The works by the conceptual artist Loris Greaud include installations, films, and architecture, as does his long-term project taking place around the world, The Unplayed Notes. Viewers encounter an experimental field of diverse media, all of which attempt to give form to temperature, light waves, or time. Greaud is interested in the stages of artistic production. The process of searching per se becomes visible in his installations. This book reveals the development of his art, in accordance with the ideas of Karlheinz Stockhausen, which gave the book its name: the actual meaning of a work lies in its unplayed, unheard notes. It includes as well an introduction to his upcoming project The Underground Sculpture Park that will be inaugurated in the Oaxaca desert and two complementary essays by the artist's long-time collaborator, outstanding theorist, and curator Nicolas Bourriaud. Bilingual: English and French.

A study of two exhibitions that took place five years apart in the same building in Brussels city-centre Full House explores two exhibitions that took place five years apart in the same building in Brussels and featured over 300 contemporary art works from the renowned collection of Frederic de Goldschmidt. The first show, Not Really Really, was organized in 2016 in a building that had only been vacated a few months before by a mental health clinic. The works were mostly sculptures made with everyday objects and played with the ambiguity of what the last occupants could have left and what the artists purposefully created. The building then underwent a long renovation, with photos included illustrating this process. The second show, Inaspettatamente (Unexpectedly), then engaged with themes such as order and disorder, time, classification, the artist's process or his/her position in world conflicts using the prism of the famous Arte Povera artist Alighiero Boetti. Curatorial texts and images of the works both in context and in studio allow the reader to discover and appreciate both exhibitions. Distributed for Mercatorfonds Exhibition Schedule: Cloud Seven , Quai du commerce 7 (November 11, 2021-January 30, 2022)

Leading theorist and art curator Nicolas Bourriaud tackles the excluded, the disposable and the nature of waste by looking to the future of art-the exform. He argues that the great theoretical battles to come will be fought in the realms of ideology, psychoanalysis and art. A "realist" theory and practice must begin by uncovering the mechanisms that create the distinctions between the productive and unproductive, product and waste, and the included and excluded. To do this we must go back to the towering theorist of ideology Louis Althusser and examine how ideology conditions political discourse in ways that normalize cultural, racial and economic practices of exclusion.