Drawing attention to the existence in France of an AIDS literature
from 1985 to 1988, before AIDS became either a widly recognised
genre or a culturally influential form of writing, this
predominately critical literary study is informed by gender studies
and psychoanalytic criticism in its readings of individual texts.
Interwoven with contextual information, the book provides
sympathetic readings of courageous writers who have been unfairly
criticised, like Dreuilhe, or forgotten like Simonin, or like Aron,
never properly understood.
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