves as the editor for The Oxford Handbook of Civil Society. Broadly speaking, the book views the topic through three prisms: as a part of society (voluntary associations), as a kind of society (marked out by certain social norms), and as a space for citizen action and engagement (the public square or sphere). It does not focus solely on the West (a failing of much of the literature to date), but looks at civil society in both the developed and developing worlds. Throughout, it merges theory, practice, and empirical research. In sum, The Oxford Handbook on Civil Society will be the definitive work on the topic.

This volume sets out to challenge and ultimately broaden the category of the 'photobook'. It critiques the popular art-market definition of the photobook as simply a photographer's book, proposing instead to show how books and photos come together as collective cultural productions. Focusing on North American, British and French photobooks from 1920 to the present, the chapters revisit canonical works - by Claudia Andujar and George Love, Mohamed Bourouissa, Walker Evans, Susan Meiselas and Roland Penrose - while also delving into institutional, digital and unrealised projects, illegal practices, DIY communities and the poetic impulse. They throw new light on the way that gendered, racial or colonial assumptions are resisted. Taken as a whole, the volume provides a better understanding of how the meaning of a photobook is collectively produced both inside and outside the art market. -- .

As Western aid budgets are slashed and government involvement with aid programmes reduced, NGOs in the voluntary sector are finding themselves taking an ever-increasing share of development work overseas. As they do so, they are forced to grow and to assume new responsibilities, taking more important and wide-ranging decisions - in many cases, without having had the chance to step back and review the options before them and the best ways of maximizing the impact they make. This collection of essays explores the strategies available to NGOs to enhance their development work, reviewing the ways that options can be understood, appropriate programmes and likely problems.

The last decade has seen some significant changes in international development and in the status of non-governmental organisations operating in the field. Not only has the number of NGOs virtually doubled; many of them have seen a considerable growth in their budgets, and have grown closer to governments and official aid agencies. NGOs are acknowledged by many to be more effective agents of development than governments or commercial interests ? even as a ?magic bullet? for development problems. Despite these positive trends, the real impact of the NGO sector is not well documented. This is partly because NGO performance-assessment and accountability methods are weak, and partly because NGOs are caught up increasingly in the world of official aid, which pushes them towards certain forms of evaluation at the expense of others. This unique book takes a hard and critical look at these issues, and describes how NGOs can, and must, improve the way they measure and account for their performance if they are to be truly effective.

The fundamental and very important property of inertia has never been well understood. This book shows how inertia has puzzled many scientists such as Galileo and Mach, and then presents a new theory that explains inertia for the first time, and also predicts galaxy rotation without dark matter, cosmic acceleration and some other anomalies. Further evidence for, and tests of, the theory are presented and exciting applications such as new inertial launch methods and the theoretical possibility of faster than light travel will be discussed. To allow readers to use the theory themselves, some simple maths is included, and to help explain the points made, there are numerous cartoons by the author.

In the last ten years, NGOs have become a force for transformation in global politics and economics. Their numbers and size have grown dramatically and they have assumed far more extensive responsibilities as intermediaries between governments, businesses and other institutions, and local communities and citizens. With this growth has come an ever-more pressing requirement for effective management among NGOs and their operations.Focusing on development organizations working on issues of poverty and injustice, but relevant to NGOs in all sectors, this volume brings together a selection of key writings on how NGOs can position and organize themselves to achieve maximum impact and effectiveness. The editors set out the management challenges facing NGOs in a stimulating Introduction followed by a range of contributions divided into ten sets of issues.

Civil society, or citizen's groups, have taken centre stage in international policy debates and global problem solving. They hold out the promise of a global community and global governance. This volume, by leading scholars and participants, shows how to understand the changes that are occurring, particularly in relation to the international institutions involved. It includes case studies from all the major social movements of the 1990s.

Can we abolish global poverty? Should we do away with foreign aid? Is the United Nations redundant? Why should I bother? Can I help?Mike Edwards offers timely answers to issues that have been propelled to center stage. "Future Positive" is a comprehensive and authoritative rethink of an international system facing a period of unprecedented change. In a world of globalizing markets, eroding state sovereignty, expanding citizen action and uncertainty about fundamental truths, what is the best way to tackle problems of global poverty and violence?Michael Edwards charts a "third way" between heavy-handed intervention and complete laissez-faire. Covering an enormous amount of ground in clear, lively and non-technical terms, "Future Positive" explains how the international system operates, the pressures it faces, and the changes it must undergo, and offers concrete new ideas to re-frame international relations and foreign aid.

The last decade has seen some significant changes in international development and in the status of non-governmental organisations operating in the field. Not only has the number of NGOs virtually doubled; many of them have seen a considerable growth in their budgets, and have grown closer to governments and official aid agencies. NGOs are acknowledged by many to be more effective agents of development than governments or commercial interests ? even as a ?magic bullet? for development problems. Despite these positive trends, the real impact of the NGO sector is not well documented. This is partly because NGO performance-assessment and accountability methods are weak, and partly because NGOs are caught up increasingly in the world of official aid, which pushes them towards certain forms of evaluation at the expense of others. This unique book takes a hard and critical look at these issues, and describes how NGOs can, and must, improve the way they measure and account for their performance if they are to be truly effective.

