Spanning two continents and three decades, The Cloud Sketcher is an epic tale of love, murder and revenge. Police stand ready to make an arrest as the Ile de France liner docks at New York Harbour in 1929. The passengers assume that it is notorious bootlegger Paul Mantilini who is to be taken away. But Mantilini walks down the gangplank a free man and instead it is Esko Vaananen the police arrest - a celebrated architect, and by all accounts a shy and mild-mannered young man. Born a peasant in rural Finland at the turn of the century, Esko, the son of an outcast Bolshevik, dreamed of skyscrapers and of a beautiful and tragic Russian aristocrat named Katerina. His entire life has been spent pursuing and protecting these twin passions, no matter how great the cost. It is a journey that has led him into the battlefields of the Bolshevik revolution and the jazz-age nightclubs of New York City, and finally, to strike a Faustian bargain with a ruthless gangster - all in pursuit of artistic perfection and impossible, unattainable love. And now he stands accused of murder... A grand and unashamedly romantic literary epic, The Cloud Sketcher moves from the battle of Tampere to the incredible danger of working on 'the high steel' of skyscraper shells, from Prohibition to the remarkable intersection of organized crime, finance and the arts in 1920s New York, powerfully evoking an era gone by.

'About as noir as it can be...excellent' Frances Fyfield, Daily Telegraph The city is Los Angeles, the birthplace of the American dream, a city that has come to symbolize both heaven and hell. Billy McGrath is an enigma, half American, half English, who once dreamed of pursuing a career as an academic philosopher, but for the last fifteen years he's been a homicide detective - one of LA's best. He knows the rules, and understands a justice system that punishes the underprivileged and lets the rich go free. He's an unhappy man, divorced from the wife he still adores and separated from a daughter for whom he'd willingly die. If he hasn't yet thought of suicide, he soon will. McGrath is called to a crime scene - a woman dead on a kitchen floor in one of the city's seamiest neighbourhoods, an apparently routine assignment until he discovers that the murdered woman's son is LA's biggest crack dealer, an idol of the ghetto who offers him a one-million-dollar bounty for the name of the killer. Making the wrong choice for what might be the right reasons, McGrath initiates both his own fall from grace and, as he strives to redeem himself, a series of wild and furious actions that hurtle him through the many identities of corrupt Los Angeles. In McGrath, Rayner has created a sympathetic everyman who becomes both victim and victor. Set against a bleak cityscape, Murder Book is a dark, violent and sexy thriller that is impossible to put down.

"Dirty Magick: Los Angeles" is an urban fantasy anthology exploring the crossroads between magic and crime. Set in the city that invented noir, these stories comb the back streets and side alleys where the shadows are so sharp, they can shave you clean. Featuring such distinguished writers as Neal Pollack, Richard Rayner, Justin Macumber and Terry Mixon, this collection, edited by Charlie Brown, presents a whole new approach to urban fantasy.

His scam was as simple as it was brazen. Before and during the Great Depression, Oscar Hartzell persuaded tens of thousands of Midwesterners to part with millions of dollars to start a legal fund that would see the mythical fortune of Sir Francis Drake restored to his rightful heir. In return for their contributions, donors would get shares in the riches, estimated to be worth $100 billion. The money of course went in the pocket of Hartzell, who transformed himself into a hedonistic English aristocrat even as the folks back home continued to see him as a hero.

As he recounts this amazing tale, Richard Rayner tells the larger history of cons in America. We have always had a soft spot for the crafty or larger-than-life swindler, and with Drake’s Fortune, Rayner offers a delightful portrait of a uniquely American character.

In a tiny village in Finland, Esko Vaananen is at the brink of despair -- he loves a woman he can never have. Suddenly, in the magical light of the aurora borealis, he has a vision of an impossibly tall building rising gracefully from the frozen lake and disappearing into the clouds above him. This pilvenpiirtaja -- "cloud sketcher" or skyscraper -- sparks a lifelong quest for beauty in Esko. He will pursue and protect these two passions -- his vision and his love -- no matter how great the cost, for the rest of his life. It is a journey that leads him into the Bolshevik revolution and the Jazz Age nightclubs of New York City and to strike a Faustian bargain with a ruthless gangster -- all in the pursuit of artistic perfection and impossible, unattainable love.

A captivating chronicle of how the City of Angels lost its soul
Los Angeles was the fastest growing city in the world, mad with oil fever, get-rich-quick schemes, celebrity scandals, and religious fervor. It was also rife with organized crime, with a mayor in the pocket of the syndicates and a DA taking bribes to throw trials. In "A Bright and Guilty Place," Richard Rayner narrates the entwined lives of two men, Dave Clark and Leslie White, who were caught up in the crimes, murders, and swindles of the day. Over a few transformative years, as the boom times shaded into the Depression, the adventures of Clark and White would inspire pulp fiction and replace L.A.'s reckless optimism with a new cynicism. Together, theirs is the tale of how the city of sunshine got noir.
When "A Bright and Guilty Place" begins, Leslie White is a naive young photographer who lands a job as a crime-scene investigator in the L.A. district attorney's office. There he meets Dave Clark, a young, movie-star handsome lawyer and a rising star prosecutor with big ambitions. The cases they tried were some of the first "trials of the century," starring dark-hearted oil barons, sexually perverse starlets, and hookers with hearts of gold. Los Angeles was in the grip of organized crime, and White was dismayed to see that only the innocent paid while the powerful walked free. But Clark was entranced by L.A.'s dangerous lures and lived the high life, marrying a beautiful woman, wearing custom-made suits, yachting with the rich and powerful, and jaunting off to Mexico for gambling and girls. In a shocking twist, when Charlie Crawford, the Al Capone of L.A., was found dead, the chief suspect was none other than golden boy Dave Clark.
"A Bright and Guilty Place "is narrative nonfiction at its most gripping. Key to the tale are the story of the theft of water from the Owens River Valley that let L.A grow; the Teapot Dome scandal that brought shame to President Harding; and the emergence of crime writers like Raymond Chandler and James M. Cain, who helped mythologize L.A. In Rayner's hands, the ballad of Dave Clark is the story of the coming of age of a great American city.