Examines how temporality manifests in and impacts tourism in different parts of the world looking at climate, culture and/or structural conditions of the tourism operation. It looks at the reasons and causes for temporality within tourism and how this effects both the industry, the consumer and the environment. Divided into four parts, Tourism: A temporal analysis looks at: * The dimensions and relationships between time and tourism: the causal reasons for seasonality in tourism, links between seasonal variations and visitation and why people travel when they do. * The operational dimensions of temporality: the challenges of 'peak season' and 'low season', pricing, planning, managing the labour demands and yield systems. * Strategic responses to temporal variation: the role of temporality/seasonal variation as a policy issue, the role of festivals and events in combatting temporality and the effect of social media. * The End of Temporality?: the rise of 'year-round ' tourism, its enablers and its’ resulting effects both positive nad negative in the industry, the environments and the economy. With contributions from international experts from academia and industry, this text uses case students and vignettes throughout to contextualise the theory and enabling students to have a better understanding in order to critique and question the issues discussed.

Since the death of her trawlerman husband 30 years ago, Margaret Harvey has lived with her daughter Rebecca in a small cottage in a coastal town. Rebecca is moving out to live with her boyfriend, so when she meets Milton Farnsworth, an American visiting the area to paint the landscape, she invites him to lodge with Margaret during his stay. Margaret has become increasingly set in her ways over the years, dependent on ritual and superstition, but with patience, humour, and cheap wine, Milton gradually encourages her to relinquish her hold on control. Warm, funny and moving, A Fine Bright Day Today explores love in later life. It was performed at the Oldham Coliseum in June 2011 and the New Vic, Newcastle-Under-Lyme, in July 2012.

Writing the Rebellion presents a cultural history of loyalist writing in early America. There has been a spate of related works recently, but Philip Gould's narrative offers a completely different view of the loyalist/patriot contentions than appears in any of these accounts. By focusing on the literary projections of the loyalist cause, Gould dissolves the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility drawn from their American situation and upbringing. He shows that both sides claimed to be heritors of British civil discourse, Old World learning, and the genius of English culture. The first half of Writing Rebellion deals with the ways "political disputation spilled into arguments about style, form, and aesthetics, as though these subjects could secure (or ruin) the very status of political authorship." Chapters in this section illustrate how loyalists attack patriot rhetoric by invoking British satires of an inflated Whig style by Alexander Pope and Jonathan Swift. Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. Throughout the manuscript, Gould acknowledges the purchase English literary culture continued to have in revolutionary America, even among revolutionaries.

Examines how temporality manifests in and impacts tourism in different parts of the world looking at climate, culture and/or structural conditions of the tourism operation. It looks at the reasons and causes for temporality within tourism and how this effects both the industry, the consumer and the environment. Divided into four parts, Tourism: A temporal analysis looks at: * The dimensions and relationships between time and tourism: the causal reasons for seasonality in tourism, links between seasonal variations and visitation and why people travel when they do. * The operational dimensions of temporality: the challenges of 'peak season' and 'low season', pricing, planning, managing the labour demands and yield systems. * Strategic responses to temporal variation: the role of temporality/seasonal variation as a policy issue, the role of festivals and events in combatting temporality and the effect of social media. * The End of Temporality?: the rise of 'year-round ' tourism, its enablers and its’ resulting effects both positive nad negative in the industry, the environments and the economy. With contributions from international experts from academia and industry, this text uses case students and vignettes throughout to contextualise the theory and enabling students to have a better understanding in order to critique and question the issues discussed.

This play is adapted by Philip Goulding from the classic "1953 Ealing" comedy film about a group of villagers who, finding that their branch railway line is about to be axed, decide to buy and run the railway themselves. As well as convincing the railway authorities that they are competent to work the line, they have to face problems from Vernon Crump who is set on providing a competitive bus service. The large cast can be doubled and the special effects required - steam engines, a bus and a steam roller to name but three! - can be achieved in several suggested ways.

Philip Gold, an accomplished writer, journalist, scholar, wandered forty years before returning to the Judaism he'd left behind. But he didn't return so much as bring back the seeds of a new kind of Judaism with him. YOM KIPPUR PARTY GOODS is much more than a personal tale, a memoir of pain and seeking told with humor and grace. It's also for everyone who's tired of going hungry in the supermarket of modern spirituality, who finds (over) organized religion irrelevant or distasteful, and who is looking to find - or create - something personal that might also speak to others. You don't have to be Jewish to read this or need this. Just be a human being who wants something more. For yourself For your world. For your God.

