Born Karoline King in 1980 in Johannesburg South Africa, Sara-Jayne (as she will later be called by her adoptive parents) is the result of an affair, illegal under apartheid’s Immorality Act, between a white British woman and her black South African employee. Her story reveals the shocking lie created to cover up the forbidden relationship, and the hurried overseas adoption of the illegitimate baby, born during one of history’s most inhumane and destructive regimes.

Killing Karoline follows the journey of the baby girl (categorised as ‘white’ under South Africa’s race classification system) who is raised in a leafy, middle-class corner of the South of England by a white couple. It takes the reader through the formative years, a difficult adolescence and into adulthood, as Sara-Jayne (Karoline) seeks to discover who she is and where she came from. Plagued by questions surrounding her own identity and unable to ‘fit in’ Sara-Jayne (Karoline) begins to turn on herself, before eventually coming full circle and returning to South Africa after 26 years to face her demons. There she is forced to face issues of identity, race, rejection and belonging beyond that which she could ever have imagined.

She must also face her birth family, who in turn must confront what happens when the baby you kill off at a mere six weeks old, returns from the dead.

This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa.

Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising.

Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence.

I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues.

Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions.

Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country.

Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by.

Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family.

Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.

We are so used to hearing that ‘love is blind’, ‘you will know when you meet the one’ and that love should be ‘unconditional’. However, are these idioms the best way to secure successful lasting relationships? Or might we have been given the wrong handbook for love?

Dr Sara Nasserzadeh invites us to re-examine our beliefs – mainly shaped by an outdated, static and haphazard Western idea of romantic love – and empowers us with six core principles – Attraction, Respect, Trust, Shared Vision, Compassion, Loving Behaviours – to create and sustain meaningful relationships through a new paradigm of love: The Emergent Love Model.

This ground-breaking book introduces and offers an entirely new language and set of skills to begin designing the love that you truly desire.

Wanneer Tomas ’n draakvrugboom in sy oupa se tuin ontdek en ’n klein drakie uit een van die vrugte bars, ontdek hy dat drake baie meer moeite is as komkommers! Daar is ontploffende draakbolle oral ‒ selfs eenkeer in Oupa se ontbytgraan ‒ die huiskat word gedurig rondgejaag en Tomas se tandeborsel (en ander persoonlike items) word gereeld brandgesteek. Maar dis darem nie net chaos en ontploffende draakbolle nie! Die eerste keer toe Flikker sy stert om Tomas se nek krul en hom met sy groot diamant-oë kyk, kom Tomas agter dat daar heelwat meer as net towerkrag in drake steek. Maar as jy ’n draak het moet jy dit geheim hou, want wie wil nie hulle eie draak hê nie?

A striking fantasy tale of dark magic, dangerous politics, and discovering your true self-perfect for fans of Game of Thrones, An Ember in the Ashes and A Court of Thorns and Roses. Sixteen years ago the Kingdom of Winter was conquered and its citizens enslaved, leaving them without magic or a monarch. Now the Winterians' only hope for freedom is the eight survivors who managed to escape, and who have been waiting for the opportunity to steal back Winter's magic and rebuild the kingdom ever since. Orphaned as an infant during Winter's defeat, Meira has lived her whole life as a refugee. Training to be a warrior-and desperately in love with her best friend, Winter's future king-she would do anything to help Winter rise to power again. So when scouts discover the location of the ancient locket that can restore Winter's magic, Meira decides to go after it herself-only to find herself thrust into a world of evil magic and dangerous politics-and ultimately comes to realize that her destiny is not, never has been, her own.

Tegan and Sara's 10th studio album, Crybaby, was recorded in Fall 2021 in Seattle and Los Angeles. Produced with John Congleton (Angel Olsen, Sharon Van Etten), Crybaby is a return to form, while also being something entirely new.

In a small pocket of London, between the houses of No.77 and No.79 Eastbourne Road, lies a neglected community garden. Once a sanctuary for people when they needed it most, the garden’s gate is now firmly closed. And that’s exactly how Winston at No.79 likes it – anything to avoid his irritating new next-door neighbour.

But when a mystery parcel drops on Winston’s doormat – a curious bundle of photographs of a community garden, HIS garden, bursting with life years ago – a seed of an idea is planted.

Somewhere out there, a secret gardener made a decades-old promise to keep the community’s spirit alive. And now it’s time for The Twilight Garden to come out of hibernation...

Sweeping through the 1970s to a modern corner of London, this is a life-affirming story of small spaces, small pleasures – and a community lost and found.

Three Black women are linked in unexpected ways to the same influential white man in Stockholm as they build their new lives in the most open society run by the most private people.

