The Oxford group of writers known as the Inklings met and thrived during the 1930s and 1940s. Three of the members, C. S. Lewis, J.R.R. Tolkien, and Charles Williams, became known as authors and cultural figures, recognized for interweaving Christian themes into fantasy fiction. Other members of the group doubtlessly influenced these works through their comments and discussion, and the published ideas of Williams, Lewis, and Tolkien were probably first discussed within this circle. Every member of the Inklings was male, the group consciously excluded women, and it was formed to promote male companionship. This book examines the attitude of the Inklings toward women and thus, sheds new light on the lives and works of Lewis, Tolkien, and Williams.

The book examines the male culture of the Inklings and the relation of the literary group to the larger Oxford community. It also looks at women in the lives of Williams, Tolkien, and Lewis. While Williams and Tolkien apparently thought of women as mythic icons, Lewis began to question some of the group's assumptions after his marriage. When considering the representation of women in fiction by the Inklings, the volume gives special attention to issues of gender and theology.

Demonstrating the unity of Tolkien's created world across Middle-earth's Ages. An in-depth examination of the role of divine beings in Tolkien's work, Tolkien's Cosmology: Divine Beings and Middle-earth brings together Tolkien's many references to such beings and analyzes their involvement within his created world. Unlike many other commentators, Sam McBride asserts that a careful reading of the whole of the author's corpus shows a coherent, if sometimes contradictory, divine presence in the world.In The Silmarillion, an epic history of the First Age of Middle-earth, Tolkien describes the Ainur, angelic beings under the direction of Eru Iluvatar, the legendarium's god, as creators of physical reality. Some of these divine beings, the Valar and the Maiar, enter physical reality to oversee its development and prepare for the appearance of sentient life forms in Middle-earth: Elves and Humans, Dwarves, and eventually Hobbits. In the early stages of this history, the Valar and Maiar interact directly with Elves and Humans, opposing the work of evil beings led by Melkor. Yet Tolkien appears, at first glance, to have ignored this pantheon in The Hobbit and The Lord of the Rings, set in the Third Age of Middle-earth. Tolkien's letters, however, suggest the cosmological structure continues. And representatives of the Valar and Maiar can be seen at work, such as Gandalf and Saruman. Tolkien also introduces hints that his divine beings continue to influence events invisibly, as with the prominence of luck in The Hobbit and fortuitous weather conditions in The Lord of the Rings. In the end, McBride argues, Tolkien's cosmology allows room for everything from poor decision-making to evil, suffering, and death, all part of a belief system that will make the final victory of Good much more powerful.