In a culture that prizes keeping one's options open, making commitments offers something more valuable. The consumerism and instant gratification of "liquid modernity" feed a general reluctance to make commitments, a refusal to be pinned down for the long term. Consider the decline of three forms of commitment that involve giving up options: marriage, military service, and monastic life. Yet increasing numbers of people question whether unprecedented freedom might be leading to less flourishing, not more. They are dissatisfied with an atomized way of life that offers endless choices of goods, services, and experiences but undermines ties of solidarity and mutuality. They yearn for more heroic virtues, more sacrificial commitments, more comprehensive visions of the individual and common good. It turns out that the American Founders were right: the Creator did endow us with an unalienable right of liberty. But he has endowed us with something else as well, a gift that is equally unalienable: desire for unreserved commitment of all we have and are. Our liberty is given us so that we in turn can freely dedicate ourselves to something greater. Ultimately, to take a leap of commitment, even without knowing where one will land, is the way to a happiness worth everything. On this theme: - Lydia S. Dugdale asks what happened to the Hippocratic Oath in modern medicine. - Caitrin Keiper looks at competing vows in Victor Hugo's Les Miserables. - Kelsey Osgood, an Orthodox Jew, asks why lifestyle discipline is admired in sports but not religion. - Wendell Berry says being on the side of love does not allow one to have enemies. - Phil Christman spoofs the New York Times Vows column. - Andreas Knapp tells why he chose poverty. - Norann Voll recounts the places a vow of obedience took her. - Carino Hodder says chastity is for everyone, not just nuns. - Dori Moody revisits her grandparents' broken but faithful marriage. - Randall Gauger, a Bruderhof pastor, finds that lifelong vows make faithfulness possible. - King-Ho Leung looks at vows, oaths, promises, and covenants in the Bible. Also in the issue: - A young Black pastor reads Clarence Jordan today. - Activists discuss the pro-life movement after Roe and Dobbs. - Children learn from King Arthur, Robin Hood, and the occasional cowboy. - Original poetry by Ned Balbo - Reviews of Montgomery and Bikle's What Your Food Ate, Mohsin Hamid's The Last White Man, and Bonnie Kristian's Untrustworthy - A profile of Sadhu Sundar Singh Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

As a pandemic and racial reckoning exposed society's faults, Christian thinkers were laying the groundwork for a better future. A public health and economic crisis provoked by Covid-19. A social crisis cracked open by the filmed murder of George Floyd. A leadership crisis laid bare as the gravity of a global pandemic met a country suffocating in political polarization and idolatry. In the spring of 2020, Comment magazine created a publishing project to tap the resources of a Christian humanist tradition to respond collaboratively and imaginatively to these crises. Plough soon joined in the venture. So did seventeen other institutions. The web commons that resulted - Breaking Ground - became a one-of-a-kind space to probe society's assumptions, interrogate our own hearts, and imagine what a better future might require. This volume, written in real time during a year that revealed the depths of our society's fissures, provides a wealth of reflections and proposals on what should come after. It is an anthology of different lenses of faith seeking to understand how best we can serve the broader society and renew our civilization. Contributors include Anne Snyder, Susannah Black, Mark Noll, N. T. Wright, Gracy Olmstead, Doug Sikkema, Patrick Pierson, Jennifer Frey, J. L. Wall, Michael Wear, Dante Stewart, Joe Nail, Benya Kraus, Patrick Tomassi, Amy Julia Becker, Jeffrey Bilbro, Marilynne Robinson, Cherie Harder, Joel Halldorf, Irena Dragas Jansen, Katherine Boyle, L. M. Sacasas, Jake Meador, Joshua Bombino, Chelsea Langston Bombino, Aryana Petrosky Roberts, Stuart McAlpine, Heather C. Ohaneson, Oliver O'Donovan, W. Bradford Littlejohn, Anthony M. Barr, Michael Lamb, Shadi Hamid, Samuel Kimbriel, Christine Emba, Brandon McGinley, John Clair, Kurt Armstrong, Peter Wehner, Jonathan Haidt, Dhananjay Jagannathan, Phil Christman, Gregory Thompson, Duke Kwon, Carlo Lancellotti, Tara Isabella Burton, Charles C. Camosy, Joseph M. Keegin, Luke Bretherton, Tobias Cremer, and Elayne Allen.

