Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron's enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dialogues between Jane Austen, Elizabeth Gaskell, George Eliot and a Romantic icon whose presence takes centre stage in recent screen adaptations of their most celebrated novels. The broad interdisciplinary lens employed in this book concentrates on the conflicted rewritings of Byron's poetry, his 'heroic' protagonists, and the cult of Byronism in nineteenth-century novels from Pride and Prejudice to Middlemarch, and extends outwards to the reappearance of Byronic heroes on film and in television series over the last two decades.

This collection is concerned with the changing approaches to Jane Austen, her writings, and her afterlives, over the past two hundred years. It reflects on, and broadens understanding of, the cultural reach and reimaginings of Austen in view of the bicentennial celebrations of her published novels from 2011 to 2018. The ten contributors to this collection re-engage with key debates over Austen, her continuing appeal and significance as an author and a lucrative brand, and her cultural ubiquity. These essays are concerned with Austen's national and international reputation; her critical reception; creative appropriations of her writings; and Austen's afterlives in popular culture, in visual media, in ephemeral publications, in stage, in film, and in musical versions. Together, these essays by experts from across the UK, North America, Australia, and Scandinavia advance innovative readings of Austen's novels and her transmedia legacies and shed new light on some of the complex reception processes that emerge from the study of this enduringly popular author. They also set out possible paths for scholarship on Austen in coming years. This book was originally published as a special issue of Women's Writing.

This collection is concerned with the changing approaches to Jane Austen, her writings, and her afterlives, over the past two hundred years. It reflects on, and broadens understanding of, the cultural reach and reimaginings of Austen in view of the bicentennial celebrations of her published novels from 2011 to 2018. The ten contributors to this collection re-engage with key debates over Austen, her continuing appeal and significance as an author and a lucrative brand, and her cultural ubiquity. These essays are concerned with Austen's national and international reputation; her critical reception; creative appropriations of her writings; and Austen's afterlives in popular culture, in visual media, in ephemeral publications, in stage, in film, and in musical versions. Together, these essays by experts from across the UK, North America, Australia, and Scandinavia advance innovative readings of Austen's novels and her transmedia legacies and shed new light on some of the complex reception processes that emerge from the study of this enduringly popular author. They also set out possible paths for scholarship on Austen in coming years. This book was originally published as a special issue of Women's Writing.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice's appeal has affected Western culture since 1800.

In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. Though visited by only the lucky few, its seductive charms were shared with those back home through the art and literature it inspired. This edited collection draws on a range of disciplines and approaches to explore how Venice has been represented in Western culture since 1800. Essays from experts in their field consider the city's depiction in poetry, fiction, art, music and film. Beyond simply affirming the allure of Venice, this book functions as a case study with broader implications for the understanding of artistic and cultural legacies, and the relationships between art and money, history and myth.

Byronic Heroes in Nineteenth-Century Women's Writing and Screen Adaptation charts a new chapter in the changing fortunes of a unique cultural phenomenon. This book examines the afterlives of the Byronic hero through the work of nineteenth-century women writers and screen adaptations of their fiction. It is a timely reassessment of Byron's enduring legacy during the nineteenth century and beyond, focusing on the charged and unstable literary dialogues between Jane Austen, Elizabeth Gaskell, George Eliot and a Romantic icon whose presence takes centre stage in recent screen adaptations of their most celebrated novels. The broad interdisciplinary lens employed in this book concentrates on the conflicted rewritings of Byron's poetry, his 'heroic' protagonists, and the cult of Byronism in nineteenth-century novels from Pride and Prejudice to Middlemarch, and extends outwards to the reappearance of Byronic heroes on film and in television series over the last two decades.

The coronavirus pandemic has made society's relationship with death and dying everybody's business. We have had to confront new challenges around the way we care for dying people, yet the old problems have not gone away. In February 2018, Dennis Eccleston, suffering in agony from terminal cancer, took an overdose of pain medication to end his own life, helped by his wife Mavis. Mavis was charged with murder. The turmoil that followed sheds light on the brutal impact of the UK's failure to legalise assisted dying. Sarah Wootton and Lloyd Riley of the campaign group Dignity in Dying argue that our laws and culture governing death and dying need radical reform and present a vision of what dying in the twenty-first century should look like. From votes for women to equal marriage, campaigners have had to fight for rights that now seem sacrosanct. As the pandemic now forces us to re-examine how we die, Wootton and Riley show how choice at the end of life is a right whose time has come. Bringing to light the heart-breaking testimony of those who have witnessed unimaginable suffering at the end of life and exposing the hypocrisy of the arguments put forward to oppose progress, Last Rights questions how future generations will judge us if we fail to take action and issues a call to arms for people to unlock their power and demand change.