It's 1955 and the Pallas Players, an all-female theatre company, are putting on a play: Whisky Galore. They transport us back to 1943 on the Scottish islands of Great and Little Todday, where the whisky supply has dried up because of the war, leaving tensions running high. Relief seems to be at hand when a ship carrying 50,000 bottles of whisky is wrecked just offshore. Then it's every thirsty man for himself as the islanders try to rescue as many bottles as possible before stuffy Captain Waggett of the Home Guard can put a stop to their fun. Philip Goulding's stage adaptation of Compton Mackenzie's comedy classic is a tribute to the feisty all-female touring theatre companies of the post-war years. First performed in a touring production by Oldham Coliseum Theatre, Hull Truck Theatre and New Vic Theatre, Whisky Galore combines rollicking physical theatre, panto and farce, with an array of hilarious characters for any female-led theatre company. This edition includes an introduction by Philip Goulding, notes on the characters, and the original music by Alan Edward Williams that accompanied the premiere production.

Writing the Rebellion presents a cultural history of loyalist writing in early America. There has been a spate of related works, but Philip Gould's narrative offers a completely different view of the loyalist/patriot contentions than appears in any of these accounts. By focusing on the literary projections of the loyalist cause, Gould dissolves the old legend that loyalists were more British than American, and patriots the embodiment of a new sensibility drawn from their American situation and upbringing. He shows that both sides claimed to be heritors of British civil discourse, Old World learning, and the genius of English culture. The first half of Writing the Rebellion deals with the ways "political disputation spilled into arguments about style, form, and aesthetics, as though these subjects could secure (or ruin) the very status of political authorship." Chapters in this section illustrate how loyalists attack patriot rhetoric by invoking British satires of an inflated Whig style by Alexander Pope and Jonathan Swift. Another chapter turns to Loyalist critiques of Congressional language and especially the Continental Association, which was responsible for radical and increasingly violent measures against the Loyalists. The second half of Gould's book looks at satiric adaptations of the ancient ballad tradition to see what happens when patriots and loyalists interpret and adapt the same text (or texts) for distinctive yet related purposes. The last two chapters look at the Loyalist response to Thomas Paine's Common Sense and the ways the concept of the author became defined in early America. Throughout the manuscript, Gould acknowledges the purchase English literary culture continued to have in revolutionary America, even among revolutionaries.

An eye-opening exploration of the latest scientific discoveries about depressive illness, from one of the leading researchers in the field We are often told that depression is 'all in the mind'. So why are so many of its symptoms felt in our bodies? Why can depression have such a profound impact on physical as well as mental health - from coronary disease to stroke? Philip Gold, a world-renowned expert on this devastating illness, shows how depression is a stress response gone awry, affecting the whole body, not just the brain. Drawing on both neuroscience and endocrinology, Breaking Through Depression reveals the latest research on how depression influences every aspect of our health, from the chemical messengers that control appetite to the brain's structure and functionality. Packed with startling insights - such as how depression disrupts the twenty-four-hour sleep-wake cycle, interacting with the stress system differently depending on whether someone experiences melancholic or atypical symptoms - this book gives us the fullest picture yet of the disease. Gold transforms our understanding of different forms of depression, including related conditions such as bipolar and seasonal affective disorders, and its huge impact on global health. Timely, urgent and important, Breaking Through Depression articulates the workings of this misunderstood illness in compelling and often surprising detail, introducing the newest innovations in treatment - from low energy lasers to genetic solutions and rapidly acting antidepressants which restore damaged brain cells - that offer hope for healing. 'Masterful . . . distils extensive clinical experience, personal insights, and the scientific achievements of a professional lifetime, to offer a lucid analysis of what it will take to understand, treat, and ultimately defeat what is todays "cancer of the self"' Peter Whybrow, Founding Member and Fellow of the Royal College of Psychiatrists

On 29 January 2008 Philip Gould was told he had cancer. He was stoical, and set about his treatment, determined to fight his illness. In the face of difficult decisions he sought always to understand the disease and the various medical options open to him, supported by his wife Gail and their two daughters, Georgia and Grace. In 2010, after two hard years of chemotherapy and surgery, the tests came up clear - Philip appeared to have won the battle. But his work as a key strategist for the Labour party took its toll, and feeling ill six months later, he insisted on one extra, precautionary test, which told him that the cancer had returned. Thus began Philip's long, painful but ultimately optimistic journey towards death, during which time he began to appreciate and make sense of his life, his work and his relationships in a way he had never thought possible. He realized something that he had never heard articulated before: death need not be only negative or painful, it can be life-affirming and revelatory. Written during the last few months of his life, When I Die describes the journey Philip took with his illness, leaving to us what he called his lessons from the death zone. This courageous, profoundly moving and inspiring work is as valuable a legacy to the world as anyone could wish to bestow - hugely uplifting, beautifully written with extraordinary insight.