Communal music has the power to shape a soul and a society. In many places today, a culture of singing and making music remains robust, despite pressure from the commercial music industry. Or it was until the Covid pandemic hit and we glimpsed what a world without communal music-making could be like. According to Plato, virtuous music is vital for building a virtuous community. Jewish and Christian traditions take this insight even further: good communal music shapes and builds up the people of God. So how can we choose good music and avoid the bad? The sheer ubiquity of music available for consumption - its presence as a near-constant soundtrack to our daily lives - poses a hazard. Digital music on tap is a temptation to chronic distraction of the soul, to a habit of superficiality and non-attention. Fortunately, the remedy is straightforward: spend less time consuming prepackaged tunes and more time making music. This will be doubly rewarding if done with others - singing with one's family, singing in church, playing in a string quartet, starting a regular jam session. If personal media players tend to cut us off from the physical presence of others, sharing in good music together breaks the spell of isolation and disembodiment. It builds friendship and community. On this theme: - Maureen Swinger's amateur choir sings Bach's Saint Matthew Passion. - Stephen Michael Newby says Black spirituals aren't just for Black people. - Mary Townsend finds Dolly Parton magnificent, but would Aristotle? - Phil Christman finds catharsis in the YouTube comments of eighties songs. - Ben Crosby says congregational singing should be unabashedly weird to visitors. - Joseph Julian Gonzalez draws on ancient Nahua poets in his music. - Christopher Tin explains why he weaves so many historical influences into his music. - Seven musicians talk about making your own music in schools, churches, prisons, backyards, or children's bedrooms: Nathan Schram, Esther Keiderling, Norann Voll, Chaka Watch Ngwenya, Eileen Maendel, Adora Wong, and Brittany Petruzzi. Also in the issue: Exclusive excerpts from forthcoming books by Eugene Vodolazkin and Esther Maria Magnis - Thoughts on music from Augustine, Gregory of Nyssa, Hildegard of Bingen, Martin Luther, and Eberhard Arnold - Catholics and Anabaptists unite to commemorate the Radical Reformation - New poems by Jacqueline Saphra - A profile of Argentinian singer Mercedes Sosa. - Reviews of Kate Clifford Larson's Walk with Me, Rowan Williams's Shakeshafte, and Sam Quinones's The Least of Us Plough Quarterly features stories, ideas, and culture for people eager to apply their faith to the challenges we face. Each issue includes in-depth articles, interviews, poetry, book reviews, and art.

Your job is not your vocation. Everyone hungers for work that has meaning and purpose. But what gives work meaning? Vocation, or "calling," is the answer Protestant Christianity offers: each person is called by God to serve the common good in a particular line of work. Your vocation, evidently, might be almost anything: as a nurse, a wilderness guide, a calligrapher, a missionary, an activist, a venture capitalist, a politician, an executioner... Yet, as Will Willimon writes in this issue, the New Testament knows only one form of vocation: discipleship. And discipleship is far more likely to mean leaving father and mother, houses and land, than it is to mean embracing one's identity as a fisherman or tax collector. This issue of Plough focuses on people who lived their lives with that sense of vocation. Such a life demands self-sacrifice and a willingness to recognize one's own supposed strengths as weaknesses, as it did for the Canadian philosopher Jean Vanier. It involves a lifelong commitment to a flesh-and-blood church, as Coptic Archbishop Angaelos describes. It may even require a readiness to give up one's life, as it did for Annalena Tonelli, an Italian humanitarian who pioneered the treatment of tuberculosis in the Horn of Africa. But as these stories also testify, it brings a gladness deeper than any self-chosen path. Also in this issue: - Scott Beauchamp on mercenaries - Nathan Schneider on cryptocurrencies - Stephanie Saldana on Syrian refugee art - Peter Biles on loneliness at college - Phil Christman on Bible translation - Michael Brendan Dougherty on fatherhood - Insights on vocation from C. S. Lewis, Therese of Lisieux, Mother Teresa, Eberhard Arnold, Dorothy Sayers, Jean Vanier, and Gerard Manley Hopkins - poetry by Devon Balwit and Carl Sandburg - reviews of books by Robert Alter, Edwidge Danticat, Matthew D. Hockenos, Amy Waldman, and Jeremy Courtney - art and photography by Pola Rader, Dean Mitchell, Mark Freear, Timothy Jones, Pawel Filipczak, Mary Pal, Harley Manifold, Sami Lalu Jahola, Marc Chagall, and Russell Bain. Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.