Comedy was at the centre of a fierce controversy that raged from the opening of the first purpose-built playhouse in 1576 to the closure of the theatres in 1742. Shakespeare's plays made capital of this controversy. In them he repeatedly invokes the case made against comedy by the theatre-haters: that it perverts the young and incites the old to gross political and social misconduct. His plays are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay, and acts of comic rebellion and revenge that threaten destruction to individuals, families and even states. His comedy is unsettling, and this is part of what makes it pleasurable.Shakespeare and Comedy traces Shakespeare's exploration of the precarious status of the comic and the question of comic timing through close examination of eleven of his plays. This illuminating study succeeds in recapturing the sense of danger as well as delight that attached itself to theatrical laughter in Shakespeare's lifetime.

Metaphor is recognised as an important way of thinking - constructing analogies and making connections between ideas - and an important way of using language - to explain abstract ideas or to find indirect but powerful ways of conveying feelings. By investigating people's use of metaphors, we can better understand their emotions, attitudes and conceptualisations, as individuals and as participants in social life. This book describes practice in the analysis of metaphor in real-world discourse. When real-world language use is taken as the site of metaphor study, researchers face methodological issues that have only recently begun to be addressed. The contributors to this volume have all had to find ways to deal with methodological issues in their own research and have developed techniques that are brought together here. Using as a basis the discourse dynamics approach to metaphor developed by the editor, the book explores links between theory and empirical investigation, exemplifies data analysis and discusses issues in research design and practice. Particular attention is paid to the processes of metaphor identification, categorisation and labelling, and to the use of corpus linguistic and other computer-assisted methods.

Metaphor is recognised as an important way of thinking - constructing analogies and making connections between ideas - and an important way of using language - to explain abstract ideas or to find indirect but powerful ways of conveying feelings. By investigating people's use of metaphors, we can better understand their emotions, attitudes and conceptualisations, as individuals and as participants in social life. This book describes practice in the analysis of metaphor in real-world discourse. When real-world language use is taken as the site of metaphor study, researchers face methodological issues that have only recently begun to be addressed. The contributors to this volume have all had to find ways to deal with methodological issues in their own research and have developed techniques that are brought together here. Using as a basis the discourse dynamics approach to metaphor developed by the editor, the book explores links between theory and empirical investigation, exemplifies data analysis and discusses issues in research design and practice. Particular attention is paid to the processes of metaphor identification, categorisation and labelling, and to the use of corpus linguistic and other computer-assisted methods.

Comedy was at the centre of a critical storm that raged throughout the early modern period. Shakespeareas plays made capital of this controversy. In them he deliberately invokes the case against comedy made by the Elizabethan theatre haters. They are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay and aggressive acts of comic revenge. In a detailed study of seventeen plays, A� tragedies and histories as well as comedies, A� Maslen contends that Shakespeareas use of the comic mode is always calculatedly unsettling, and that this is part of what makes it pleasurable.