Successful marketing executive Kemi Adeyemi is lured from the U.S. to Sweden by Jonny von Lundin, CEO of the nation's largest marketing firm, to help fix a PR fiasco involving a racially tone-deaf campaign. A killer at work but a failure in love, Kemi's move is a last-ditch effort to reclaim her social life.

A chance meeting with Jonny in business class en route to the U.S. propels former model-turned-flight-attendant Brittany-Rae Johnson into a life of wealth, luxury, and privilege—a life she's not sure she wants—as the object of his unhealthy obsession.

And refugee Muna Saheed, who lost her entire family, finds a job cleaning the toilets at Jonny's office as she works to establish her residency in Sweden and, more importantly, seeks connection and a place she can call home.

Told through the perspectives of each of the three women, In Every Mirror She's Black is a fast-paced, richly nuanced yet accessible contemporary novel that touches on important social issues of racism, classism, fetishization, and tokenism, and what it means to be a Black woman navigating a white-dominated society.

Designed to follow on from the Jolly Phonics Pupil Books 1, 2 and 3, the Grammar 1 Pupil Book builds on the skills taught in Jolly Phonics, and introduces grammar and spelling rules to improve writing and reading comprehension. Children are able to work through the Grammar 1 Pupil book and complete a wide variety of engaging activities, which develop grammar, spelling, punctuation and comprehension skills. Lessons are provided for 1 Grammar or punctuation and 1 Spelling lesson per week for a for a year. The teacher is able to support and guide the children with the Grammar 1 Teacher's Book. Topics covered include: * Vowel digraphs * Alternative spellings of vowel sounds * Plural endings * Short vowels and consonant doubling * Tricky words * Consonant blends * Nouns - proper/common/plurals * Personal pronouns * Verbs * Conjugating verbs - present/past/future * Adjectives * Adverbs * a/an/the - when to use * Sentences - capital letters, full stops and speech marks * Parsing - identifying the parts of speech in sentences * Alphabetical order *Please note that only the covers of our Jolly Grammar Pupil Books have been refreshed and updated. The content is the same as the previous editions and they can still be used alongside the Grammar Teacher's Books. ISBNs and JL codes also remain the same.

Meet a very cute little gosling! Written by the brilliant Julia Donaldson and stunningly illustrated by the award-winning Sara Ogilvie, Gozzle is a funny and heartwarming story about family and growing up.

It's springtime. Bear has woken up hungry and finds a lost egg outside his cave. Breakfast? No! Out hatches Gozzle, a very sweet little gosling who is convinced that Bear must be her daddy – and that she should be able to climb, dig and eat honey just like him.

Follow Bear on his journey from reluctant carer to parent in this heartwarming and joyous picture book about what home and family truly mean.

A laugh-out loud story from the creators of the bestselling picture books, The Detective Dog, winner of the Books Are My Bag Readers' Award, and The Hospital Dog, winner of the Indie Book Awards.

An innovation gap has emerged as American universities have focused on basic research and industry has concentrated on incremental product development. This gap has widened in recent decades, and the country has failed to close the gap in large part because of three myths-that innovation is about lone geniuses, the free market, and serendipity. It is time to embrace a new solution. In Organized Innovation: How Universities Can Join Forces with Business and Government to Renew America's Prosperity, Currall, Frauenheim, Perry, and Hunter provide a framework for optimizing the way America creates, develops, and commercializes technology breakthroughs. A blueprint for leaders in universities, business, and government, Organized Innovation addresses the innovation gap before us, builds upon the collaborative, brokered way that innovation happens best, and explains how these new discoveries can be most effectively put into practice today to the benefit of both our country and the world. The Organized Innovation framework is grounded in the authors' nearly decade-long study of lessons from a little-known but highly successful federal research program. Over the past quarter-century, the Engineering Research Center program has returned to the U.S. economy 10 times the funding invested in it. Detailed cases from the ERCs are used to bring to life the elements of the Organized Innovation framework.

NGOs headquartered in the North have been, for some time, the most visible in attempts to address the poverty, lack of political representation, and labor exploitation that disproportionally affect women from the global South. Feminist NGOs and NGOs focusing on women's rights have been successful in attracting funding for their causes, but critics argue that the highly educated elites from the global North and South who run them fail to question or understand the power hierarchies in which they operate. In order to give depth to these criticisms, Sara de Jong interviewed women NGO workers in seven different European countries about their experiences and perspectives on working on gendered issues affecting women in the global South. Complicit Sisters untangles and analyzes the complex tensions women NGO workers face and explores the ways in which they negotiate potential complicities in their work. Weighing the women NGO workers' first-hand accounts against critiques arising from feminist theory, postcolonial theory, global civil society theory and critical development literature, de Jong brings to life the dilemmas of "doing good." She considers these workers' ideas about "sisterhood," privilege, gender stereotypes, feminism, and the private/public divide, and she suggests avenues for productive engagement between these and the inevitable tensions and complexities in NGO work.

