The first unified, in-depth discussion of the now classical Gelfand-Naimark theorems, thiscomprehensive text assesses the current status of modern analysis regarding both Banachand C*-algebras.Characterizations of C*-Algebras: The Gelfand-Naimark Theorems focuses on general theoryand basic properties in accordance with readers' needs ... provides complete proofs of theGelfand-Naimark theorems as well as refinements and extensions of the original axioms. . . gives applications of the theorems to topology, harmonic analysis. operator theory.group representations, and other topics ... treats Hermitian and symmetric *-algebras.algebras with and without identity, and algebras with arbitrary (possibly discontinuous)involutions . . . includes some 300 end-of-chapter exercises . . . offers appendices on functionalanalysis and Banach algebras ... and contains numerous examples and over 400 referencesthat illustrate important concepts and encourage further research.Characterizations of C*-Algebras: The Gelfand-Naimark Theorems is an ideal text for graduatestudents taking such courses as The Theory of Banach Algebras and C*-Algebras: inaddition , it makes an outstanding reference for physicists, research mathematicians in analysis,and applied scientists using C*-algebras in such areas as statistical mechanics, quantumtheory. and physical chemistry.

This book explores how early Christian intellectuals expressed their understanding of the cosmos. It reviews the role of women, documentation of the vitality and influence of Jewish intellectual thought, and the continuing impact of Greek intellectual thought during Christianity's formative years.

Every religion represents a worldview, an account of human beings and their place in the world, of birth and death, of pain and suffering, of wealth and poverty, of injustice and war. At the dawn of the Christian era, the first Christian intellectuals wrestled with these questions, and in Birth of a Worldview, Robert Doran tells the story of how they worked to make their world comprehensible. Amid much internal strife, amid the competing worldviews of Hellenistic paganism and early Judaism, figures from Justin Martyr to Saint Augustine hammered out what became the worldview that dominated thought in the Christian West for a millennium. By illuminating the varieties of views within the early church and the rich cultural environment in which these views were contested, Doran reveals a fascinating process that might well have turned out dramatically differently. In this high-stakes game, heretics were simply the losers. Among the many riches or this book are the review of the role of women, the documentation of the vitality and influence of Jewish intellectual thought, and the continuing impact of Greek intellectual thought during Christianity's formative years. In addition, Doran's generous and effective use of long passages from a wide range of original sources gives his account a freshness and authenticity not to be found in other accounts of this period. Birth of a Worldview is a breakthrough study of the first Christian intellectuals. Scholarly and engaging throughout, it will attract a wide range of scholars, students, and general readers in religious studies and ancient history.

The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume two features White's trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as "the Sixties" and "the Enlightenment," the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian.

The first unified, in-depth discussion of the now classical Gelfand-Naimark theorems, thiscomprehensive text assesses the current status of modern analysis regarding both Banachand C*-algebras.Characterizations of C*-Algebras: The Gelfand-Naimark Theorems focuses on general theoryand basic properties in accordance with readers' needs ... provides complete proofs of theGelfand-Naimark theorems as well as refinements and extensions of the original axioms. . . gives applications of the theorems to topology, harmonic analysis. operator theory.group representations, and other topics ... treats Hermitian and symmetric *-algebras.algebras with and without identity, and algebras with arbitrary (possibly discontinuous)involutions . . . includes some 300 end-of-chapter exercises . . . offers appendices on functionalanalysis and Banach algebras ... and contains numerous examples and over 400 referencesthat illustrate important concepts and encourage further research.Characterizations of C*-Algebras: The Gelfand-Naimark Theorems is an ideal text for graduatestudents taking such courses as The Theory of Banach Algebras and C*-Algebras: inaddition , it makes an outstanding reference for physicists, research mathematicians in analysis,and applied scientists using C*-algebras in such areas as statistical mechanics, quantumtheory. and physical chemistry.

"Mimesis and Theory" brings together twenty of Rene Girard's uncollected essays on literature and literary theory, which, along with his classic, "Deceit, Desire, and the Novel," have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"--a groundbreaking account of human interaction and of the genesis of cultural forms.
The essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard--Stendhal, Proust, and Dostoevsky--receive extended treatment, and Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism.
Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Girard does not offer us a theory of literature but literature as theory.

