The violence wrought by climate change, toxic drift, deforestation, oil spills, and the environmental aftermath of war takes place gradually and often invisibly. Using the innovative concept of "slow violence" to describe these threats, Rob Nixon focuses on the inattention we have paid to the attritional lethality of many environmental crises, in contrast with the sensational, spectacle-driven messaging that impels public activism today. Slow violence, because it is so readily ignored by a hard-charging capitalism, exacerbates the vulnerability of ecosystems and of people who are poor, disempowered, and often involuntarily displaced, while fueling social conflicts that arise from desperation as life-sustaining conditions erode. In a book of extraordinary scope, Nixon examines a cluster of writer-activists affiliated with the environmentalism of the poor in the global South. By approaching environmental justice literature from this transnational perspective, he exposes the limitations of the national and local frames that dominate environmental writing. And by skillfully illuminating the strategies these writer-activists deploy to give dramatic visibility to environmental emergencies, Nixon invites his readers to engage with some of the most pressing challenges of our time.

The traditional Accounting 'Practice' model is outdated. Your clients do not want an accountant who is just an order taker. What they do want is an accounting firm that looks to the future and provides them with timely advice on what they should be doing now to improve their businesses and ultimately to help them achieve their financial and lifestyle goals. If you want to be that firm, you need to read 'Accounting Practices Don't Add Up' to learn how.In this book, Rob Nixon reveals how he helps accounting firms succeed.ABOUT THE AUTHORRob Nixon has been helping accounting firms achieve massive success since 1994. He is unmatched in his ability to succinctly deliver what it takes to be a high performing firm. He has written countless articles and reports on what the accounting profession needs to do to improve service, increase margins, offer value added services and build a business where everyone in it has a better more fulfilling lifestyle.

Spanning time and space from late Victorian Britain and Ireland to postwar America and Latin America, Late Imperial Culture maps crucial regions in the terrain of imperial cultural practices including theater, film, photography, fiction, autobiography, and body art. The forms reviewed in this lively collection range from those which accept and reproduce empire's dominant self-images to scathing critiques of the oppressions that colonialism has visited upon its subjects and the price it continues to exact from them. A diverse range of theoretically sophisticated and historically informed contributors take as given two fundamental facts about the culture of imperialism: firstly, that it has a long and complex history which, in the present epoch, merits its being designated "late"; and, secondly, that its impact on the contemporary world is far from exhausted. Together they highlight the contradictions in the serried cultural practices of imperialism in its different historical periods. Contributors: Aijaz Ahmad, Steven Cagan, Roman de la Campa, David Glover, May Joseph, Caren Kaplan, Rob Nixon, Ella Shohat, Robert Stam, and Marianna Torgovnick.

V. S. Naipaul stands as the most lionized literary mediator between First and Third-World experience and is ordinarily viewed as possessing a unique authority on the subject of cross-cultural relations in the post-colonial era. In contesting this orthodox reading of his work, Nixon argues that Naipaul is more than simply an unduly influential writer. He has become a regressive Western institution, articulating a set of values that perpetuates political interests and representational modes that have their origin in the high imperial age. Nixon uses Naipaul's travel writing to probe the core theoretical issues raised by cross-cultural representation along metropolitan-periphery lines. In successive chapters he explores the relation between multi-cultural identity and the rhetorical conventions of exile; the imperial undertow in travel writing as a genre; the tensions between ethnographic and autobiographical modes of authority; and the magnetic pull of the Conradian tradition in figuring the third World. In the penultimate chapter, Nixon analyses the importance of the discourse of primitivism as a means of abrogating Third World experiences of historical change and, in particular, of minimalizing the role of indigenous resistance. Finally, with reference to economic theories of dependency, he critiques the vision, popularized by Naipaul, of the post-colonial world as divided between mimic and parasitic Third World nations on the one hand and, on the other, the benignly creative societies of the West.