'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary Supplement First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through the centuries to end up as a woman writer in Virginia Woolf's own time. Written for the charismatic, bisexual writer Vita Sackville-West, this playful mock biography of a chameleon-like historical figure is both a wry commentary on gender and, in Woolf's own words, a 'writer's holiday' which delights in its ambiguity and capriciousness. Edited by Brenda Lyons with an Introduction and Notes by Sandra M. Gilbert

'A fantasy, impossible but delicious ... an exuberance of life and wit' The Times Literary Supplement First masculine, then feminine, Orlando begins life as a young sixteenth-century nobleman, then gallops through the centuries to end up as a woman writer in Virginia Woolf's own time. Written for the charismatic, bisexual writer Vita Sackville-West, this playful mock biography of a chameleon-like historical figure is both a wry commentary on gender and, in Woolf's own words, a 'writer's holiday' which delights in its ambiguity and capriciousness. Edited by Brenda Lyons with an Introduction and Notes by Sandra M. Gilbert

A gorgeous clothbound edition of Woolf's fantastical and enchanting novel, designed by the acclaimed Coralie-Bickford Smith. Orlando has always been an outsider... His longing for passion, adventure and fulfilment takes him out of his own time. Chasing a dream through the centuries, he bounds from Elizabethan England and imperial Turkey to the modern world. Will he find happiness with the exotic Russian Princess Sasha? Or is the dashing explorer Shelmerdine the ideal man? And what form will Orlando take on the journey - a nobleman, traveller, writer? Man or... woman? A wry commentary on gender and history, Orlando is also, in Woolf's own words, a light-hearted 'writer's holiday' which delights in ambiguity and capriciousness. This clothbound Penguin edition is edited by Brenda Lyons with an introduction and notes by Sandra M. Gilbert. 'I read this book and believed it was a hallucinogenic, interactive biography of my own life and future' Tilda Swinton