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I'd Like to Say Sorry, but There's No One to Say Sorry To - Stories (Hardcover)
Loot Price: R398
Discovery Miles 3 980
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I'd Like to Say Sorry, but There's No One to Say Sorry To - Stories (Hardcover)
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Loot Price R398
Discovery Miles 3 980
Expected to ship within 12 - 17 working days
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Donate to Against Period Poverty
Total price: R418
Discovery Miles: 4 180
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An exquisitely original collection of darkly funny stories that
explore the panorama of Jewish experience in contemporary Poland,
from a world-class contemporary writer "These small, searing prose
pieces are moving and unsettling at the same time. If the diagnosis
they present is right, then we have a great problem in Poland."
-Olga Tokarczuk, Nobel Prize laureate and author of Flights Mikolaj
Grynberg is a psychologist and photographer who has spent years
collecting and publishing oral histories of Polish Jews. In his
first work of fiction-a book that has been widely praised by
critics and was shortlisted for Poland's top literary
prize-Grynberg recrafts those histories into little jewels,
fictionalized short stories with the ring of truth. Both biting and
knowing, I'd Like to Say Sorry, but There's No One to Say Sorry To
takes the form of first-person vignettes, through which Grynberg
explores the daily lives and tensions within Poland between Jews
and gentiles haunted by the Holocaust and its continuing presence.
In "Unnecessary Trouble," a grandmother discloses on her deathbed
that she is Jewish; she does not want to die without her family
knowing. What is passed on to the family is fear and the struggle
of what to do with this information. In "Cacophony," Jewish
identity is explored through names, as Miron and his son Jurek
demonstrate how heritage is both accepted and denied. In "My Five
Jews," a non-Jewish narrator remembers five interactions with her
Jewish countrymen, and her own anti-Semitism, ruefully noting that
perhaps she was wrong and should apologize, but no one is left to
say "I'm sorry" to. Each of the thirty-one stories is a dazzling
and haunting mini-monologue that highlights a different facet of
modern Poland's complex and difficult relationship with its Jewish
past.
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