In The 21st-Century Voice: Contemporary and Traditional Extra-Normal Voice, Michael Edward Edgerton considers contemporary vocal techniques within an acoustic and anatomical framework. Throughout, he proposes new directions for vocal exploration. Much more than a historical treatise on 20th-century masterworks or vocal science, The 21st-Century Voice explores experimental methods of sound production, offering a systematic series of approaches and methods for assessing, engaging, and, in some instances, overcoming the assumed limits of vocal singing. Appearing a decade after the publication of the first edition, this second edition draws on and advances our current understandings of voice production. Divided into four parts-air flow, source, resonance/articulation, and heightened potentials-Edgerton considers crucial matters affecting vocal production, such as 1.Registral challenges 2.Filtering 3.Airflow modification 4.Combinatorial, multiphonic principles 5.Extreme voice possibilities 6.Multidimensional vocal issues With more than 250 illustrations, 150 associated audio tracks, an extended appendix on voice science, a glossary of key terms, and lists of representative compositions, The 21st-Century Voice will appeal to composers and performers interested in exploring the ever-broadening range of vocal possibilities. Its engagement with the complexities of vocal production should also be relevant to students and scholars of voice science, acoustics, linguistics, computer modeling, and more.

The theme of Short Life is the brevity of life developed through several transparent stories from the life of Michael Edward Nichols. Most people want to live a meaningful life, but many end up living mundane, routine lives that seem to have no purpose. Many want to live well but lack the motivation to get started. Short Life aims to awaken every person to realize their time on earth is short and give practical tips on how to redeem the time the Lord has given those on earth. Michael Edward Nichols discovered the truth that focusing on one's own death can teach them how to live. Since, the quality of his life has been dramatically impacted by the realization that life is very short. Michael's goal is to be a catalyst for transformation in other people's lives from inside out. Part one of Short Life focuses on inner thoughts and attitudes. Part two concentrates more on outward behavior and relationships. The counter-cultural premise of Short Life challenges readers to actually think about his or her death as much as possible. Surprisingly, rather than causing one to become morbid or depressed, thinking about one's own death actually unleashes the power to live an authentic, full life.

In the last decade the use of non-governmental agencies (NGOs) to promote development and reduce poverty and hunger has become a major feature of development policy. Donors have poured funds into NGOs, governments have allocated them major responsibilities and their number and size has grown. Has this popularity helped them to solve the problems of poverty or has it changed them so that they are now part of the 'development industry' that they used to criticize?;This book provides the most detailed study available of the ways in which NGO-State-Donor relationships have changed the role that NGOs play in development. Its papers are introduced by two international experts on the topic and the contributors are leading academics and senior practitioners. The picture that emerges from the general reviews and detailed case studies of African, Asian and Latin American NGOs, is a complex one. However, the authors conclude that there is much evidence that NGOs are 'losing their roots' - getting closer to donors and governments and more distant to the poor and disempowered who they seek to assist.

Michael Edwards returned to the English tongue for his last book of poems, At the Brasserie Lipp (2019), after years as a French-language author. English revived many nerves of memory, and in Another Art of Poetry he explores them further, in ten chapters, each consisting of continuously numbered sections. There are 194 sections, so we can read the book as a continuous sequence, as ten discrete poems, or as single lyrics and epistles interspersed. There is something Augustan about the approach, humorous, alert, like a series of letters and reflections spoken to us. The formal variety of the sections reminds us how well Edwards knows his Eliot, Williams, Pound, his David Jones; he understands modernism and the other resources that inform the grateful poets who value our European and wider traditions. ('The godsend of influence.') Originality has to do with origins. 'Everything has been said,' he begins, 'and we come / just at the right moment.' His English re-visions once familiar landscapes in Wivenhoe, in Paris and elsewhere; it finds his antecedents, it restores access to belief and transcendence. Doorstones, an additional full collection, bridges the gap between At the Brasserie Lipp and this ars poetica.

Seated at a table in the celebrated Brasserie Lipp, the author experiences 'this in- / fernal ticking in the ink' and finds memory coming alive, recovering past moments as intensely present, spots of time which vivify him and his past. Through memory and poetry he experiences revelation of a Christian depth. England is a familiar yet now a foreign country: the author having written for years in French. 'English becomes / a strange tongue echoing readily with names / gainrising with the new-born world they name.' Distinct recollections open into one another, restored and changed in language. Music and painting, too, are evoked as windows on this world. The book includes ninety poems organised into thirty sections, each with three poems which are free-standing yet connected, speaking together. His English takes its bearings from the stress patterns of Anglo Saxon prosody. Not only the poet but his language itself returns to its beginnings.