This book explores how public opinion is used to design, monitor and evaluate government programmes in Australia, Canada, New Zealand, and the United Kingdom. Using information collected from the media and from international practitioners in the public opinion field, as well as interviews in each of the 4 countries, the author describes how views of public opinion and governance differ significantly between elites and the general public. Bennett argues that elites generally risk more by allowing the creation of new data, fearing that its analysis may become public and create communications and political problems of various kinds. The book finds evidence that recent conservative governments in several countries are changing their perspective on the use of public opinion, and that conventional public opinion studies are facing challenges from the availability of other kinds of information and new technologies. This book is a hugely valuable contribution to a hitherto little explored field and will appeal to academics and practitioners alike.

This book explores how public opinion is used to design, monitor and evaluate government programmes in Australia, Canada, New Zealand, and the United Kingdom. Using information collected from the media and from international practitioners in the public opinion field, as well as interviews in each of the 4 countries, the author describes how views of public opinion and governance differ significantly between elites and the general public. Bennett argues that elites generally risk more by allowing the creation of new data, fearing that its analysis may become public and create communications and political problems of various kinds. The book finds evidence that recent conservative governments in several countries are changing their perspective on the use of public opinion, and that conventional public opinion studies are facing challenges from the availability of other kinds of information and new technologies. This book is a hugely valuable contribution to a hitherto little explored field and will appeal to academics and practitioners alike.

After several years of small roles and experimental screenwriting during his early career, Jack Nicholson got his big break in 1969 with Easy Rider. The next year, his first lead role, in Five Easy Pieces, made him a star. In the decades since, the twelve-time Academy Award nominee has won Best Actor twice (One Flew Over the Cuckoo's Nest and As Good as It Gets) and become one of the most popular and respected actors of the past half century. Drawing on years of research and dozens of interviews with his associates, this critical study of Nicholson's oeuvre examines each of his film roles, as well as his screenwriting and directorial efforts. Personal insight is provided by Peter Fonda, Bruce Dern, James Hong, Millie Perkins, Michael Margotta, Shirley Knight, Veronica Cartwright, Barry Dennen, Salli Sachse, Noah Wyle, Monkees Michael Nesmith, Micky Dolenz and Peter Tork, Adam West, several Apollo astronauts, Hells Angel Sonny Barger and many more.

"Darkness Comes" Jeddok finds these words written by his father on a map leading to the fabled land of Grhytnod. Haunted by his father's disappearance, Jeddok and his two best friends embark on a quest to find him. But they find more than they bargained for when they discover war is brewing against The Not, an evil entity which consumes living souls. When the peace pact between the Varruns and the Darkrruns-the soulless army of The Not-is broken, two exiled kings form their own pact to save the lands and people they love with the sword-making skills of Jeddok's father and faith in Theoas, The Maker they?ve never seen. . . Mounted on six-legged oologs, attacked by pesky hootchkas, and making peculiar friends and dangerous enemies along the way, will Jeddok and his friends find Grhytnod in time-and a weapon powerful enough to destroy the darkness before it destroys their homeland?