The Unfinished Revolution is the definitive story of New Labour from its genesis to its election defeat 2010 - covering over 25 years and six general elections of strategy, rebuilding and reinvention. In this extraordinary book, Philip Gould, one of the world's leading political strategists and a key adviser to Tony Blair during the period, brilliantly describes how New Labour came to dominate, falter and fall, assessing how successful it was in government, and where it should go from here. Drawing on his years of experience at the heart of New Labour he gives us his unique perspective on how best to understand the electorate, how to communicate policy and how to adapt in a rapidly changing world.

An Examination Of Various Ways By Which Profits Are Lost, With An Explanation Of Modern Methods Of Preventing Such Losses.

A curved ball smacked me in the kisser; Parkinsons disease had left its calling card. Welcome to my poems that beam you up and boldly go where no Parkinsons poetry has gone before. Whether you are able bodied or disabled these verses will provoke an array of emotions and mix them all up then place it in a pocket of your heart. How could I help others understand how a disabled person feels, who lives life to the max, and has the same right to access all levels in this society? How could I put back some of the benefits that I have gratefully received? That is when I wrote my first poem The Taming of the Fork, one sleepless night on holiday with friends in Ilfracoombe. My Parkinsons has been enabling rather than disabling, which surprised me. I have been down to the depths of despair and come back laughing. Somehow my condition has made me a richer person despite the changes that will inevitably come. JOIN ME BETWIX THE SHEETS WHILST MY WORDS PAINT PICTURES

An Examination Of Various Ways By Which Profits Are Lost, With An Explanation Of Modern Methods Of Preventing Such Losses.

Philip Gould investigates the cultural politics of historical memory in the early American republic, specifically the historical literature of Puritanism. By situating historical writing about Puritanism in the context of the cultural forces of Republicanism and liberalism, his study reconsiders the emergence of the historical romance in the 1820s, before the work of Nathaniel Hawthorne. This 1997 book not only aids the Americanist recovery of this literary period, but also brings together literary studies of historical fiction and historical scholarship of early Republican political culture; in doing so, it offers a persuasive account of just what is at stake when one reads literature of and about the past.

Providing an overview of the history of writing by women in the period, this companion examines contextually the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume provides several valuable tools for students, including a chronology of works and suggestions for further reading.

Providing an overview of the history of writing by women in the period, this companion examines contextually the work of a variety of women writers, including Harriet Beecher Stowe, Rebecca Harding Davis and Louisa May Alcott. The volume provides several valuable tools for students, including a chronology of works and suggestions for further reading.

Philip Gould investigates the cultural politics of historical memory in the early American republic, specifically the historical literature of Puritanism. By situating historical writing about Puritanism in the context of the cultural forces of Republicanism and liberalism, his study reconsiders the emergence of the historical romance in the 1820s, before the work of Nathaniel Hawthorne. This 1997 book not only aids the Americanist recovery of this literary period, but also brings together literary studies of historical fiction and historical scholarship of early Republican political culture; in doing so, it offers a persuasive account of just what is at stake when one reads literature of and about the past.

Eighteenth-century antislavery writers attacked the slave trade as "barbaric traffic"--a practice that would corrupt the mien and manners of Anglo-American culture to its core. Less concerned with slavery than with the slave trade in and of itself, these writings expressed a moral uncertainty about the nature of commercial capitalism. This is the argument Philip Gould advances in "Barbaric Traffic," A major work of cultural criticism, the book constitutes a rethinking of the fundamental agenda of antislavery writing from pre-revolutionary America to the end of the British and American slave trades in 1808.

Studying the rhetoric of various antislavery genres--from pamphlets, poetry, and novels to slave narratives and the literature of disease--Gould exposes the close relation between antislavery writings and commercial capitalism. By distinguishing between good commerce, or the importing of commodities that refined manners, and bad commerce, like the slave trade, the literature offered both a critique and an outline of acceptable forms of commercial capitalism. A challenge to the premise that objections to the slave trade were rooted in modern laissez-faire capitalism, Gould's work revises--and expands--our understanding of antislavery literature as a form of cultural criticism in its own right.