A city ignited by hate. A man in thrall to power. The ferociously original award-winning bestseller by Poland’s literary phenomenon—his first to be translated into English. It’s 1937. Poland is about to catch fire. In the boxing ring, Jakub Szapiro commands respect, revered as a hero by the Jewish community. Outside, he instills fear as he muscles through Warsaw as enforcer for a powerful crime lord. Murder and intimidation have their rewards. He revels in luxury, spends lavishly, and indulges in all the pleasures that barbarity offers. For a man battling to be king of the underworld, life is good. Especially when it’s a frightening time to be alive. Hitler is rising. Fascism is escalating. As a specter of violence hangs over Poland like a black cloud, its marginalized and vilified Jewish population hopes for a promise of sanctuary in Palestine. Jakub isn’t blind to the changing tide. What’s unimaginable to him is abandoning the city he feels destined to rule. With the raging instincts that guide him in the ring and on the streets, Jakub feels untouchable. He must maintain the order he knows—even as a new world order threatens to consume him.

An exquisitely original collection of darkly funny stories that explore the panorama of Jewish experience in contemporary Poland, from a world-class contemporary writer "These small, searing prose pieces are moving and unsettling at the same time. If the diagnosis they present is right, then we have a great problem in Poland." -Olga Tokarczuk, Nobel Prize laureate and author of Flights Mikolaj Grynberg is a psychologist and photographer who has spent years collecting and publishing oral histories of Polish Jews. In his first work of fiction-a book that has been widely praised by critics and was shortlisted for Poland's top literary prize-Grynberg recrafts those histories into little jewels, fictionalized short stories with the ring of truth. Both biting and knowing, I'd Like to Say Sorry, but There's No One to Say Sorry To takes the form of first-person vignettes, through which Grynberg explores the daily lives and tensions within Poland between Jews and gentiles haunted by the Holocaust and its continuing presence. In "Unnecessary Trouble," a grandmother discloses on her deathbed that she is Jewish; she does not want to die without her family knowing. What is passed on to the family is fear and the struggle of what to do with this information. In "Cacophony," Jewish identity is explored through names, as Miron and his son Jurek demonstrate how heritage is both accepted and denied. In "My Five Jews," a non-Jewish narrator remembers five interactions with her Jewish countrymen, and her own anti-Semitism, ruefully noting that perhaps she was wrong and should apologize, but no one is left to say "I'm sorry" to. Each of the thirty-one stories is a dazzling and haunting mini-monologue that highlights a different facet of modern Poland's complex and difficult relationship with its Jewish past.