"Mimesis and Theory" brings together twenty of Rene Girard's uncollected essays on literature and literary theory, which, along with his classic, "Deceit, Desire, and the Novel," have left an indelible mark on the field of literary and cultural studies. Spanning over fifty years of critical production, this anthology offers unique insights into the origin, development, and expansion of Girard's "mimetic theory"--a groundbreaking account of human interaction and of the genesis of cultural forms.
Arranged chronologically in order of publication, the essays run the gamut of Western literary culture, from Racine and Shakespeare to the existentialist writings of Simone de Beauvoir and Jean-Paul Sartre. The authors who have most influenced Girard--Stendhal, Proust, and Dostoevsky--receive extended treatment. In addition, Girard's observations on the changing landscape of literary studies are chronicled in several essays devoted to psychoanalysis, formalism, structuralism, and post-structuralism.
Though at times overshadowed by his work in religious and cultural anthropology, Girard's work in the area of literary studies has been the wellspring of his thought. All of the essays contained in this volume develop the idea that the greatest authors are also the greatest students of human nature, for their artistic intuitions are generally more penetrating than the analyses of the philosophers or the social scientists. Thus Girard does not offer us a theory of literature but literature as theory.

This thesis addresses two fundamental areas in contemporary organic chemistry: synthesis of natural products and catalytic asymmetric synthesis. Firstly, a new methodology, developed by our research group, which allows the asymmetric synthesis of lactones, a structural unit ubiquitous in natural products, was utilised in the synthesis of a number of natural product analogues that showed significant biological activity. Secondly, the development of a catalytic asymmetric synthesis of a key structural motif present in a number of natural products and pharmaceuticals was accomplished. During the course of this work we discovered dual stereo control, which is significant because it allows the configuration of a new stereo centre to be controlled by a simple change of proton source.

This thesis addresses two fundamental areas in contemporary organic chemistry: synthesis of natural products and catalytic asymmetric synthesis. Firstly, a new methodology, developed by our research group, which allows the asymmetric synthesis of lactones, a structural unit ubiquitous in natural products, was utilised in the synthesis of a number of natural product analogues that showed significant biological activity. Secondly, the development of a catalytic asymmetric synthesis of a key structural motif present in a number of natural products and pharmaceuticals was accomplished. During the course of this work we discovered dual stereo control, which is significant because it allows the configuration of a new stereo centre to be controlled by a simple change of proton source.

Hayden White is celebrated as one of the great minds in the humanities. Since the publication of his groundbreaking monograph, "Metahistory," in 1973, White's work has been crucial to disciplines where narrative is of primary concern, including history, literary studies, anthropology, philosophy, art history, and film and media studies.

This volume, deftly introduced by Robert Doran, gathers in one place White's important--and often hard-to-find--essays exploring his revolutionary theories of historical writing and narrative. These texts find White at his most essayistic, engaging a wide range of topics and thinkers with characteristic insight and elegance.

"The Fiction of Narrative" traces the arc and evolution of White's field-defining thought and will become standard reading for students and scholars of historiography, the theory of history, and literary studies.

Hayden White is widely considered to be the most influential historical theorist of the twentieth century. The Ethics of Narrative brings together nearly all of White's uncollected essays from the last two decades of his life, revealing a lesser-known side of White: that of the public intellectual. From modern patriotism and European identity to Hannah Arendt's writings on totalitarianism, from the idea of the historical museum and the theme of melancholy in art history to trenchant readings of Leo Tolstoy and Primo Levi, the first volume of The Ethics of Narrative shows White at his most engaging, topical, and capacious. Expertly introduced by editor Robert Doran, who lucidly explains the major themes, sources, and frames of reference of White's thought, this volume features five previously unpublished lectures, as well as more complete versions of several published essays, thereby giving the reader unique access to White's late thought. In addition to historical theorists and intellectual historians, The Ethics of Narrative will appeal to students and scholars across the humanities in such fields as literary and cultural studies, art history and visual studies, and media studies.

Hayden White is celebrated as one of the great minds in the humanities. Since the publication of his groundbreaking monograph, "Metahistory," in 1973, White's work has been crucial to disciplines where narrative is of primary concern, including history, literary studies, anthropology, philosophy, art history, and film and media studies.

This volume, deftly introduced by Robert Doran, gathers in one place White's important--and often hard-to-find--essays exploring his revolutionary theories of historical writing and narrative. These texts find White at his most essayistic, engaging a wide range of topics and thinkers with characteristic insight and elegance.

"The Fiction of Narrative" traces the arc and evolution of White's field-defining thought and will become standard reading for students and scholars of historiography, the theory of history, and literary studies.

