This book is concerned with the contexts, nature and quality of the participation of young people in European democratic life. The authors understand democracy broadly as both institutional politics and civic cultures, and a wide range of methods are used to analyse and assess youth participation and attitudes.

How do those pushed to the margins survive in contemporary cities? What role do they play in today's increasingly complex urban ecosystems? Faced with stark disparities in human and environmental wellbeing, what form might more equitable cities take? Waste Matters argues that contemporary literature and film offer an insightful and timely response to these questions through their formal and thematic revaluation of urban waste. In their creation of a new urban imaginary which centres on discarded things, degraded places and devalued people, authors and artists such as Patrick Chamoiseau, Chris Abani, Dinaw Mengestu, Suketu Mehta and Vik Muniz suggest opportunities for an inclusive urban politics that demands systematic analysis. Waste Matters assesses the utopian promise and pragmatic limitations of their as yet under-examined work in light of today's pressing urban challenges. This book will be of great interest to scholars and students of English Literature, Postcolonial Studies, Urban Studies, Environmental Humanities and Film Studies.

A powerful and moving tale of family, love and loyalty from the author of the million-copy bestseller THE FLOWERS OF THE FIELD and A FLOWER THAT'S FREE. 'A secret from the past casts its shadow across all four generations of the family. This saga completes the Flowers Trilogy that began with million-copy bestseller THE FLOWERS OF THE FIELD followed by A FLOWER THAT'S FREE' CANDIS MAGAZINE All families have secrets and many are taken to the grave. But those that aren't can return with devastating consequences... For Kate Drake, now a great-grandmother, marriage and family brought peace after years of restless uncertainty. Now, watching her own grown-up children, it seems the world is a no less complicated place. Stella, her fiercely independent daughter, and Will, her handsome, self-indulgent son, have challenges of their own to face, while her granddaughter, Evie, is bringing up a son on her own. But when a secret from the past casts its shadow across four generations of the family, a spoiled war veteran gets a second chance, a stubbornly independent woman opens herself to love, and an older one rediscovers it. Praise for Sarah Harrison: 'Full of unforgettable people, places and passions' Woman's World 'Sarah Harrison shows herself to be more than equal to the complexities of her plot, handling its developments with impeccable timing' The Times

Three very different sisters discover that life doesn't always turn out as one would expect in this powerful romantic drama. Heart's Ease is the loveliest house anyone knows and home to the fortunate Blyth family. Siblings Felicity, Charity, Honor and Bruno enjoy a blissfully happy childhood there before life pulls them in very different directions. Beautiful Felicity gains her handsome husband, delightful children and elegant London house, but all is far from perfect ... Charity, the clever one, lives for her work, with no time for emotional involvement, until the least romantic of meetings rocks her world. Sweet, homely Honor is devoted entirely to others, but dreams of a life of her own ... And Bruno, the indulged baby of the family, flies the nest only to find that independence may be tough ... The sanctuary of a beloved childhood home can't last forever. But the legacy of Heart's Ease lives on in the Blyth family's grown-up fulfilment and happiness.

The superb, bestselling novel of one family, and the devastating changes brought by the First World War. Thea Tennant, eldest daughter of a wealthy industrialist father and beautiful aristocratic mother, yearns to do more than follow the traditional path laid out for her. When her beautiful but flighty sister Dulcie brings trouble to the family, both Thea and Dulcie are sent to relatives in Austria. But with the onset of War, their lives change beyond recognition. It isn't just the Tennants whose lives have changed: for their parlourmaid, Primmy, the War brings opportunities she is determined to take. From the Kent countryside to the suffragette movement in London and the horrors of the Western Front, THE FLOWERS OF THE FIELD is an epic novel of the dreams and aspirations of a generation who found a voice above history's most horrifying conflict.

