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Born Karoline King in 1980 in Johannesburg South Africa, Sara-Jayne (as she will later be called by her adoptive parents) is the result of an affair, illegal under apartheid’s Immorality Act, between a white British woman and her black South African employee. Her story reveals the shocking lie created to cover up the forbidden relationship, and the hurried overseas adoption of the illegitimate baby, born during one of history’s most inhumane and destructive regimes. Killing Karoline follows the journey of the baby girl (categorised as ‘white’ under South Africa’s race classification system) who is raised in a leafy, middle-class corner of the South of England by a white couple. It takes the reader through the formative years, a difficult adolescence and into adulthood, as Sara-Jayne (Karoline) seeks to discover who she is and where she came from. Plagued by questions surrounding her own identity and unable to ‘fit in’ Sara-Jayne (Karoline) begins to turn on herself, before eventually coming full circle and returning to South Africa after 26 years to face her demons. There she is forced to face issues of identity, race, rejection and belonging beyond that which she could ever have imagined. She must also face her birth family, who in turn must confront what happens when the baby you kill off at a mere six weeks old, returns from the dead.
This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa. Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising. Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence. I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues. Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions. Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country. Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by. Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family. Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.
We are so used to hearing that ‘love is blind’, ‘you will know when you meet the one’ and that love should be ‘unconditional’. However, are these idioms the best way to secure successful lasting relationships? Or might we have been given the wrong handbook for love? Dr Sara Nasserzadeh invites us to re-examine our beliefs – mainly shaped by an outdated, static and haphazard Western idea of romantic love – and empowers us with six core principles – Attraction, Respect, Trust, Shared Vision, Compassion, Loving Behaviours – to create and sustain meaningful relationships through a new paradigm of love: The Emergent Love Model. This ground-breaking book introduces and offers an entirely new language and set of skills to begin designing the love that you truly desire.
On the face of it, life looks good for Sara-Jayne. She’s a popular radio personality, a bestselling author and she’s recently been reunited with her long-lost father, nearly 40 years after she was given up for adoption as a baby. Best of all, she’s just found out she’s about to become a mother, with Enver, the ‘love of her life’. She's convinced that she’s finally heading towards her "happily ever after". But six weeks after discovering she’s pregnant, Enver relapses on heroin and disappears, leaving Sara-Jayne devastated. She checks into The Clinic, where despite the little life growing inside her, she realises she’s never felt more alone. In her much-anticipated follow up to the bestseller Killing Karoline, Sara-Jayne is now forced, for the sake of her unborn child, to find a way to save herself. But first she has to unravel why everyone always leaves her. Why like that song she's always looking for love in all the wrong places? And why she is so obsessed with mad, bad love?
Wanneer Tomas ’n draakvrugboom in sy oupa se tuin ontdek en ’n klein drakie uit een van die vrugte bars, ontdek hy dat drake baie meer moeite is as komkommers! Daar is ontploffende draakbolle oral ‒ selfs eenkeer in Oupa se ontbytgraan ‒ die huiskat word gedurig rondgejaag en Tomas se tandeborsel (en ander persoonlike items) word gereeld brandgesteek. Maar dis darem nie net chaos en ontploffende draakbolle nie! Die eerste keer toe Flikker sy stert om Tomas se nek krul en hom met sy groot diamant-oë kyk, kom Tomas agter dat daar heelwat meer as net towerkrag in drake steek. Maar as jy ’n draak het moet jy dit geheim hou, want wie wil nie hulle eie draak hę nie?
A striking fantasy tale of dark magic, dangerous politics, and discovering your true self-perfect for fans of Game of Thrones, An Ember in the Ashes and A Court of Thorns and Roses. Sixteen years ago the Kingdom of Winter was conquered and its citizens enslaved, leaving them without magic or a monarch. Now the Winterians' only hope for freedom is the eight survivors who managed to escape, and who have been waiting for the opportunity to steal back Winter's magic and rebuild the kingdom ever since. Orphaned as an infant during Winter's defeat, Meira has lived her whole life as a refugee. Training to be a warrior-and desperately in love with her best friend, Winter's future king-she would do anything to help Winter rise to power again. So when scouts discover the location of the ancient locket that can restore Winter's magic, Meira decides to go after it herself-only to find herself thrust into a world of evil magic and dangerous politics-and ultimately comes to realize that her destiny is not, never has been, her own.