The second-century (b.c.e.) Maccabean revolt against Seleucid oppression was a watershed event in early Jewish history and Second Maccabees is an important testimony to the revolt and its aftermath. Robert Doran's commentary on 2 Maccabees explores the interplay between history and historiography in the document. Providing detailed philological analysis of the elegant Greek of the text, Doran carefully sifts the evidence for the historicity of the events recounted, while giving full attention to the literary and rhetorical qualities that mark this dramatic narrat

The second volume of The Ethics of Narrative completes the project of bringing together nearly all of Hayden White's uncollected essays from the last two decades of his life, including articles, essays, and previously unpublished lectures. As in the first volume, volume two features White's trenchant articulations of his influential theories, as well as his explorations of a wide range of ideas and authors at the frontiers of critical theory, literature, and historical studies. These include the concept of utopia in history, modernism and postmodernism, constructivism, the conceptualization of historical periods such as "the Sixties" and "the Enlightenment," the representation of the Holocaust in scholarly and literary writing, as well as essays on Frank Kermode, Saul Friedländer, and Krzysztof Pomian.

A new and wide-ranging collection of essays by leading international scholars, exploring the concept and practices of virtuosity in Franz Liszt and his contemporaries. In the annals of music history, few figures have dominated the discussion of virtuosity as much as Franz Liszt. A flamboyant performer whose hair-raising technical feats at the piano created a sense of awe-inspiring excitement andan icon whose star power radiated far beyond the realm of music, Liszt was, along with his early model, Paganini, among the first major performer-composers to define himself principally by virtuosity. Featuring new essays by an international group of preeminent scholars, Liszt and Virtuosity offers a reevaluation of the concept and practices of virtuosity as shaped and defined in Liszt's multifaceted oeuvre, as well as a reconsiderationof Liszt's relation to other major and lesser-known musical figures, including Czerny, Schubert, Chopin, Brahms, Debussy, and Marie Jaëll. Set in the context of larger trends within the fields of music history, musicanalysis, intellectual history, and performance studies, these capacious explorations demonstrate that Liszt's uniqueness and significance resided in his ability to transform virtuosity into a revolutionary musical force, pushingthe piano aesthetic to the limits of sound and poetic meaning.

In this book, Robert Doran offers the first in-depth treatment of the major theories of the sublime, from the ancient Greek treatise On the Sublime (attributed to 'Longinus') and its reception in early modern literary theory to the philosophical accounts of Burke and Kant. Doran explains how and why the sublime became a key concept of modern thought and shows how the various theories of sublimity are united by a common structure - the paradoxical experience of being at once overwhelmed and exalted - and a common concern: the preservation of a notion of transcendence in the face of the secularization of modern culture. Combining intellectual history with literary theory and philosophical analysis, his book provides a new, searching and multilayered account of a concept that continues to stimulate thought about our responses to art, nature and human events.

In The Ethics of Theory, Robert Doran offers the first broad assessment of the ethical challenges of Critical Theory across the humanities and social sciences, calling into question the sharp dichotomy typically drawn between the theoretical and the ethical, the analytical and the prescriptive. In a series of discrete but interrelated interventions, Doran exposes the ethical underpinnings of theoretical discourses that are often perceived as either oblivious to or highly skeptical of any attempt to define ethics or politics. Doran thus discusses a variety of themes related to the problematic status of ethics or the ethico-political in Theory: the persistence of existentialist ethics in structuralist, poststructuralist, and postcolonial writing; the ethical imperative of the return of the subject (self-creation versus social conformism); the intimate relation between the ethico-political and the aesthetic (including the role of literary history in Erich Auerbach and Edward Said); the political implications of a "philosophy of the present" for Continental thought (including Heidegger's Nazism); the ethical dimension of the debate between history and theory (including Hayden White's idea of the "practical past" and the question of Holocaust representation); the "ethical turn" in Foucault, Derrida, and Rorty; the post-1987 "political turn" in literary and cultural studies (especially as influenced by Said). Drawing from a broad range of Continental philosophers and cultural theorists, including many texts that have only recently become available, Doran charts a new path that recognizes the often complex motivations that underlie the critical impulse, motivations that are not always apparent or avowed.

