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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Drug discovery is an expensive, time-consuming process and the
modern drug discovery community is constantly challenged not only
with discovering novel bioactive agents to combat resistance from
known diseases and fight against new ones, but to do so in a way
that is economically effective. Advances in both experimental and
theoretical/computational methods envisage that the greatest
challenges in drug discovery can be most successfully addressed by
using a multi-scale approach, drawing on the specialties of a whole
host of different disciplines. Multi-Scale Approaches to Drug
Discovery furnishes chemists with the detail they need to identify
drug leads with the highest potential before isolating and
synthesizing them to produce effective drugs with greater swiftness
than classical methods may allow. This significantly speeds up the
search for more efficient therapeutic agents. After an introduction
to multi-scale approaches outlining the need for and benefits of
their use, the book goes on to explore a range of useful techniques
and research areas, and their potential applications to this
process. Profiling drug binding by thermodynamics, machine learning
for predicting enzyme sub-classes, and multitasking models for
computer-aided design and virtual compound screening are discussed,
before the book goes on to review Alkaloid Menispermaceae leads,
natural chemotherapeutic agents and methods for speeding up the
design and virtual screening of therapeutic peptides. Flavonoids as
multi-target compounds are then explored, before the book concludes
with a review of Quasi-SMILES as a novel tool. Collecting together
reviews and original research contributions written by leading
experts in the field, Multi-Scale Approaches to Drug Discovery
highlights cutting-edge approaches and practical examples of their
implementation for those involved in the drug discovery process at
many different levels. Using the combined knowledge of medicinal,
computational, pharmaceutical and bio- chemists, it aims to support
growth in the multi-scale approach to promote greater success in
the development of new drugs.
Peer review is the sometimes controversial practice of subjecting
an academic manuscript or project to critique by scholars in the
same area of expertise. It is employed widely by journal editors
and, to a lesser extent, by book editors, and it is a major factor
in the determination of foundation grants. Doubts have been raised
about the efficacy and ethics of peer review, but the process has
never been systematically studied. Speck has collected and
carefully analyzed and annotated 780 sources published from 1960 to
the present which would provide the basis for such research. A
detailed classified subject index pinpoints specific issues in the
author-editor-referee relationship.
"Django Unchained "is certainly Quentin Tarantino's most
commercially-successful film and is arguably also his most
controversial. Fellow director Spike Lee has denounced the
representation of race and slavery in the film, while many African
American writers have defended the white auteur. The use of
extremely graphic violence in the film, even by Tarantino's
standards, at a time when gun control is being hotly debated, has
sparked further controversy and has led to angry outbursts by the
director himself. Moreover, " Django Unchained" has become a
popular culture phenomenon, with t-shirts, highly contentious
action figures, posters, and strong DVD/BluRay sales. The topic
(slavery and revenge), the setting (a few years before the Civil
War), the intentionally provocative generic roots (Spaghetti
Western and Blaxploitation) and the many intertexts and references
(to German and French culture) demand a thorough
examination.""Befitting such a complex film, the essays collected
here represent a diverse group of scholars who examine "Django
Unchained" from many perspectives.
Teaching Revising and Editing is devoted to the many facets of the
writing, revising, and publication process. It provides a
comprehensive overview of the literature over the past 25 years and
applies to writing activities in K-12, undergraduate, graduate
classrooms, and the workplace. Each listing is annotated, giving
readers a great deal of significant information about each source.
Over 800 annotated entries for books, articles, reports,
bibliographies, and other sources are included. The book is divided
into sections on teaching revision and editing in academic and
nonacademic settings. Special classroom issues such as teaching
learning disabled students, non-native writers, and ESL classes are
discussed. And, there are sub-sections on business classes,
developmental writing classes, and technical writing courses. The
nonacademic sections provide sources that cover revising and
editing in the general workplace and writing material for newspaper
and magazine submissions. Detailed author and subject indexes will
help readers find specific topics of interest.
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