In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. Once a sanctuary for people when they needed it most, the garden’s gate is now firmly closed. And that’s exactly how Winston at No.79 likes it – anything to avoid his irritating new next-door neighbour. But when a mystery parcel drops on Winston’s doormat – a curious bundle of photographs of a community garden, HIS garden, bursting with life years ago – a seed of an idea is planted. Somewhere out there, a secret gardener made a decades-old promise to keep the community’s spirit alive. And now it’s time for The Twilight Garden to come out of hibernation... Sweeping through the 1970s to a modern corner of London, this is a life-affirming story of small spaces, small pleasures – and a community lost and found.
Three Black women are linked in unexpected ways to the same influential white man in Stockholm as they build their new lives in the most open society run by the most private people. Successful marketing executive Kemi Adeyemi is lured from the U.S. to Sweden by Jonny von Lundin, CEO of the nation's largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi's move is a last-ditch effort to reclaim her social life. A chance meeting with Jonny in business class en route to the U.S. propels former model-turned-flight-attendant Brittany-Rae Johnson into a life of wealth, luxury, and privilege—a life she's not sure she wants—as the object of his unhealthy obsession. And refugee Muna Saheed, who lost her entire family, finds a job cleaning the toilets at Jonny's office as she works to establish her residency in Sweden and, more importantly, seeks connection and a place she can call home. Told through the perspectives of each of the three women, In Every Mirror She's Black is a fast-paced, richly nuanced yet accessible contemporary novel that touches on important social issues of racism, classism, fetishization, and tokenism, and what it means to be a Black woman navigating a white-dominated society.
Textile quality assurance is the process of designing, producing, and evaluating products to determine whether or not they meet the quality level desired by a company's target market." Quality Assurance for Textiles and Apparel, "2nd Edition, reflects the industry's best practices for providing products of a consistent quality that meet customers' needs. With updated information on technological advances and globalization, this 2nd Edition emphasizes the importance of incorporating product quality measures from the merchandising and design stages all the way through production, delivery, and retailing.
Designed to follow on from the Jolly Phonics Pupil Books 1, 2 and 3, the Grammar 1 Pupil Book builds on the skills taught in Jolly Phonics, and introduces grammar and spelling rules to improve writing and reading comprehension. Children are able to work through the Grammar 1 Pupil book and complete a wide variety of engaging activities, which develop grammar, spelling, punctuation and comprehension skills. Lessons are provided for 1 Grammar or punctuation and 1 Spelling lesson per week for a for a year. The teacher is able to support and guide the children with the Grammar 1 Teacher's Book. Topics covered include: * Vowel digraphs * Alternative spellings of vowel sounds * Plural endings * Short vowels and consonant doubling * Tricky words * Consonant blends * Nouns - proper/common/plurals * Personal pronouns * Verbs * Conjugating verbs - present/past/future * Adjectives * Adverbs * a/an/the - when to use * Sentences - capital letters, full stops and speech marks * Parsing - identifying the parts of speech in sentences * Alphabetical order *Please note that only the covers of our Jolly Grammar Pupil Books have been refreshed and updated. The content is the same as the previous editions and they can still be used alongside the Grammar Teacher's Books. ISBNs and JL codes also remain the same.
The Jolly Phonics Pupil Books are write-in pupil books providing fun and engaging lesson activities for young children in their first year of learning to read and write. Jolly Phonics Pupil Book 2: * Builds on the reading and writing skills taught in Pupil Book 1. * Covers four main topics: Alternatives, Handwriting, Tricky Words, and Words and Sentences. * Introduces the main alternative vowel spellings, capital letters and alphabet, more tricky words and guided writing activities. * Comes with step-by-step lesson plans and comprehensive support, provided in the Jolly Phonics Teacher's Book. This refreshed version of the book is the same as the previous edition in terms of core content, but is enhanced with: * A fresh new look in terms of cover and page designs. * Easier navigation in a variety of ways, including color-coding and contents. * Enhanced transparency in the structure for the corresponding content in The Phonics Handbook. * Alignment of content across the materials for consistency of teaching.