The moving story of the extraordinary friendship between a boy and his fox and their epic journey to be reunited. Beautifully illustrated by multi-award winner, Jon Klassen. Now available in Paperback! Pax was only a kit when his family was killed and he was rescued by 'his boy', Peter. Now the country is at war and when his father enlists, Peter has no choice but to move in with his grandfather. Far worse than leaving home is the fact that he has to leave Pax behind. But before Peter spends even one night under his grandfather's roof he sneaks out into the night, determined to find his beloved friend. This is the story of Peter, Pax, and their journeys back to each other as war rampages throughout the country. A profound and moving story with stunning illustrations by award-winning illustrator, Jon Klassen, 'Pax' is destined to become a classic in the vein of 'Charlotte's Web' and 'Watership Down'.

Why do some countries construct strong systems of social protection, while others leave workers exposed to market forces? In the past three decades, scholars have developed an extensive literature theorizing how hegemonic social democratic parties working in tandem with a closely-allied trade union movement constructed models of welfare capitalism. Indeed, among the most robust findings of the comparative political economy literature is the claim that the more political resources controlled by the left, the more likely a country is to have a generous, universal system of social protection. The Left Divided takes as its starting point the curious fact that, despite this conventional wisdom, very little of the world actually approximates the conditions identified by mainstream scholarship for creating universal, generous welfare states. In most countries outside of northern Europe, divisions within the left-within the labor movement, among left parties, as well as between left parties and a divided union movement-are a defining feature of politics. The Left Divided, in contrast, focuses on the far more common and deeply consequential situation where intra-left divisions shape the development of social protection. Arguing that the strength and position taken by the far left is an important and overlooked determinant of social protection outcomes, the book presents a framework for distinguishing between different types of left movements, and analyzes how the distribution of resources within the left shapes party strategies for expanding social protection in theoretically unanticipated ways. To demonstrate the counterintuitive effects of having the far-left control significant political resources, Watson combines in-depth case studies of Iberia with cross-national analysis of OECD countries and qualitative comparative analyses of other divided lefts.

Many of the things we do, we do together with other people. Think of carpooling and playing tennis. In the past two or three decades it has become increasingly popular to analyze such collective actions in terms of collective intentions. This volume brings together ten new philosophical essays that address issues such as how individuals succeed in maintaining coordination throughout the performance of a collective action, whether groups can actually believe propositions or whether they merely accept them, and what kind of evidence, if any, disciplines such as cognitive science and semantics provide in support of irreducibly collective states. The theories of the Big Four of collective intentionality - Michael Bratman, Raimo Tuomela, John Searle, and Margaret Gilbert - and the Big Five of Social Ontology - which in addition to the Big Four includes Philip Pettit - play a central role in almost all of these essays. Drawing on insights from a wide range of disciplines including dynamical systems theory, economics, and psychology, the contributors develop existing theories, criticize them, or provide alternatives to them. Several essays challenge the idea that there is a straightforward dichotomy between individual and collective level rationality, and explore the interplay between these levels in order to shed new light on the alleged discontinuities between them. These contributions make abundantly clear that it is no longer an option simply to juxtapose analyses of individual and collective level phenomena and maintain that there is a discrepancy. Some go as far as arguing that on closer inspection the alleged discontinuities dissolve

In picture-perfect Rosewood, Pennsylvania, ash-blond highlights gleam in the winter sun and frozen lakes sparkle like Swarovski crystals. But pictures often lie--and so do Rosewood's four prettiest girls.

Hanna, Aria, Spencer, and Emily have been lying ever since they became friends with beautiful Alison DiLaurentis. Ali made them do terrible things--things they had to keep secret for years. And even though Ali was killed at the end of seventh grade, their bad-girl ways didn't die with her.

Hanna's on a mission to corrupt Rosewood's youth, starting with a very attractive sophomore. Aria's snooping into her boyfriend's past. Spencer's stealing--from her family. And pure little Emily's abstaining from abstinence.

The girls should be careful, though. They thought they were safe when Ali's killer was arrested and A's true identity was finally revealed. But now there's a new A in town turning up the heat. And this time Rosewood is going to burn.

Bravery isn't what you do. It's what you endure.

The duke of the powerful House Hauteclare is the first to die. With my dagger in his back.

He didn't see it coming. Didn't anticipate the bastard daughter who was supposed to die with her mother--on his order. He should have left us with the rest of the Station's starving, commoner rubbish.

Now there's nothing left. Just icy-white rage and a need to make House Hauteclare pay. Every damn one of them.

