In this poetic handbook, written when he was just twenty-three, the world-famous high-wire artist Philippe Petit offers a window into the world of his craft. Petit masterfully explains how preparation and self-control contributed to such feats as walking between the towers of Notre Dame and the World Trade Center. Addressing such topics as the rigging of the wire, the walker's first steps, his salute and exercises, and the work of other renowned high-wire artists, Petit offers us a book about the ecstasy of conquering our fears and reaching for the stars.

One night in 1974, a young Frenchman secretly - and illegally - rigged a tightrope between the twin towers of the World Trade Center. At daybreak, he gave the high-wire performance of all time, making eight crossings over the course of an hour, 110 floors up above the earth, as a hundred thousand people gathered on the ground to watch. In To Reach the Clouds, now filmed as The Walk, Philippe Petit re-creates a six-year quest to realise his dream, an adventure as thrilling as the walk itself. In an unforgettable memoir he tells the story of how he conspired, connived, improvised, and insisted his way to this 'coup', abetted by a motley crew of accomplices, the occasional miracle, and his own unflagging passion. He reveals himself to be not only a virtuoso of the air but also a bold and inspired performer on the page. Animated by never-seen photographs and Petit's ingenious sketches, To Reach the Clouds is a tour de force of the imagination and a serenade to his beloved towers.

'A book of instructions to those who will dare one day the impossible. I bow my head in reverence' Werner Herzog 'Petit is an artist whose theatre is the sky' Robin Williams 'Fascinating. You will learn about the man, his work, his passion, his tenacity and lucidity' Marcel Marceau 'Petit outlines a whole approach to life. The lessons are simple, universal. Be committed. Feel alive. Give everything' Independent In cities you travel to, always remember to visit the highest monument. Remain at the top for many hours, looking into the void. In this poetic handbook, written when he was just twenty-three, the world-famous high-wire artist Philippe Petit offers a window into the world of his craft. Petit masterfully explains how preparation and self-control contributed to such feats as walking between the towers of Notre Dame and the World Trade Center. Addressing such topics as the rigging of the wire, the walker's first steps, his salute and exercises, and the work of other renowned high-wire artists, Petit offers us a book about the ecstasy of conquering our fears and reaching for the stars. Translated and introduced by Paul Auster A W&N Essential

In "The Haunting Past," French historian Henry Rousso discusses the varied and controversial treatments of French collaboration with the Nazis during the Vichy regime, focusing specifically on the roles played by historians, and history itself, in the postwar trials of accused collaborators.While discussion of Nazi collaboration was mostly suppressed in the years immediately following World War II, recent changes in public sentiment paved the way for formal trials of former Vichy officials charged with collaborating with Nazi Germany. In a series of pointed interviews conducted by journalist Philippe Petit, Rousso considers events of the recent past--especially the emotionally charged Papon trial in France and the revelations that have come to light with the opening of Communist archives.While Rousso was one of the historians called to testify at a number of sensational political trials, he was also one of the few who chose not to, arguing that history is constantly changing and being rewritten and therefore should not be taken into consideration as judicial evidence. Throughout the course of these trials, the public repeatedly claimed that historians had failed to account for the crimes of Vichy and that the time had come for the truth to be known and justice delivered. Rousso, on the other hand, argued against the combination of history and justice, claiming that justice is a matter of ethics or law, while history should be free from judgment."The Haunting Past" explores the methods historians employ to understand and frame varying perspectives on knowledge and truth, the ways an open society can or should manage information, and the moral and civic responsibilities of the intellectual elite in a democracy. In light of the sensational part often played by the modern media, this is a timely critique of institutions and of the relationship among politics, the courts, and the press. Rousso raises profound questions regarding the way true knowledge of the recent past is attained, untangling the roles of the historians, judges, and journalists empowered by society to bring forth historical truth and communicate it to the public.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ De Amoribus Pancharitis Et Zoroae... 2da Editio... Cui Accedit Vita Auctoris Philippe Petit-Radel excudebat P. N. F. Didot junior, 1801

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Voyage Historique, Chronologique Et Philosophique Dans Les Principales Villes De L'Italie Et 1811 Et 1812; Voyage Historique, Chronologique Et Philosophique Dans Les Principales Villes De L'Italie Et 1811 Et 1812; Philippe Petit-Radel Philippe Petit-Radel Chanson-Didot, 1815