At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective.

Photochemical reactions play a major role in the environment including a wide range of reactions in the atmosphere, natural waters, soil and living organisms. This new volume on Environmental Photochemistry up-dates the previous edition with chapters on basic aspects including concepts of photochemical transformations and mechanistic photochemical processes in the atmosphere and water. In addition a range of applications are also detailed such as advanced photochemical oxidation processes for water and air treatment as well as applications of photocatalysis for surface treatment and nuclear fuel reprocessing. The new edition provides a critical up to date overview of the most important research in the field of environmental photochemistry.

Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970).

Published on the occasion of Sartre's Centenary, this book helps to understand the man behind the work, offering a psycho-social analysis of Jean-Paul Sartre with an emphasis on his masculinity. It sets out to contextualize Sartre in terms of his psycho-sexual formation and processes of self-constitution in view of his childhood. The main period under detailed study is 1905-1945, before Sartre became the Sartre. It concentrates on his early childhood, his teenage years in La Rochelle, the years at the Ecole Normale, and the first few years of his adulthood, with specific attention on the war years. An analysis of Sartre's relationships follows, with Simone de Beauvoir and other women and men (including love and sex), before a postscript covering the period 1973-1980. This essay is not a reductive account. It tells the story of Jean-Paul Sartre, from the inside out, so that the achievements of one of the major intellectuals of the 20th Century can be measured against his own internal struggles.

Published on the occasion of Sartre's Centenary, this book helps to understand the man behind the work, offering a psycho-social analysis of Jean-Paul Sartre with an emphasis on his masculinity. It sets out to contextualize Sartre in terms of his psycho-sexual formation and processes of self-constitution in view of his childhood. The main period under detailed study is 1905-1945, before Sartre became the Sartre. It concentrates on his early childhood, his teenage years in La Rochelle, the years at the Ecole Normale, and the first few years of his adulthood, with specific attention on the war years. An analysis of Sartre's relationships follows, with Simone de Beauvoir and other women and men (including love and sex), before a postscript covering the period 1973-1980. This essay is not a reductive account. It tells the story of Jean-Paul Sartre, from the inside out, so that the achievements of one of the major intellectuals of the 20th Century can be measured against his own internal struggles.

Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970).

At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective.

This lively and highly informative contribution to the Menuhin Music Guides covers all aspects of percussion - the instruments, the percussion section within the orchestra and the use of percussion in chamber music and as a solo instrument. James Holland is not afraid to attack composers, conductors and music publishers as he puts the percussionist's point of view. Among his comments on how to interpret a percussion score and lay out and play a vast array of complex instruments are detailed analyses of Walton's 'Facade' and works by Gerhard and Stockhausen.

Pierre Boulez was appointed to the College de France in 1976, with the chair devoted to 'Invention, technique and language in Music', and he held his position until 1995. The publication of his extraordinary College de France lectures, his most significant writings from the 1970s to the 1990s, will make a major contribution to the discussion in English about Boulez's aesthetic legacy. His goal in Lecons de musique is to express his conception of musical language, laid out over the course of nearly twenty years of lecturing. He is thinking about the possible paths musical thought could take, as well as the musical legacy of the past In addition to composers, music historians, theorists, and music students, this book will be invaluable to those interested in the history and aesthetics of 20th century music, musical manifestations of artistic modernism, the history of ideas, and French intellectual and cultural history. Faber have been Pierre Boulez's publisher since 1986 - previous books include Orientations, Boulez on Music Today and Boulez on Conducting. 'Boulez's achievements in changing every part of the fabric of classical musical culture all over the world are indelible.' Tom Service, Guardian

Documentary charting the way classical music has been presented on television since the 1930s, with contributions from amongst others: Glenn Gould, Herbert von Karajan, Leonard Bernstein, Anna Netrebko, Igor Stravinsky and Arturo Toscanini.

In these essays, the leading French composer and conductor Pierre Boulez explains many of his most significant ideas about music. The essays are divided into four parts, the first three concerned with common preoccupations (aesthetic, technical, and polemical) and the last a collection of entries intended for a music encyclopedia. Boulez offers penetrating and provocative analyses of the music of the major figures of twentieth-century music including Stravinsky, Schoenberg, Berg, Webern, Debussy, Messiaen, and Ravel. His illuminating comments arise from intimate knowledge of the music, and the resulting collection is an essential document of post-war modern music.

Environmental Chemistry is a relatively young science. Interest in this subject, however, is growing very rapidly and, although no agreement has been reached as yet about the exact content and limits of this interdisciplinary discipline, there appears to be increasing interest in seeing environmental topics which are based on chemistry embodied in this subject. One of the first objectives of Environ mental Chemistry must be the study of the environment and of natural chemical processes which occur in the environment. A major purpose of this series on Environmental Chemistry, therefore, is to present a reasonably uniform view of various aspects of the chemistry of the environment and chemical reactions occurring in the environment. The industrial activities of man have given a new dimension to Environ mental Chemistry. We have now synthesized and described over five million chemical compounds and chemical industry produces about hundred and fifty million tons of synthetic chemicals annually. We ship billions of tons of oil per year and through mining operations and other geophysical modifications, large quantities of inorganic and organic materials are released from their natural deposits. Cities and metropolitan areas of up to 15 million inhabitants produce large quantities of waste in relatively small and confined areas. Much of the chemical products and waste products of modern society are released into the environment either during production, storage, transport, use or ultimate disposal. These released materials participate in natural cycles and reactions and frequently lead to interference and disturbance of natural systems."

