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"An Introduction to German Pietism" provides a scholarly investigation of a movement that changed the history of Protestantism. The Pietists can be credited with inspiring both Evangelicalism and modern individualism. Taking into account new discoveries in the field, Douglas H. Shantz " "focuses on features of Pietism that made it religiously and culturally significant. He discusses the social and religious roots of Pietism in earlier German Radicalism and situates Pietist beginnings in three cities: Frankfurt, Leipzig, and Halle. Shantz also examines the cultural worlds of the Pietists, including Pietism and gender, Pietists as readers and translators of the Bible, and Pietists as missionaries to the far reaches of the world. He not only considers Pietism's role in shaping modern western religion and culture but also reflects on the relevance of the Pietist religious paradigm of today. The first survey of German Pietism in English in forty years, An Introduction to German Pietism provides a narrative interpretation of the movement as a whole. The book's accessible tone and concise portrayal of an extensive and complex subject make it ideal for courses on early modern Christianity and German history. The book includes appendices with translations of German primary sources and discussion questions.
Johann Adam Moehler was twenty-nine years old and a lecturer at theCatholic seminary in Tubingen when he wrote Die Einheit in der Kirche(Unity in the Church) in 1825. Its two German editions and French translations influenced Catholic authors well into the twentieth century, and the book remains an important example of the early-nineteenth-century Catholic Awakening. In Unity in the Church, Moehler upholds a romantic view of the Catholic Church by describing it as the organic development of the life-giving Holy Spirit. This, he insisted, was the teaching of the earliest Christian writers, whom he discusses and quotes at length throughout the book. Although Moehler was primarily writing as an apologist for the Catholic faith against Protestantism, his work is marked by careful study of Protestant sources, respect for Protestant thought and thinkers, and a reconciliatory tone. In this book he uses the works of the church fathers to demonstrateto his contemporary Protestant opponents that the Scripturesarose from within the church and that the earliest heresies resulted as individuals separated themselves from tradition, which has as its life source the Spirit. The Spirit works through tradition as the source of the church's mystical and intellectual unity, a unity which allowed for diversity, but which over time formed itself under bishops. According to Moehler, the principle of unity in the church must continue until it reaches its fullest form; thus, the unity of the episcopate and all believers must represent itself in one church and one bishop. A single bishop, the primate, is the center of the living unity of the whole church. This translation is aimed at individuals interested in the development of Catholicism in the modern world and in Catholic-Protestant dialogue and ecumenism generally. It is also an important work for historians and theologians specializing in Catholic historiography, the Scripture-tradition relationship, issues of church and state, and Catholic liberalism.
Between 1833 and 1891 Henry Edward Manning (1808-1892) and William
Ewart Gladstone (1809-1898) maintained a correspondence, broken
only for a decade from 1851-1861and from 1875-1882. Tracing as it
does the shifting relationships between two such major figures over
the greater part of the nineteenth century, the collection provides
substantial insights into debates on Church-State realignments in
the 1830s and 1840s, the entanglements of Anglican Old High
Churchmen and Tractarians from the early years of the Oxford
Movement to 1851, and the relationships between Roman Catholics and
the British Government over Italian, Irish, educational, and other
political and religious issues in the latter half of the nineteenth
century.
Between 1833 and 1891 Henry Edward Manning (1808-1892) and William
Ewart Gladstone (1809-1898) maintained a correspondence, broken
only for a decade from 1851-1861and from 1875-1882. Tracing as it
does the shifting relationships between two such major figures over
the greater part of the nineteenth century, the collection provides
substantial insights into debates on Church-State realignments in
the 1830s and 1840s, the entanglements of Anglican Old High
Churchmen and Tractarians from the early years of the Oxford
Movement to 1851, and the relationships between Roman Catholics and
the British Government over Italian, Irish, educational, and other
political and religious issues in the latter half of the nineteenth
century.
Between 1833 and 1891 Henry Edward Manning (1808-1892) and William
Ewart Gladstone (1809-1898) maintained a correspondence, broken
only for a decade from 1851-1861and from 1875-1882. Tracing as it
does the shifting relationships between two such major figures over
the greater part of the nineteenth century, the collection provides
substantial insights into debates on Church-State realignments in
the 1830s and 1840s, the entanglements of Anglican Old High
Churchmen and Tractarians from the early years of the Oxford
Movement to 1851, and the relationships between Roman Catholics and
the British Government over Italian, Irish, educational, and other
political and religious issues in the latter half of the nineteenth
century.
Between 1833 and 1891 Henry Edward Manning (1808-1892) and William
Ewart Gladstone (1809-1898) maintained a correspondence, broken
only for a decade from 1851-1861and from 1875-1882. Tracing as it
does the shifting relationships between two such major figures over
the greater part of the nineteenth century, the collection provides
substantial insights into debates on Church-State realignments in
the 1830s and 1840s, the entanglements of Anglican Old High
Churchmen and Tractarians from the early years of the Oxford
Movement to 1851, and the relationships between Roman Catholics and
the British Government over Italian, Irish, educational, and other
political and religious issues in the latter half of the nineteenth
century.
Highlighting popular works by P.D. James, Colin Dexter, Ian Pears and Umberto Eco, among others, this subtle and intelligently written monograph examines the treatment of religion in the genre of contemporary murder mystery novels, and the implications of this phenomenon for understanding Christian thought in a post-Christian society. The book begins by considering the critical question of authorial intent and the question of genre criticism and what makes a genre, a "serious" literary specialism. Is crime fiction ever destined to be written by "serious authors"? Erb argues that P D James proves this possible, writing for a multi-faceted, secular, popular audience and setting her books in a Christian context. The question, what is mystery is fully explored in the opening chapter, where Erb examines James' "A Taste for Death and Devices and Desires," and contrasts their treatment of mystery with Colin Dexter's treatment in "Death is now my Neighbour." The second chapter considers the popularity of detective fiction at large focussing on James' "Original Sin and Umberto" and Eco's "The Name of the Rose." The third chapter focuses on the problem of justice. Who is the murderer? This is the key to all detective novels: the murder itself is secondary. The narrative depends on the murderer's ability to replace a crime with a convincingly constructed illusion of innocence, and to escape punishment by means of good manners. Erb explores this problem, first evident in Exodus, in P D James' A Certain Justice and Ian Pears' An Instance of the Fingerpost. Finally Erb looks at retribution. Can justice ever be anything more than retribution, death without hope? What satisfaction can be made for the loss of a human life? How can a murderer ever fully confess a crime and experience thanksgiving in final release from the consequences? These questions are considered in light of James' "Death in Holy Orders," and Colin Dexter's "A Remorseful Day."
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