This publication has its origin in the colloquium Animals and Otherness in the Middle Ages held at the Faculty of Geography and History at Complutense University in Madrid in February 2011. This publication aims to bring together scholars from a range of disciplines to consider the diverse use of animals in constructions of 'otherness'. It encompasses not only conceptualized difference, but also physical societal differences expressed in the varied treatment of real and imagined animals. The contributions also discuss the use of animals to emphasize contrast more broadly, such as the juxtaposition between good and evil, or positive and negative features.

The Hebrew Bible and art reside at the core of this book, which analyzes the iconographic representation of several women of the Bible. The contributors consider the ways in which the biblical texts regarding these women had been read and understood throughout time and the means by which they were represented. Each study also explores the different values associated with these representations according to the problems, worries and concerns of each period. Drawing upon disciplines such as theology, philology or history of art, the essays within this volume provide a cross-sectional, plural and rich approach. In focusing upon iconographic representation, numerous visual cultures of the last millennium are explored, and special emphasis is placed upon several integral biblical women such as Bathsheba, Moses' mother, the Pharaoh's Daughter, Ruth, Naomi and Deborah, and their lasting influence upon Western art and culture. This book pursues an understanding of the history of the transmission and reception of the Bible in general, and of the women of the Old Testament in particular.