Reading a wide range of early modern authors and exploring their cultural-historical, philosophical and scientific contexts, "Early Modern Writing and the Privatization of Experience "examines the shift in focus from reliance on shared experience to placing of trust in individualized experience which occurs in the writing and culture of the period. Nick Davis contends that much of the era's literary production participates significantly in this broad cultural movement.Covering key writers of the period including Shakespeare, Donne, Chaucer, Spenser, Langland, Hobbes and Bunyan, Davis begins with an overview of the medieval-early modern privatizing cultural transition. He then goes on to offer an analysis of "King Lear," "Richard II," "Henry IV Part 1," "The Winter's Tale," and the first three books of "The Fairie Queene," among other texts, considering their treatment of the relation between individual life and the life attributed to the cosmos, the idea of symbolic narrative positing a collective human subject, and the forming of pragmatic relations between individual and group.

First published in 1999, this volume re-examines narrative design in Sir Gawain and the Green Knight, The Faerie Queene, King Lear and Paradise Lost. Written in a period newly set on finding practical application for available systems of reasoning, these texts confront in their different ways reason's absolute limitation in the face of a Real which it cannot adequately represent to itself or recruit to its own purposes. An influential model for the staging of such a confrontation was the mythic, cosmological narrative of Plato's Timaeus. In their rewriting of Plato's narrative the English texts deploy but also destabilize the ancient conceptual polarization of the 'rational' and the 'irrational' or 'chaotic', rethought in the terms offered by their period's innovatory practices of reasoning. The study establishes the critical importance of telling a story of chaos by comparing the narrative method of its chosen texts with that adopted by Freud and Lacan as a means of reflection on the psychoanalytic encounter with an ultimately chaotic Real. This book has unusual interdisciplinary scope, and offers historically grounded, theoretically informed new readings of four major early modern English literary texts.

This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of 'enchanted' and 'disenchanted' practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world's ordinary functioning might be said to be 'enchanted', is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.

This volume addresses dealings with the wondrous, magical, holy, sacred, sainted, numinous, uncanny, auratic, and sacral in the plays of Shakespeare and contemporaries, produced in an era often associated with the irresistible rise of a thinned-out secular rationalism. By starting from the literary text and looking outwards to social, cultural, and historical aspects, it comes to grips with the instabilities of 'enchanted' and 'disenchanted' practices of thinking and knowledge-making in the early modern period. If what marvelously stands apart from conceptions of the world's ordinary functioning might be said to be 'enchanted', is the enchantedness weakened, empowered, or modally altered by its translation to theatre? We have a received historical narrative of disenchantment as a large-scale early modern cultural process, inexorable in character, consisting of the substitution of a rationally understood and controllable world for one containing substantial areas of mystery. Early modern cultural change, however, involves transpositions, recreations, or fresh inventions of the enchanted, and not only its replacement in diminished or denatured form. This collection is centrally concerned with what happens in theatre, as a medium which can give power to experiences of wonder as well as circumscribe and curtail them, addressing plays written for the popular stage that contribute to and reflect significant contemporary reorientations of vision, awareness, and cognitive practice. The volume uses the idea of dis-enchantment/re-enchantment as a central hub to bring multiple perspectives to bear on early modern conceptualizations and theatricalizations of wonder, the sacred, and the supernatural from different vantage points, marking a significant contribution to studies of magic, witchcraft, enchantment, and natural philosophy in Shakespeare and early modern drama.

First published in 1999, this volume re-examines narrative design in Sir Gawain and the Green Knight, The Faerie Queene, King Lear and Paradise Lost. Written in a period newly set on finding practical application for available systems of reasoning, these texts confront in their different ways reason's absolute limitation in the face of a Real which it cannot adequately represent to itself or recruit to its own purposes. An influential model for the staging of such a confrontation was the mythic, cosmological narrative of Plato's Timaeus. In their rewriting of Plato's narrative the English texts deploy but also destabilize the ancient conceptual polarization of the 'rational' and the 'irrational' or 'chaotic', rethought in the terms offered by their period's innovatory practices of reasoning. The study establishes the critical importance of telling a story of chaos by comparing the narrative method of its chosen texts with that adopted by Freud and Lacan as a means of reflection on the psychoanalytic encounter with an ultimately chaotic Real. This book has unusual interdisciplinary scope, and offers historically grounded, theoretically informed new readings of four major early modern English literary texts.

