Released after fifteen years in prison, trapped in a bureaucratic maze, petty criminal Wilhelm Voight wanders 1910 Berlin in desperate, hazardous pursuit of identity papers. Luck changes when he picks up an abandoned military uniform in a fancy-dress shop and finds the city ready to obey his every command. At the head of six soldiers, he marches to the Mayor's office, cites corruption and confiscates the treasury with ease. But still what he craves is official recognition that he exists.
A nation heads blindly towards war as the misfit takes on the state in Ron Hutchinson's savagely funny new version of Carl Zuckmayer's "The Captain of Kopenick," first staged in Germany in 1931.

THE BOMB - A Partial History is a season of plays from leading contemporary dramatists, charting the political history of the Nuclear Bomb and its proliferation from 1940 to the present day. FIRST BLAST (1940 - 1992) features plays by John Donnelly, Elena Gremina, Amit Gupta, Zinnie Harris & Ron Hutchinson. It is the first year of World War II, and in Whitehall two emigre Jewish scientists are waiting for a meeting to get the British establishment to take their nuclear research seriously. The following plays then trace the history of the Labour party wrestling with the decision to build the Atomic Bomb, the Cuban missile crisis from a Russian perspective, China's war with India and the subsequent development of India's bomb, the break-up of the Soviet Union and the unilateral disarmament of Ukraine. SECOND BLAST (1992 - 2012) features plays by Lee Blessing, Ryan Craig, David Greig, Zinnie Harris, Diana Son & Colin Teevan. A contemporary take on the non-proliferation debate looking at Israel and Iran's nuclear capability, the 'axis of evil' speech and its affect on North Korea, the U.K.'s continuing reliance on Trident in the post Cold War era, through to the current negotiations with Iran and weapons' inspections there.

'There's your first problem. No Civil War movie ever made a dime. Or ever will.' Hollywood, 1939: semi-independent mogul David O.Selznick has just shut down production on the most eagerly anticipated movie in history - his megabudget version of Margaret Mitchell's bestselling novel Gone with the Wind - scrapping the original script and sacking the director in the process. Determined to produce a rewrite in five days, he engages the reluctant services of ace script doctor Ben Hecht - possibly the only person in America who has not read the novel - and the movie's new director Victor Fleming, poached straight from the set of The Wizard of Oz . His reputation on the line, and with nothing but a stockpile of peanuts and bananas to sustain them, Selznick locks himself in his office with his two collaborators, and a marathon creative session begins...

Somebody hit Tracy on the head with a brick. And something just as bad has happened to Julia. But how can you hang on to your identity when you don't know who you are anymore? Head/Case is a powerful drama about identity and a mind damaged almost beyond repair.How do you define yourself when you literally don't know who you are anymore? How do you begin to heal when you cannot fix your sense of self? And how much does nationality, culture and memory shape who you actually are?Produced at the Soho Theatre, January 2005.

"From now on, it's drones, baby, drones" - Robert Gates, former U.S. Defense Secretary Three writers. Two plays. One vital tale of power, sex and infighting at the top of the Washington establishment, and its far-reaching repercussions. As Barack Obama prepares to leave office, this world premiere double bill probes behind the scenes of America's controversial drone wars, and asks what they will mean for our future. This Tuesday It's 5a.m. A CIA director learns her daughter has been injured in a car crash, a White House security adviser is sleeping with an intern, a Pentagon General is working out in the gym. This Tuesday, in an hour, they have a vital decision to make. The Kid Wednesday. A missile hits a wedding in Pakistan. 7000 miles away, two drone operators begin their celebration. Pushing the button was the start. If only it were the end...

Ron Hutchinson's powerful new satire on the media's manipulation of the images of war. When a soldier returns home after serving in Afghanistan he tempts a newspaper editor with personal photos that seem to expose outrageous acts of brutality. But when their authenticity is questioned, how far can the story be spun to stop the real truth leaking out...

Wickedly funny, insightful, often absurd but always true, Clinging to the Iceberg explores the inner workings of the business of writing for hire. It's written by someone whose career has spanned over forty years on stage and on screen, including thirty lucrative and sometimes uproarious ones in Hollywood. Genuinely laugh-out-loud, it will astound and inspire and along the way reveal the REAL tricks of the dialogue writers' trade. Hutchinson grew up in a remote area of Ireland, without running water, until he moved to Coventry. He started his career equipped with stories from his upbringing and family. Clinging to the Iceberg takes us through his successful career via hilarious anecdotes including a near-death experience on Venice Beach, being paid by Dreamworks to not actually work for them, and struggling to stay sane on location on one of the great movie flops of all time.