Designing symbolic meaning into ornamentation is a long-standing Western artistic tradition, a practice deeply rooted in classical Greek and Roman art. The author directly addresses the question of why particular ornamental patterns of known symbolic significance were chosen by eighteenth century English gunmakers for Native American trade guns. The dynamic, multi-level allegorical symbolism is nothing less than astonishing. The origin of Native Americans as noble savages and as symbols of liberty are argued to be ideas firmly rooted in European classical mythology. Closely related is the development of national symbols of liberty within the American Revolution. A single overarching European allegorical framework is shown to provide a common symbolism of English trade guns, early images of American Indians, and the identity of the early American republic. Ornamentation of firearms gifted and traded to American Indians documents the use of these symbols. By drawing upon deep mythologies of Europe, English gun designers also inadvertently incorporated artwork having deep spiritual significance to many American Indians, helping to account for the long uninterrupted use of the ornamentations.

This book presents a much-needed review of commercial closures for bottles and jars used in America prior to World War II. Archaeological attention to commercial closures has been rather limited. This is surprising given that data derived from bottles and jars pertain to a wide range of studies, including chronological control, trade, site functions, and methods of manufacture. Closures are an integral part of these studies, becoming particularly important after a spectacular variety of metal and glass caps in the late nineteenth and early twentieth centuries. This volume-provides a comprehensive review, including detailed closure definitions, as well as glass finishes;-discusses the history of the development and impact of the hermetic seal in commercial closures;-will appeal to students, professionals, and collectors studying this common historic artifact class.

The movie Jeremiah Johnson introduced millions to the legendary mountain man, John Johnson. The real Johnson was a far cry from the Redford version. Standing 6'2" in his stocking feet and weighing nearly 250 pounds, he was a mountain man among mountain men, one of the toughest customers on the western frontier. As the story goes, one morning in 1847 Johnson returned to his Rocky Mountain trapper's cabin to find the remains of his murdered Indian wife and her unborn child. He vowed vengeance against an entire Indian tribe. Crow Killer tells of that one-man, decades-long war to avenge his beloved. Whether seen as a realistic glimpse of a long ago, fierce frontier world, or as a mythic retelling of the many tales spun around and by Johnson, Crow Killer is unforgettable. This new edition, redesigned for the first time, features an introduction by western frontier expert Nathan E. Bender and a glossary of Indian tribes.