Documentary maker Alex Gibney examines the WikiLeaks phenomenon and the question of how information is accessed globally. With a goal 'to bring important news and information to the public', the fledgling website, founded in 2006 by Australian Julian Assange, gained worldwide notoriety in 2010 with its leaking of highly sensitive US classified material, including the infamous 'Collateral Murder' footage of US air strikes on civilian targets in Iraq, along with over 250,000 diplomatic cables. In addition to detailing how the website came to be, the film explores the issues surrounding the freedom of information and moral responsibility, whilst comparing and contrasting the impact that the furore has had on founder Assange, and Pfc. Bradley Manning, the US soldier charged with supplying the leaked material.

The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid within any individual's experience, and as forces that can therefore unite unlikely groups of people along new lines, socially, sexually, or politically. The films driving this analysis range from celebrated fixtures of the New Queer Cinema of the 1990s (including Cheryl Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to sexually provocative films of the same era that are rarely classified as queer (David Cronenberg's Dead Ringers and Naked Lunch) to breakout films by 21st-century directors (Rodney Evans's Brother to Brother, John Cameron Mitchell's Shortbus). To frame these readings and to avoid heterosexist assumptions in other forms of film analysis, The Desiring-Image revisits the work of the philosopher Gilles Deleuze, whose two major works on cinema somehow never address the radical ideas about desire he expresses in other texts. This book brings those notions together in innovative ways, making them clear and accessible to newcomers and field specialists alike, with clear, illustrated examples drawn from a wide range of movies extending beyond the central case studies. Thus, The Desiring-Image speaks to readers interested in queer and gay/lesbian studies, in film theory, in feminist and sexuality scholarship, and in theory and philosophy, putting those discourses into rich, surprising conversations with popular cinema of the last 30 years.

Beloved as a herald of spring, cuckoos have held a place in our hearts for centuries. But for many other birds the cuckoo is a signal of doom, for it is nature's most notorious cheat. In this enormously engaging book, naturalist and scientist Nick Davies reveals how cuckoos deceive other species, uncovering an evolutionary race between cuckoos and the hosts. Cuckoo offers a new insight not only into the secret lives of these extraordinary birds, but also how cheating evolves and thrives in the natural world.

The Desiring-Image yields new models of queer cinema produced since the late 1980s, based on close formal analysis of diverse films as well as innovative contributions to current film theory. The book defines "queer cinema" less as a specific genre or in terms of gay and lesbian identity, but more broadly as a kind of filmmaking that conveys sexual desire and orientation as potentially fluid within any individual's experience, and as forces that can therefore unite unlikely groups of people along new lines, socially, sexually, or politically. The films driving this analysis range from celebrated fixtures of the New Queer Cinema of the 1990s (including Cheryl Dunye's The Watermelon Woman and Todd Haynes's Velvet Goldmine) to sexually provocative films of the same era that are rarely classified as queer (David Cronenberg's Dead Ringers and Naked Lunch) to breakout films by 21st-century directors (Rodney Evans's Brother to Brother, John Cameron Mitchell's Shortbus). To frame these readings and to avoid heterosexist assumptions in other forms of film analysis, The Desiring-Image revisits the work of the philosopher Gilles Deleuze, whose two major works on cinema somehow never address the radical ideas about desire he expresses in other texts. This book brings those notions together in innovative ways, making them clear and accessible to newcomers and field specialists alike, with clear, illustrated examples drawn from a wide range of movies extending beyond the central case studies. Thus, The Desiring-Image speaks to readers interested in queer and gay/lesbian studies, in film theory, in feminist and sexuality scholarship, and in theory and philosophy, putting those discourses into rich, surprising conversations with popular cinema of the last 30 years.