The Jolly Phonics Pupil Books are write-in pupil books providing fun and engaging lesson activities for young children in their first year of learning to read and write. Jolly Phonics Pupil Book 1: * Introduces the 42 main letter sounds of English, each with its own story and action. * Shows children how to use their letter-sound knowledge to read and write simple regular words. * Teaches the first set of tricky words. Children learn to blend the sounds and identify the tricky part. * Comes with step-by-step lesson plans and comprehensive support, provided in the Jolly Phonics Teacher's Book. This refreshed version of the book is the same as the previous edition in terms of core content, but is enhanced with: * A fresh new look in terms of cover and page designs. * Easier navigation in a variety of ways, including color-coding and contents. * Alignment of content across the materials for consistency of teaching.
This book examines the key debates that have shaped that technological journey, from ancient to modern times. The e-Learning reader provides a scholarly collection of key texts which examine the concept and practice of e-learning in post-compulsory education. The book brings together a series of formative historical and recent articles which frame the debate on e-learning, drawing together new comments from leading experts in the field of e-learning. Technological advancements have revolutionised the field of learning in the past twenty years and are continuing to push the boundaries of institutions towards new forms of knowledge construction, social interaction and meaning making. This book examines the key debates that have shaped that technological journey, from ancient to modern times, and draws together meaningful articles to provide an expert guide for e-learning practitioners, research staff, students and industrial trainees.
An innovation gap has emerged as American universities have focused on basic research and industry has concentrated on incremental product development. This gap has widened in recent decades, and the country has failed to close the gap in large part because of three myths-that innovation is about lone geniuses, the free market, and serendipity. It is time to embrace a new solution. In Organized Innovation: How Universities Can Join Forces with Business and Government to Renew America's Prosperity, Currall, Frauenheim, Perry, and Hunter provide a framework for optimizing the way America creates, develops, and commercializes technology breakthroughs. A blueprint for leaders in universities, business, and government, Organized Innovation addresses the innovation gap before us, builds upon the collaborative, brokered way that innovation happens best, and explains how these new discoveries can be most effectively put into practice today to the benefit of both our country and the world. The Organized Innovation framework is grounded in the authors' nearly decade-long study of lessons from a little-known but highly successful federal research program. Over the past quarter-century, the Engineering Research Center program has returned to the U.S. economy 10 times the funding invested in it. Detailed cases from the ERCs are used to bring to life the elements of the Organized Innovation framework.
NGOs headquartered in the North have been, for some time, the most visible in attempts to address the poverty, lack of political representation, and labor exploitation that disproportionally affect women from the global South. Feminist NGOs and NGOs focusing on women's rights have been successful in attracting funding for their causes, but critics argue that the highly educated elites from the global North and South who run them fail to question or understand the power hierarchies in which they operate. In order to give depth to these criticisms, Sara de Jong interviewed women NGO workers in seven different European countries about their experiences and perspectives on working on gendered issues affecting women in the global South. Complicit Sisters untangles and analyzes the complex tensions women NGO workers face and explores the ways in which they negotiate potential complicities in their work. Weighing the women NGO workers' first-hand accounts against critiques arising from feminist theory, postcolonial theory, global civil society theory and critical development literature, de Jong brings to life the dilemmas of "doing good." She considers these workers' ideas about "sisterhood," privilege, gender stereotypes, feminism, and the private/public divide, and she suggests avenues for productive engagement between these and the inevitable tensions and complexities in NGO work.
Designed to follow on from the Jolly Phonics Pupil Books 1, 2 and 3, the Grammar Pupil Books builds on the skills taught in Jolly Phonics, and introduces grammar and spelling rules to improve writing and reading comprehension. Children are able to work through the Grammar 2 Pupil book and complete a wide variety of engaging activities, which develop grammar, spelling, punctuation and comprehension skills. Lessons are provided for 1 Grammar or punctuation and 1 Spelling lesson per week for a for a year. The teacher is able to support and guide the children with the Grammar 2 Teacher's Book. Topics covered include: * New spelling patterns - ei, eigh, ture * Silent letters - b, c, h, k, w * Syllables * Identifying the short vowels * Spelling rules - consonant doubling and adding suffixes * Tricky word families * Revision of elements covered in the Grammar 1 Pupil Book * Further adjectives - possessive * Comparatives and superlatives * Prepositions * Conjunctions * Dictionary work * Punctuation * Exclamation marks * Apostrophes * Further sentence development *Please note that only the covers of our Jolly Grammar Pupil Books have been refreshed and updated. The content is the same as the previous editions and they can still be used alongside the Grammar Teacher's Books. ISBNs and JL codes also remain the same.