How do those pushed to the margins survive in contemporary cities? What role do they play in today's increasingly complex urban ecosystems? Faced with stark disparities in human and environmental wellbeing, what form might more equitable cities take? Waste Matters argues that contemporary literature and film offer an insightful and timely response to these questions through their formal and thematic revaluation of urban waste. In their creation of a new urban imaginary which centres on discarded things, degraded places and devalued people, authors and artists such as Patrick Chamoiseau, Chris Abani, Dinaw Mengestu, Suketu Mehta and Vik Muniz suggest opportunities for an inclusive urban politics that demands systematic analysis. Waste Matters assesses the utopian promise and pragmatic limitations of their as yet under-examined work in light of today's pressing urban challenges. This book will be of great interest to scholars and students of English Literature, Postcolonial Studies, Urban Studies, Environmental Humanities and Film Studies.

At a time of widespread disillusion, citizens keep telling us how "frustrated" they feel with their democracies. However, whilst scholars and commentators alike have heard that complain millions of times, we may not have taken it as seriously as we should. The author takes the concept of democratic frustration literally and puts it under an unprecedented analytical and empirical microscope. She applies insights from the psychology and political science literatures and uses a mixture of panel studies, surveys, interviews, and experiments to understand its sources, nature, dimensions, and consequences. The book sheds unprecedented light on pathologies of democratic frustration in the US, UK, Australia, and South Africa with a double focus on the general population, and on young people. Doing so, it reveals new thought-provoking insights on the true nature of contemporary democratic crises, and not least on how citizens' actual desire for democracy uniquely shapes their dissatisfaction.

Sequel to the international bestseller, THE FLOWERS OF THE FIELD, this is an epic novel set amid the turbulence of the Second World War. 'This is the second in the trilogy and, like the first, I cannot put it down. Sarah Harrison is such a good writer' Amazon reviewer, 5 stars Kate Kingsley remembers little of her early childhood, other than the devastation of being torn away from everything she knew in France and sent to live as the adopted daughter of Jack and Thea in Kenya. Now 20, she leaves for a new life in London. But this is 1936 - a time of decadence, but also turmoil. Kate finds an unexpected ally in her Aunt Dulcie, whose own life is anything but straightforward. When Kate falls in love she believes she has found a soul mate. But this is just the start of a journey during which Kate confronts personal danger, faces conflicting loyalties, and must make a heart-breaking choice. 'Harrison is a writer with a gift for mixing candour [and] compassion' You magazine

Three very different sisters discover that life doesn't always turn out as one would expect in this powerful romantic drama. Heart's Ease is the loveliest house anyone knows and home to the fortunate Blyth family. Siblings Felicity, Charity, Honor and Bruno enjoy a blissfully happy childhood there before life pulls them in very different directions. Beautiful Felicity gains her handsome husband, delightful children and elegant London house, but all is far from perfect ... Charity, the clever one, lives for her work, with no time for emotional involvement, until the least romantic of meetings rocks her world. Sweet, homely Honor is devoted entirely to others, but dreams of a life of her own ... And Bruno, the indulged baby of the family, flies the nest only to find that independence may be tough ... The sanctuary of a beloved childhood home can't last forever. But the legacy of Heart's Ease lives on in the Blyth family's grown-up fulfillment and happiness.

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++<sourceLibrary>British Library<ESTCID>T091036<Notes>'Every one their own physician' has separate pagination and register.<imprintFull>London: printed for C. and R. Ware, 1760. <collation> 4],215, 25],36, 8]p.; 12

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT090919'Every one their own physician .. ' has separate register and pagination. With an index.London: printed for C. and R. Ware, 1764. 4],215, 25],36, 8]p.; 12

The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.Medical theory and practice of the 1700s developed rapidly, as is evidenced by the extensive collection, which includes descriptions of diseases, their conditions, and treatments. Books on science and technology, agriculture, military technology, natural philosophy, even cookbooks, are all contained here.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++British LibraryT127677London: printed for T. Worrall, 1733. 3], vi-xii,217, 13]p.: ill.; 12