Even if it means riding Heavenbreaker--one of the few enormous machines left over from the War--and jousting against the fiercest nobles in the system.

Each win means another one of my enemies dies. And here, in the cold terror of space, the machine and I move as one, intent on destroying each adversary--even if it's someone I care about. Even if it's someone I'm falling for.

Only I'm not alone. Not anymore.

Because there's something in the machine with me. Something horrifying. Something...more.

And it won't be stopped.

Who is Casey Rhodes? Is she a no-nonsense realist or a hopeless romantic? A just-getting-by scholarship student or a sometimes Cinderella dating the cool, cultured heir to a media empire and New York City’s most eligible? At seventeen years old and already in her sophomore year at NYU, Casey sheds disguises effortlessly. It’s how she navigates school and avoids the second-guessing that’s plagued her since she and her boyfriend Marcus got together.    But then Casey starts hearing voices that terrify her so badly she flees to the remote beach town of Avon Shores where she can sort through her thoughts and reset. But the voices only get more intense and are now accompanied by visions of places she’s never been and people she’s never met, like Jake who’s lived in Avon Shores his whole life. There’s no way Casey could know him, yet she feels an immediate connection. And stranger still: he feels it too. Together they search for answers, finding only questions—about their connection, Avon, Casey’s memories . . . And whose voice is she hearing inside her head?

Discover seven beautifully-illustrated fairy tales that celebrate family, in all its forms, and the joy friendship brings.

During the past several decades, the fetus has been diversely represented in political debates, medical textbooks and journals, personal memoirs and autobiographies, museum exhibits and mass media, and civil and criminal law. Ourselves Unborn argues that the meanings people attribute to the fetus are not based simply on biological fact or theological truth, but are in fact strongly influenced by competing definitions of personhood and identity, beliefs about knowledge and authority, and assumptions about gender roles and sexuality. In addition, these meanings can be shaped by dramatic historical change: over the course of the twentieth century, medical and technological changes made fetal development more comprehensible, while political and social changes made the fetus a subject of public controversy. Moreover, since the late nineteenth century, questions about how fetal life develops and should be valued have frequently intersected with debates about the authority of science and religion, and the relationship between the individual and society. In examining the contested history of fetal meanings, Sara Dubow brings a fresh perspective to these vital debates.

The first edition of Human Genome Epidemiology, published in 2004, discussed how the epidemiologic approach provides an important scientific foundation for studying the continuum from gene discovery to the development, applications and evaluation of human genome information in improving health and preventing disease. Since that time, advances in human genomics have continued to occur at a breathtaking pace.
With contributions from leaders in the field from around the world, this new edition is a fully updated look at the ways in which genetic factors in common diseases are studied. Methodologic developments in collection, analysis and synthesis of data, as well as issues surrounding specific applications of human genomic information for medicine and public health are all discussed. In addition, the book focuses on practical applications of human genome variation in clinical practice and disease prevention. Students, clinicians, public health professionals and policy makers will find the book a useful tool for understanding the rapidly evolving methods of the discovery and use of genetic information in medicine and public health in the 21st century.

The Jolly Phonics Pupil Books are write-in pupil books providing fun and engaging lesson activities for young children in their first year of learning to read and write. Jolly Phonics Pupil Book 2: * Builds on the reading and writing skills taught in Pupil Book 1. * Covers four main topics: Alternatives, Handwriting, Tricky Words, and Words and Sentences. * Introduces the main alternative vowel spellings, capital letters and alphabet, more tricky words and guided writing activities. * Comes with step-by-step lesson plans and comprehensive support, provided in the Jolly Phonics Teacher's Book. This refreshed version of the book is the same as the previous edition in terms of core content, but is enhanced with: * A fresh new look in terms of cover and page designs. * Easier navigation in a variety of ways, including color-coding and contents. * Enhanced transparency in the structure for the corresponding content in The Phonics Handbook. * Alignment of content across the materials for consistency of teaching.

The Jolly Phonics Pupil Books are write-in pupil books providing fun and engaging lesson activities for young children in their first year of learning to read and write. Jolly Phonics Pupil Book 3: * Builds and consolidates the reading and writing skills taught in Pupil Books 1 and 2. * Covers three main topics: Alternatives, Tricky Words, and Words and Sentences. * Introduces new alternative letter-sound spellings and tricky words, as well as a variety of reading comprehension activities. * Comes with step-by-step lesson plans and comprehensive support, provided in the Jolly Phonics Teacher's Book. This refreshed version of the book is the same as the previous edition in terms of core content, but is enhanced with: * A fresh new look in terms of cover and page designs. * Easier navigation in a variety of ways, including color-coding and contents. * Enhanced transparency in the structure for the corresponding content in The Phonics Handbook. * Alignment of content across the materials for consistency of teaching.