This work is a handy desk reference for academic and public library music reference collections as well as teachers, musicians, and composers. The more than 250 books discussed represent a core bibliography on this late 20th-century phenomenon that is very much in transition as the concepts of electronic and computer merge into a single music, whether acoustic or electronic in origin. Of special interest is an up-to-date listing of on-line sources found on the Internet, including World Wide Web sites and electronic discussion lists. Topics represented include history, literature on synthesis and synthesizers, electronic music instruments and devices, electronic music composition, MIDI (Musical Instrument Digital Interface), the teaching of computer and electronic music, bibliographies and dictionaries. Covered by way of appendices are major dissertations and theses, lists of periodicals that have dealt with the subject, and a compilation of electronic music instrument and device system manuals currently in print.

This textbook introduces you to existentialist philosophical theory and its cultural influence. The first part of the book offers an introductory overview of the 19th century historical roots of existentialist thought and chapters on all the key players: Kierkegaard, Nietzsche, Heidegger, Sartre, de Beauvoir, and Camus. The second part presents a thematic approach, with chapters on Christian and Jewish existentialism, existentialism in America, existential psychology and existentialism in the cinema. Ideal for undergraduate and classroom use, this engaging and accessible textbook includes pedagogical features, such as study questions, chapter summaries, key definitions and further reading.

More than two hundred years after the publication of his seminal The World as Will and Representation, Arthur Schopenhauer's influence is still felt in philosophy and beyond. As one of the most readable and central philosophers of the 19th century, his work inspired the most influential thinkers and artists of his time, including Nietzsche, Freud, and Wagner. Though known primarily as a herald of philosophical pessimism, the full range of his contributions is displayed here in a collection of thirty-one essays on the forefront of Schopenhauer scholarship. Essays written by contemporary Schopenhauer scholars explore his central notions, including the will, empirical knowledge, and the sublime, and widens to the interplay of ethics and religion with Schopenhauer's philosophy. Authors confront difficult aspects of Schopenhauer's work and legacy-for example, the extent to which Schopenhauer adopted ideas from his predecessors compared to how much was original and visionary in his central claim that reality is a blind, senseless "will," the effectiveness of his philosophy in the field of scientific explanation and extrasensory phenomena, and the role of beauty and sublimity in his outlook. Essays also challenge prevailing assumptions about Schopenhauer by exploring the fundamental role of compassion in his moral theory, the Hindu, Christian, and Buddhist aspects of his philosophy, and the importance of asceticism in his views on the meaning of life. The collection is an internationally constituted work that reflects upon Schopenhauer's philosophy with authors presently working across the globe. It demonstrates fully the richness of Schopenhauer's work and his lasting impact on philosophy and psychoanalysis, as well as upon music, the visual arts, and literature.

This title introduces students to the context, key themes and influence of Schopenhauer's major work, a key text in 19th Century German thought. Schopenhauer's "The World as Will and Representation" is widely considered to be one of the most important and influential texts in nineteenth-century German philosophy. The text provides an avenue through which to introduce and explore a rich assortment of philosophical themes and questions, and represents Schopenhauer's widely discussed attempt to find personal meaning amidst a violent, frustrating and seemingly godless world. Since it was published in 1818, the text has influenced generations of musicians, artists, writers and historians, as well as philosophers. This Reader's Guide presents a concise and accessible introduction to the text, offering invaluable guidance on: Philosophical context; Key themes; Reading the text; Reception and influence; and Further reading. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

This title introduces students to the context, key themes and influence of Schopenhauer's major work, a key text in 19th Century German thought. Schopenhauer's "The World as Will and Representation" is widely considered to be one of the most important and influential texts in nineteenth-century German philosophy. The text provides an avenue through which to introduce and explore a rich assortment of philosophical themes and questions, and represents Schopenhauer's widely discussed attempt to find personal meaning amidst a violent, frustrating and seemingly godless world. Since it was published in 1818, the text has influenced generations of musicians, artists, writers and historians, as well as philosophers. This Reader's Guide presents a concise and accessible introduction to the text, offering invaluable guidance on: philosophical context; key themes; reading the text; reception and influence; and, further reading. "Continuum Reader's Guides" are clear, concise and accessible introductions to key texts in literature and philosophy. Each book explores the themes, context, criticism and influence of key works, providing a practical introduction to close reading, guiding students towards a thorough understanding of the text. They provide an essential, up-to-date resource, ideal for undergraduate students.

This textbook introduces you to existentialist philosophical theory and its cultural influence. The first part of the book offers an introductory overview of the 19th century historical roots of existentialist thought and chapters on all the key players: Kierkegaard, Nietzsche, Heidegger, Sartre, de Beauvoir, and Camus. The second part presents a thematic approach, with chapters on Christian and Jewish existentialism, existentialism in America, existential psychology and existentialism in the cinema. Ideal for undergraduate and classroom use, this engaging and accessible textbook includes pedagogical features, such as study questions, chapter summaries, key definitions and further reading.