In The Ethics of Theory, Robert Doran offers the first broad assessment of the ethical challenges of Critical Theory across the humanities and social sciences, calling into question the sharp dichotomy typically drawn between the theoretical and the ethical, the analytical and the prescriptive. In a series of discrete but interrelated interventions, Doran exposes the ethical underpinnings of theoretical discourses that are often perceived as either oblivious to or highly skeptical of any attempt to define ethics or politics. Doran thus discusses a variety of themes related to the problematic status of ethics or the ethico-political in Theory: the persistence of existentialist ethics in structuralist, poststructuralist, and postcolonial writing; the ethical imperative of the return of the subject (self-creation versus social conformism); the intimate relation between the ethico-political and the aesthetic (including the role of literary history in Erich Auerbach and Edward Said); the political implications of a "philosophy of the present" for Continental thought (including Heidegger's Nazism); the ethical dimension of the debate between history and theory (including Hayden White's idea of the "practical past" and the question of Holocaust representation); the "ethical turn" in Foucault, Derrida, and Rorty; the post-1987 "political turn" in literary and cultural studies (especially as influenced by Said). Drawing from a broad range of Continental philosophers and cultural theorists, including many texts that have only recently become available, Doran charts a new path that recognizes the often complex motivations that underlie the critical impulse, motivations that are not always apparent or avowed.

In the flood of christian ascetics who left the world to seek God alone, Simeon chose a novel withdrawal. He mounted a pillar and remained there the rest of his life. To him came supplicants with al kinds of problems: personal anguish, sickness and pain, infertility, sin, and social transgression. Public issues were mediated at his shrine and slaves manumitted. Three views of the Stylite in three lives.

In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life's work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan's own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan's work will find their understanding of his philosophy profoundly affected by the essays in this volume.

Hayden White is widely considered to be the most influential historical theorist of the twentieth century. The Ethics of Narrative brings together nearly all of White's uncollected essays from the last two decades of his life, revealing a lesser-known side of White: that of the public intellectual. From modern patriotism and European identity to Hannah Arendt's writings on totalitarianism, from the idea of the historical museum and the theme of melancholy in art history to trenchant readings of Leo Tolstoy and Primo Levi, the first volume of The Ethics of Narrative shows White at his most engaging, topical, and capacious. Expertly introduced by editor Robert Doran, who lucidly explains the major themes, sources, and frames of reference of White's thought, this volume features five previously unpublished lectures, as well as more complete versions of several published essays, thereby giving the reader unique access to White's late thought. In addition to historical theorists and intellectual historians, The Ethics of Narrative will appeal to students and scholars across the humanities in such fields as literary and cultural studies, art history and visual studies, and media studies.

Method in Theology stands with Insight as Bernard Lonergan's most important work. It is Lonergan's answer to those who would argue that in this time of cultural change and dissolution, the believer is afloat on a sea of multiplying theologies, without rudder or compass. Lonergan was resolute in his refusal to be defeatist on this point. While agreeing that theology must continually change to mediate between religion and culture, he worked out an integral method to guide and control this ongoing process. Method in Theology is the fruit of this labour. This critical edition has benefited from extensive research into Lonergan's typescripts and from consulting the recordings from several institutes where he lectured over the course of the work's development. Lonergan's intention was to provide a set of methods that would guide a collaborative community in the ongoing construction of a theology that would move from recovery of the data through resolution of conflicts to contemporary formulations and applications. With this work, the cognitional theory of Insight: A Study of Human Understanding underwent a surprising set of developments in the form of what he calls functional specialization.

In the mid- to late-1930s, while he was a student at the Gregorian University in Rome, Bernard Lonergan wrote a series of eight essays on the philosophy and theology of history. These essays foreshadow a number of the major themes in his life's work. The significance of these essays is enormous, not only for an understanding of the later trajectory of Lonergan's own work but also for the development of a contemporary systematic theology. In an important entry from 1965 in his archival papers, Lonergan wrote that the "mediated object" of systematics is Geschichte or the history that is lived and written about. In the same entry, he stated that the "doctrines" that this systematic theology would attempt to understand are focused on "redemption." The seeds of such a theology are planted in the current volume, where the formulae that are so pronounced in his later work first appear. Students of Lonergan's work will find their understanding of his philosophy profoundly affected by the essays in this volume.

For half a century Rene Girard's theories of mimetic desire and scapegoating have captivated the imagination of thinkers and doers in many fields as an incisive look into the human condition, particularly the roots of violence. In a 1993 interview with Rebecca Adams, he highlighted the positive dimensions of mimetic phenomena without expanding on what they might be. Now, two decades later, this groundbreaking book systematically explores the positive side of mimetic theory in the context of the multi-faceted world of creativity. Several authors build on Adams' insight that loving mimesis can be understood as desiring the subjectivity of the other, particularly when the other may be young or wounded. With highly nuanced arguments authors show how mimetic theory can be used to address child and adult development, including the growth of consciousness and a capacity to handle complexity. Mimetic theory is brought to bear on big questions about creativity in nature, evolutionary development, originality, and religious intrusion into politics.