Photochemical reactions play a major role in the environment including a wide range of reactions in the atmosphere, natural waters, soil and living organisms. This new volume on Environmental Photochemistry up-dates the previous edition with chapters on basic aspects including concepts of photochemical transformations and mechanistic photochemical processes in the atmosphere and water. In addition a range of applications are also detailed such as advanced photochemical oxidation processes for water and air treatment as well as applications of photocatalysis for surface treatment and nuclear fuel reprocessing. The new edition provides a critical up to date overview of the most important research in the field of environmental photochemistry.

Pierre Boulez conducts the Vienna Philharmonic Orchestra in this opening concert from the Salzburg Festival of 2011. The featured works include Alban Berg's 'Lulu Suite' and Gustav Mahler's 'Das Klagende Lied' for Solo Voices, Mixed Choir and Orchestra. The singers include Dorothea Röschmann, Anna Prohaska, Anna Larsson and Johan Botha.

Pierre Boulez conducts the Vienna Philharmonic Orchestra and pianist Daniel Barenboim in this opening concert from the Salzburg Festival of 2008. Featured works include Ravel's 'Valses nobles et sentimentales', Bartok's 'Concerto for Piano and Orchestra No.1' and Stravinsky's 'Firebird Suite'.

Showcases the energy and diversity of the young field of music semiology, appealing to readers who want to explore the meaning of music in our lives. The Dawn of Music Semiology showcases the work of nine leading musicologists, inspired by the work of Jean-Jacques Nattiez, the founding father of music semiology. Now entering its fifth decade as Nattiez enters his eighth,music semiology, or music semiotics, is still a young, vibrant field, and this book reflects its energy and diversity. It appeals to readers wanting to explore the meaning of music in our lives and to understand the ways of appreciating the complexities that lie behind its simple beauty and direct impact on us. Following a preface by Pierre Boulez and an introduction by the editors, nine chapters discuss the latest thinking about general considerations such as music and gesture, the psychology of music, and the role of ethnotheory. The volume offers new research on topics as diverse as modeling folk polyphony, spatialization in the Darmstadt repertoire, Schenker's theory of musical content, compositional modernism from Wagner to Boulez, current music theory terminology, and Maderna's use of folk music in serial composition. CONTRIBUTORS: Kofi Agawu, Simha Arom, Rossana Dalmonte, Irene Deliege, Jonathan Dunsby, Jonathan Goldman, Nicolas Meeus, Jean Molino, Arnold Whittall Jonathan Dunsby is Professor of Music Theory at the Eastman School of Music, University of Rochester. Jonathan Goldman is Professor of Musicology at the University of Montreal.

Daniel Barenboim leads the Vienna Philharmonic in this concert from the opening night of the Salzburg Festival in 2010. Included is Beethoven's 'Piano Concerto No.4', Boulez's 'Notations for Orchestra', and Bruckner's 'Te Deum' featuring performances by Elina Garanca, Dorothea Roeschmann, Franz Josef Selig and René Pape.

French composer Pierre Boulez is honored in this release that collects some of his best performances. Included here are pieces by Debussy, Schoenberg, and Stravinsky.

Pierre Boulez conducts the Vienna Philharmonic Orchestra and pianist Daniel Barenboim in this opening concert from the Salzburg Festival of 2008. Featured works include Ravel's 'Valses nobles et sentimentales', Bartok's 'Concerto for Piano and Orchestra No.1' and Stravinsky's 'Firebird Suite'.

Pierre Boulez conducts the Vienna Philharmonic Orchestra in this opening concert from the Salzburg Festival of 2011. The featured works include Alban Berg's 'Lulu Suite' and Gustav Mahler's 'Das Klagende Lied' for Solo Voices, Mixed Choir and Orchestra. The singers include Dorothea Röschmann, Anna Prohaska, Anna Larsson and Johan Botha.

Daniel Barenboim leads the Vienna Philharmonic in this concert from the opening night of the Salzburg Festival in 2010. Included is Beethoven's 'Piano Concerto No.4', Boulez's 'Notations for Orchestra', and Bruckner's 'Te Deum' featuring performances by Elina Garanca, Dorothea Roeschmann, Franz Josef Selig and René Pape.

Drawing attention to the existence in France of an AIDS literature from 1985 to 1988, before AIDS became either a widly recognised genre or a culturally influential form of writing, this predominately critical literary study is informed by gender studies and psychoanalytic criticism in its readings of individual texts. Interwoven with contextual information, the book provides sympathetic readings of courageous writers who have been unfairly criticised, like Dreuilhe, or forgotten like Simonin, or like Aron, never properly understood.

Pieree Boulez leads the Staaatskapelle Berlin and the Staatsopernchor in this performance of Mahler's Symphony No. 2, recorded live at the Philharmonie, Berlin in March, 2005. Featured vocalists include Diana Damrau and Petra Lang.