Weary from the turbulent sixties, America entered the 1970s hoping for calm. Instead, the war in Vietnam and its troubled aftermath persisted, the Watergate scandal unfolded, and continuing social unrest at home and abroad provided the backdrop for the new decade. The scene was similar in Hollywood, as it experienced greater upheaval than at any point since the coming of sound. As the studio and star systems declined, actors had more power than ever, and because many had become fiercely politicized by the temper of the times, the movies they made were often more challenging than before. Thus, just when it might have faded out, Hollywood was reborn--but what was the nature of this rebirth?

"Hollywood Reborn" examines this question, with contributors focusing on many of the era's key figures--noteworthy actors such as Jane Fonda, Al Pacino, Faye Dunaway, and Warren Beatty, and unexpected artists, among them Donald Sutherland, Shelley Winters, and Divine. Each essay offers new perspectives through the lens of an important star, illuminating in the process some of the most fascinating and provocative films of the decade.

Reading a wide range of early modern authors and exploring their cultural-historical, philosophical and scientific contexts, Early Modern Writing and the Privatization of Experience examines the shift in focus from reliance on shared experience to placing of trust in individualized experience which occurs in the writing and culture of the period. Nick Davis contends that much of the era's literary production participates significantly in this broad cultural movement. Covering key writers of the period including Shakespeare, Donne, Chaucer, Spenser, Langland, Hobbes and Bunyan, Davis begins with an overview of the medieval-early modern privatizing cultural transition. He then goes on to offer an analysis of King Lear, Richard II, Henry IV Part 1, The Winter's Tale, and the first three books of The Fairie Queene, among other texts, considering their treatment of the relation between individual life and the life attributed to the cosmos, the idea of symbolic narrative positing a collective human subject, and the forming of pragmatic relations between individual and group.

Even Jack will admit he isn't having a great month. After finally getting his dream job as lead writer on the Captain Avenger comic his inspiration runs dry. With a submission deadline looming his editor on his back and no sleep for days he tries to hash out a story with little success. Then things really start to turn strange; Jack's characters start popping up in his life and he finds himself caught up in action straight out of the pages of a comic book.
The question is as Jack's realities collide and the line between fiction and real life starts to blur is Jack on the verge of a nervous breakdown? Or are these events more real than he realizes...
Exposition is a unique mash up of comic book sequential art and narrative prose all about the insanity of writers block. This is a story featuring Superheroes, Evil Villains, Dim Henchmen, Noisy Ninjas, Giant Robots and a very diabolic dance number as a Jack begins to lose the plot as he desperately tries to find his ending.

Culture Smart guides help travellers have a more meaningful and successful time abroad through a better understanding of the local culture. Chapters on values, attitudes, customs, and daily life will help you make the most of your visit, while tips on etiquette and communication will help you navigate unfamiliar situations and avoid faux pas.

The Magic of Once Upon of Time...
Do you believe in Fairy Tales? My Daughter does and The Daughter of Frost is a story I wrote to read to her...
Once Upon a Time in a land far far away the Fairy of Spring and Jack Frost had a daughter they named Aneira. Who they gave to a childless Woodcutter and his wife so their daughter could experience the love and affection of mortal parents. This is her story, a classic fairy tale of winter, of love, of good, of evil and the power of innocence...
Now you can read this Wonder Tale to your children and explore an age of magic and high adventure in the Ninth Kingdom. The Daughter of Frost is a traditional fairy tale written by Nick Davis with full color illustrations by Terra Bidlespacher.

Sarah is a troubled student at a Baltimore private school. Through a series of nightmarish events she becomes the reluctant Keeper of a device called the Tether; that allows her to control an Angelic being called Paul and to cast will powered enchantments called Indices. As she races to uncover answers to the Tether's secrets, dark forces give chase to claim the device and Sarah for themselves... The Tether None Good tells the story of Sarah's discovery of the Tether, and chronicles her journey through her first full night as the Tethers Keeper; as sinister forces are trying to track her down to claim her and the device for themselves. She is aided in this journey by CT the Grandson of the original Tether Keeper, together they race against the Dark as Sarah discovers the power she can tap into and how to control the Tethers Angelic Guardian Paul. Set against the real back drop of Baltimore city this dark urban paranormal action adventure by Nick Davis; follows Sarah through a helter-skelter one night journey into a reality that is disturbingly familiar, but has unnatural creatures stalking its shadows.

