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A surrealist exploration of the marvelous in ancient, classic, and
modern works from around the world • Reveals the “marvelous”
in works from William Blake, Edgar Allen Poe, William Shakespeare,
Chrétien de Troyes, and Arthur Rimbaud; legends and folktales from
around the world; classics from Ovid, Plato, and Apuleius; Masonic
ritual texts, Mesopotamia’s Epic of Gilgamesh, the Popol-Vuh,
Lewis Caroll’s Alice through the Looking Glass, Solomon’s Song
of Songs, and Goethe’s Faust First published in French as Miroir
du merveilleux in 1940, Mirror of the Marvelous has long been
considered one of the most significant and original books to have
come out of the surrealist movement and Anaïs Nin suggested it as
a source of inspiration, far ahead of its time. Pierre Mabille
defines “the marvelous” as the point at which inner and outer
realities are joined and the individual is simultaneously one with
himself and with the world, thus recovering the true sense of the
sacred. He shows how “the marvelous” goes beyond simply being a
synonym for “the fantastic” to engage the entire emotional
realm. Mabille cites a far-reaching range of texts, from the
classic to the obscure, from Egyptian myth to Voodoo initiation
ceremonies, from the ancient epic to the modern poem, from the
creation myth to more contemporary visions of apocalypse. He
includes surrealist analyses of works from William Blake, Edgar
Allen Poe, William Shakespeare, Chrétien de Troyes, and Arthur
Rimbaud; legends and folktales from Egypt, Iceland, Mexico, Africa,
India, and other cultures; classics from Ovid, Plato, and Apuleius;
Masonic ritual texts, Mesopotamia’s Epic of Gilgamesh, the
Popol-Vuh, Lewis Caroll’s Alice through the Looking Glass,
Solomon’s Song of Songs, and selections from Goethe’s Faust.
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