Reading 1759 investigates the literary culture of a remarkable year in British and French history, writing, and ideas. Familiar to many as the British "year of victories" during the Seven Years' War, 1759 was also an important year in the histories of fiction, philosophy, ethics, and aesthetics. Reading 1759 is the first book to examine together the range of works written and published during this crucial year. Offering broad coverage of the year's work in writing, these essays examine key works by Johnson, Voltaire, Sterne, Adam Smith, Edward Young, Sarah Fielding, and Christopher Smart, along with such group projects as the Encyclopedie and the literary review journals of the mid-eighteenth century. Organized around a cluster of key topics, the volume reflects the concerns most important to writers themselves in 1759. This was a year of the new and the modern, as writers addressed current issues of empire and ethical conduct, forged new forms of creative expression, and grappled with the nature of originality itself. Texts written and published in 1759 confronted the history of Western colonialism, the problem of prostitution in a civilized society, and the limitations of linguistic expression. Philosophical issues were also important in 1759, not least the thorny question of causation; while, in France, state censorship challenged the Encyclopedie, the central Enlightenment project. Taking into its purview such texts and intellectual developments, Reading 1759 puts the literary culture of this singular, and singularly important, year on the scholarly map. In the process, the volume also provides a self-reflective contribution to the growing body of "annualized" studies that focus on the literary output of specific years.

Making the Novel advances a new cultural reading of the formation of the British novel. Rejecting a teleological narrative of the genre's 'rise', the study examines pre-Defovian fiction, anti-novel discourse, the Richardson-Fielding rivalry, mid-century experimentalism, Sterne and sentimental fiction, representations of Britain, and the creation of a national canon. Through close analysis of key texts, the authors present a dynamic picture of the emergence of the novel, which focuses upon formal innovation, social engagement, and artistic and commercial competition.

Reading 1759 investigates the literary culture of a remarkable year in British and French history, writing, and ideas. Familiar to many as the British "year of victories" during the Seven Years' War, 1759 was also an important year in the histories of fiction, philosophy, ethics, and aesthetics. Reading 1759 is the first book to examine together the range of works written and published during this crucial year. Offering broad coverage of the year's work in writing, these essays examine key works by Johnson, Voltaire, Sterne, Adam Smith, Edward Young, Sarah Fielding, and Christopher Smart, along with such group projects as the Encyclopedie and the literary review journals of the mid-eighteenth century. Organized around a cluster of key topics, the volume reflects the concerns most important to writers themselves in 1759. This was a year of the new and the modern, as writers addressed current issues of empire and ethical conduct, forged new forms of creative expression, and grappled with the nature of originality itself. Texts written and published in 1759 confronted the history of Western colonialism, the problem of prostitution in a civilized society, and the limitations of linguistic expression. Philosophical issues were also important in 1759, not least the thorny question of causation; while, in France, state censorship challenged the Encyclopedie, the central Enlightenment project. Taking into its purview such texts and intellectual developments, Reading 1759 puts the literary culture of this singular, and singularly important, year on the scholarly map. In the process, the volume also provides a self-reflective contribution to the growing body of "annualized" studies that focus on the literary output of specific years.

Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.

Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.

Matthew Bramble, a gout-ridden misanthrope, travels Britain with his nephew, niece, spinster sister and man-servant, the trusty Humphry Clinker. In poor health, Bramble sees the world as one of degeneracy and raucous overcrowding, and will not hesitate to let his companions know his feelings on the matter. Peopled with pimps, drunkards, decadents and con-men, Humphrey Clinker displays Smollett's ferociously pessimistic view of mankind, and his belief that the luxury of eighteenth-century England existence was the enemy of sense and sobriety. Presented in the form of letters from six very different characters, and full of joyful puns and double entendres, Humphrey Clinker is now recognised as a boisterous and observant masterpiece of English satire. Jeremy Lewis's introduction examines why Smollett has become an unjustly neglected figure of English literature, and how the time in which he lived became a crucible for his work. This new edition contains notes, a chronology and suggested reading.

The Seven Years' War (1756-1763) was the decisive conflict of the eighteenth century - Winston Churchill called it the first "world war" - and the clash which forever changed the course of North American history. Yet compared with other momentous conflicts like the Napoleonic Wars or the First World War, the cultural impact of the Seven Years' War remains woefully understudied.

The Culture of the Seven Years' War is the first collection of essays to take a broad interdisciplinary and multinational approach to this important global conflict. Rather than focusing exclusively on political, diplomatic, or military issues, this collection examines the impact of representation, identity, and conceptions and experiences of empire.

With essays by notable scholars that address the war's impact in Europe and the Atlantic world, this volume is sure to become essential reading for those interested in the relationship between war, culture, and the arts.

This book advances a new cultural reading of the formation of the British novel. Rejecting a teleological narrative of the genre's 'rise' and through close analysis of key texts, the authors present a dynamic picture of the emergence of the novel, which focuses upon formal innovation, social engagement, and artistic and commercial competition.