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Pastimes - From Art and Antiquarianism to Modern Chinese History (Hardcover, New): Shana J. Brown Pastimes - From Art and Antiquarianism to Modern Chinese History (Hardcover, New)
Shana J. Brown
R1,379 Discovery Miles 13 790 Ships in 10 - 15 working days

Pastimes is the first book in English on Chinese jinshi, or antiquarianism, the pinnacle of traditional connoisseurship of ancient artifacts and inscriptions. As a scholarly field, jinshi was inaugurated in the Northern Song (960-1127) and remained popular until the early twentieth century. Literally the study of inscriptions on bronze vessels and stone steles, jinshi combined calligraphy and painting, the collection of artifacts, and philological and historical research. For aficionados of Chinese art, the practices of jinshi offer a fascinating glimpse into the lives of traditional Chinese scholars and artists, who spent their days roaming the sometimes seamy world of the commercial art market before attending elegant antiquarian parties, where they composed poetic tributes to their ancient objects of obsession. And during times of political upheaval, such as the nineteenth century, the art and artifact studies of jinshi legitimatized reform and contributed to a dynamic and progressive field of learning.

Collecting China - The World, China, and a Short History of Collecting (Hardcover): Vimalin Rujivacharakul Collecting China - The World, China, and a Short History of Collecting (Hardcover)
Vimalin Rujivacharakul; Contributions by Stanley K. Abe, Shana J. Brown, Ting Chang, Paola Dematte, …
R2,307 Discovery Miles 23 070 Ships in 12 - 17 working days

Collecting China: The World, China, and A Short History of Collecting is a unique collection of essays that brings together theories of materiality and what collecting has meant to various peoples over time. Collecting China grew out of a simple question: how does a thing become Chinese? Fifteen essays explore this question from different angles, ranging from close examination of world-renowned private collections (the Rockefellers, the Goncourts, the Walters, the du Ponts, the Yeh family, and the Getty Research Institute, among others) to critical reinterpretations of historical writings that continue from records of Emperor Wu Di of the Han Dynasty to the story of Robinson Crusoe and the first international exhibition of Chinese art. With accounts that incorporate records normally unavailable to the public, the authors map the vast network of collecting practices in different periods, and demonstrate the ways in which material things produced in China acquire new cultural identities through collecting practices.

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