“How ought one to live?� This is the question that obsesses London-based publisher Ayush, driving him to question every act of consumption. He embarks on a radical experiment in his own life and the lives of those connected to him: his practical, economist husband; their twins; and even the authors he edits and publishes. One of those authors, a mysterious M. N. Opie, writes a story about a young academic involved in a car accident that causes her life to veer in an unexpected direction. Another author, an economist, describes how the gift of a cow to an impoverished family on the West Bengal–Bangladesh border sets them on a startling path to tragedy. Together, these connected narratives raise the question: How free are we really to make our own choices? In a scathing, compassionate quarrel with the world, Neel Mukherjee confronts our fundamental assumptions about economics, race, appropriation, and the tangled ethics of contemporary life.

Neels Jackson, kerkjoernalis van byna 30 jaar, glo dat godsdiens grootliks gaan oor die nakoming van Jesus se oproep om Hom te volg. Vir hom het Jesus se liefde egter bepalende implikasies vir die gay debat. Sy empatie en liefde vir gay mense moet verstaan word in die lig van Jesus se onvoorwaardelike liefde vir die randfigure van sy tyd en hoe Hy teenoor die Fariseërs opgetree het. Die skrywer ontleed die sewe gay­tekste in die Bybel binne die konteks waarin dit geskryf is en kom tot die slotsom dat dit niks met homoseksualiteit te doen het nie. Die skrywer vul sy argument aan met die behandeling van 'n aantal misverstande oor gaywees en gay mense, asook ander argumente wat gaywees as sonde veroordeel. Hy voer dan ook aan dat Jesus se verruiming van die wet, asook die verskerping van die wet, vir ons die riglyn moet wees.

Where will you look for the biggest, tallest or most corpulent trees in South Africa, or trees that have witnessed major events in the country’s history? These interesting specimens, and many others, are found in parks, nature reserves, on farms, on town and city streets and in private gardens – some perhaps even right on the reader’s doorstep.
Remarkable Trees of South Africa journeys into the fascinating world of trees. Written in an easy, anecdotal style, the authors relate, in text and photographs, the historical, cultural and economical significance of South Africa’s trees. Also included are accounts of the major tree families, as well as an overview of trees as monuments and in botanical gardens, parks and arboreta.
Now in its second edition, the text has been completely updated with additional information on Champion Trees and the authors’ selection of the Big Five Trees of South Africa. Presented as a coffee-table book with full-colour photographs throughout, anyone with an interest in history and nature, South African flora in particular, will find this book an essential addition to their home library.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A book of moral and religious reflections written by a Carolingian noblewoman for her teenage son in the middle of the 9th century. Intended as a guide to right conduct, the book was to be shared in time with William's younger brother. Dhuoda's situation was poignant. Her husband, Bernard, the count of Septimania, was away and she was separated from her children. William was being held by Charles the Bald as a guarantee of his father's loyalty, and the younger son's whereabouts were unknown. As war raged in the crumbling Carolingian Empire, the grieving mother, fearing for the spiritual and physical welfare of her absent sons, began in 841 to write her loving counsel in a handbook. Two years later she sent it to William. The book memorably expresses Dhuoda's maternal feelings, religious fervor and learning. In teaching her children how they might flourish in God's eyes, as well as humanity's, Dhuoda reveals the authority of Carolingian women in aristocratic households. She dwells on family relations, social order, the connection between religious and military responsibility, and, always, the central place of Christian devotion in a noble life. One of the few surviving texts written by a woman in the Middle Ages, Dhuoda's ""Liber manualis"" was available in only two faulty Latin manuscripts until a third, superior one was discovered in the 1950s. This English translation is based on the 1975 critical edition and French translation by Pierre Riche. Now available for the first time in paperback, it includes an afterword written by Carol Neel that takes into account recent scholarship and the 1991 revised edition of Riche's text.