In this fascinating new book, Nick Davies describes the natural histories of these brood parasites and examines many of the exciting questions they raise about the evolution of cheating and the arms race between parasites and their prey. Brood parasites fill their armory with adaptations including exquisite egg mimicry, rapid laying, ejection of host eggs, murder of host young, chick mimicry and manipulative begging behavior: ploys shown by recent research to have evolved in response to host defense behavior or through competition among the parasites themselves. While many host species appear defenseless, accepting parasite eggs quite unlike their own, many are more discriminating against odd-looking eggs and some have evolved the ability to discriminate against odd-looking chicks as well. How is this arms race conducted? Will defenseless hosts develop defenses in time, or are there constraints which limit the evolution and perfection of host defenses? And why are so few species obliged only to lay eggs in host nests? Have host defenses limited the success of brood parasitism, or is it in fact much more common than we suspect, but occurring mainly when birds parasitize the nest of their own kind? All of these puzzles are examined in descriptions of the natural history of each of the groups of parasites in turn. Here is a book with wide appeal, both to amateur naturalists fascinated by this most singular and macabre of behaviors and by ornithologists and ecologists interested in the evolution of ecology and behavior. The story takes us from the classic field work earlier this century by pioneer ornithologists such as Edgar Chance, Stuart Baker, Herbert Friedmann and others, through to the recent experimental field work and molecular techniques of today's leading scientists. We visit brood parasites in Europe, Asia, Japan, Africa, Australasia, and North and South America, to look at some of the worlds most interesting birds and some of biology's most interesting questions, many of which still beg answers from ornithologists in the future. Brilliant illustrations by David Quinn illuminate the species discussed, showing many behaviors never before illustrated and conveying the thrill of watching these astonishing birds in the wild.

'Finally I was forced to admit that I work in a corrupted profession.' When award-winning journalist Nick Davies decided to break Fleet Street's unwritten rule by investigating his own colleagues, he found that the business of reporting the truth had been slowly subverted by the mass production of ignorance. Working with a network of off-the-record sources, Davies uncovered the story of the prestigious "Sunday" newspaper which allowed: the CIA and MI6 to plant fiction in its columns; the newsroom which routinely rejects stories about black people; the respected paper that hired a professional fraudster to set up a front company to entrap senior political figures; and the newspapers which support law and order while paying cash bribes to bent detectives.Davies names and exposes the national stories which turn out to be pseudo events manufactured by the PR industry, and the global news stories which prove to be fiction generated by a new machinery of international propaganda. He shows the impact of this on a world where consumers believe a mass of stories which, in truth, are as false as the idea that the Earth is flat - from the millennium bug to the WMD in Iraq - tainting government policy, perverting popular belief. He presents a new model for understanding news. With the help of researchers from Cardiff University, who ran a ground-breaking analysis of our daily news, Davies found most reporters, most of the time, are not allowed to dig up stories or check their facts - a profession corrupted at the core. Read all about it. The news will never look the same again.

**SUNDAY TIMES BESTSELLER** Read the definitive inside story of the News International Phone Hacking scandal, told by the man who exposed it. At first, it seemed like a small story. The royal correspondent of the News of the World was caught listening in on Buckingham Palace voicemails. He was quietly sent to prison and the case was closed. But Nick Davies felt sure there was a lot more going on. And he was right. Davies and a network of rebel lawyers, MPs and celebrities took on Rupert Murdoch, one of the most powerful men in the world, and in bringing him down they uncovered a world of crime and cover-up reaching from the newsroom to Scotland Yard and to Downing Street. This is the story of a network of corruption rooted deep within our society, and how it was dragged into the light. 'A masterly summary of the hacking affair, as well as the ingenuity and persistence that lead to great journalism' Observer 'This has all the elements - lying, corruption, blackmail - at the highest levels of government by the biggest newspaper in London' George Clooney