During the past several decades, the fetus has been diversely represented in political debates, medical textbooks and journals, personal memoirs and autobiographies, museum exhibits and mass media, and civil and criminal law. Ourselves Unborn argues that the meanings people attribute to the fetus are not based simply on biological fact or theological truth, but are in fact strongly influenced by competing definitions of personhood and identity, beliefs about knowledge and authority, and assumptions about gender roles and sexuality. In addition, these meanings can be shaped by dramatic historical change: over the course of the twentieth century, medical and technological changes made fetal development more comprehensible, while political and social changes made the fetus a subject of public controversy. Moreover, since the late nineteenth century, questions about how fetal life develops and should be valued have frequently intersected with debates about the authority of science and religion, and the relationship between the individual and society. In examining the contested history of fetal meanings, Sara Dubow brings a fresh perspective to these vital debates.
The first edition of Human Genome Epidemiology, published in 2004,
discussed how the epidemiologic approach provides an important
scientific foundation for studying the continuum from gene
discovery to the development, applications and evaluation of human
genome information in improving health and preventing disease.
Since that time, advances in human genomics have continued to occur
at a breathtaking pace.
Understand the phases of the moon, learn to navigate by the North Star and discover how to travel through space and time from your own window in this book which uncovers how humankind has its history woven into the constellations that light up our skies. Written by NASA science writer Noelia González and fully illustrated by Sara Boccaccini Meadows, this is the perfect introduction to the night sky for families everywhere.
Who is Casey Rhodes? Is she a no-nonsense realist or a hopeless romantic? A just-getting-by scholarship student or a sometimes Cinderella dating the cool, cultured heir to a media empire and New York City’s most eligible? At seventeen years old and already in her sophomore year at NYU, Casey sheds disguises effortlessly. It’s how she navigates school and avoids the second-guessing that’s plagued her since she and her boyfriend Marcus got together.  But then Casey starts hearing voices that terrify her so badly she flees to the remote beach town of Avon Shores where she can sort through her thoughts and reset. But the voices only get more intense and are now accompanied by visions of places she’s never been and people she’s never met, like Jake who’s lived in Avon Shores his whole life. There’s no way Casey could know him, yet she feels an immediate connection. And stranger still: he feels it too. Together they search for answers, finding only questions—about their connection, Avon, Casey’s memories . . . And whose voice is she hearing inside her head?
Five episodes from the children's animation following a little girl who becomes a princess. When her mother marries the king, Sofia (voice of Ariel Winter) becomes a member of the royal family overnight and moves into their grand palace. In this instalment, Snow White (Katherine Von Till) makes an appearance and helps Sofia when the evil Miss Nettle (Megan Mullally) brings trouble to the palace. The episodes are: 'The Enchanted Feast', 'The Buttercups', 'Tea for Too Many', 'Great Aunt-Venture' and 'Two Princesses and a Baby'.
For most of recorded history, women have been sidelined, if not silenced, by men who named the built environment after themselves. Now is the time to look unflinchingly at Scotland's heritage and bring those women who have been ignored to light. Can you imagine a different Scotland, a Scotland where women are commemorated in statues and streets and buildings - even in the hills and valleys? This is a guidebook to that alternative nation, where the cave on Staffa is named after Malvina rather than Fingal, and Arthur's Seat isn't Arthur's, it belongs to St Triduana. You arrive into Dundee at Slessor Station and the Victorian monument on Stirling's Abbey Hill interprets national identity through the women who ran hospitals during the First World War. The West Highland Way ends at Fort Mary. The Old Lady of Hoy is a prominent Orkney landmark. And the plinths in central Glasgow proudly display statues of the suffragettes who fought until they won. In this guide, streets, buildings, statues and monuments are dedicated to real women, telling their often unknown stories. |
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