It's Bobbie's thirty-fifth birthday party, and all her friends are wondering why she isn't married. Why can't she find the right man, settle down and start a family? A breakthrough on Broadway in 1970, Company is Stephen Sondheim and George Furth's legendary musical comedy about life, love and loneliness, featuring some of Sondheim's most iconic songs including 'Company', 'You Could Drive a Person Crazy', 'The Ladies Who Lunch', 'Side by Side' and 'Being Alive'. The acclaimed West End revival in 2018 was conceived and directed by award-winning director Marianne Elliott and produced by Elliott & Harper Productions. Reimagining the musical by switching the gender of several characters, including the protagonist Bobbie, played by Rosalie Craig, the production also starred Patti LuPone, Mel Giedroyc and Jonathan Bailey. It won the Peter Hepple Award for Best Musical at the 2018 Critics' Circle Theatre Awards. This edition features the complete revised book and lyrics for the production, colour production photographs, and an introduction by Sondheim's biographer David Benedict.

The gruesomely fascinating musical about the 'Demon Barber of Fleet Street', one of Sondheim's greatest hits. From the writing partnership behind A Little Night Music. Victim of a gross injustice that robbed him of his wife and child, Sweeney Todd sets about exacting a terrible revenge on society: slitting the throats of the customers who visit his barbershop. But things are getting complicated - a romance has developed with Mrs Lovett, the lady who runs the pie shop next door, and the disappearances are starting to cause concern. With the bodies piling up, Sweeney Todd hits upon a novel idea, and starts passing on his 'patrons' to his homely neighbour... Meat pie, anyone? Stephen Sondheim and Hugh Wheeler's musical Sweeney Todd opened on Broadway in 1979 and in the West End in 1980. It won the Tony Award for Best Musical and Olivier Award for Best New Musical. It has since had numerous revivals as well as a film adaptation.

"Throwing caution to the winds, I assert that A Little Night Music comes as close as possible to being the perfect romantic comedy musical." -Brendan Gill, The New Yorker "Heady, civilized, sophisticated and enchanting. Good God! An adult musical." -Clive Barnes, The New York Times

(Applause Libretto Library). This 1995 Pulitzer Prize-winning musical was inspired by the painting A Sunday Afternoon on the Island of La Grande Jatte by Georges Seurat. A complex work revolving around a fictionalized Seurat immersed in single-minded concentration while painting the masterpiece, the production has evolved into a meditation on art, emotional connection, and community. This publication contains the entire script of the musical. " Sunday is itself a modernist creation, perhaps the first truly modernist work of musical theatre that Broadway has produced ... a watershed event that demands nothing less than a retrospective, even revisionist, look at the development of the serious Broadway musical." Frank Rich, The New York Times Magazine

Inspired by Georges Seurat's pointillist masterpiece, Sunday Afternoon on the Island of La Grande Jatte, Stephen Sondheim and James Lapine's musical celebrates the art of creation and the creation of art. In the first half of the musical, set in 1884, the people - and the animals - in the painting come to life in a world where, for the artist George, art comes before love, before everything. In the second half, a century later, Seurat's great-grandson is wrestling with the same obsessions in present-day New York. Sunday in the Park with George was premiered on Broadway in May 1984, in a production directed by James Lapine. An earlier, incomplete version had been performed Off-Broadway at Playwrights Horizons in July 1983. The musical went on to win the 1985 Pulitzer Prize for Drama. The first London production opened at the National Theatre in March 1990. It won the 1991 Olivier Award for Best New Musical.

"That joyous rarity, a work of sophisticated artistic ambition and deep political purpose that affords nonstop pleasure."--William A. Henry III, "Time"

Book by Hugh Wheeler Introduction by Christopher Bond "Mr. Sondheim fearlessly explores psychic caverns where civilized people are not dying to go ... A naked Sweeney Todd stands revealed as a musical of naked rage, chewing up everyone in its path as it spits out blood and tears." - Frank Rich, The New York Times * "A work of such scope and such daring that it dwarfs every other Broadway musical that even attempts to invite comparison." - Rex Reed, New York Daily News

(Piano Solo Songbook). Intermediate piano solo arrangements of ten songs from this Bernstein/Sondheim masterpiece: America * Cha-Cha from the Dance at the Gym * Cool * I Feel Pretty * I Have a Love * Maria * One Hand, One Heart * Something's Coming * Somewhere * Tonight.

A bawdy, fast-paced, raunchy comedy musical from one of the world's most influential and innovative creators of musical theatre, loosely based on the plays of Plautus. Pseudolus, a simpering slave, is trying to win his own freedom by cooking up a romance for his master's son, Hero, with the pretty young virgin Philia. But there's a problem - not only is Philia owned by Marcus Lycus, an infamous courtesan dealer, but she's also already promised to swaggering soldier Miles Gloriosus... and neither of them are keen to give her up. Stephen Sondheim's A Funny Thing Happened on the Way to the Forum, with a book by Burt Shevelove and Larry Gelbart, ran for three years on Broadway. The first British production, starring Frankie Howerd as the cowardly slave Pseudolus, ran almost as long and spawned the TV series Up Pompeii! A Funny Thing Happened on the Way to the Forum won the 1962 Tony Award for Best Musical.

Longtime musical theatre collaborators Stephen Sondheim and George Furth, who together created the landmark musical Company, have joined forces again to create a compellingly original thriller - Mr. Sondheim's first nonmusical play. Getting Away with Murder unfolds on a stormy night on Manhattan's Upper West Side at a group therapy session. The patients arrive only to find that their faithful, Pulitzer Prize-winning psychiatrist is missing. What unfolds is a classic whodunit in the tradition of Sleuth and The Mousetrap that harkens back to Sondheim's screenplay collaboration with Anthony Perkins on the cult film The Last of Sheila.

(Applause Libretto Library). Book by Burt Shevelove and Larry Gelbart Introduction by Larry Gelbart "This brazenly retro Broadway musical, inspired by Plautus, is as timeless as comedy itself." Vincent Canby, The New York Times "The most urbane and literate musical comedy text ever conceived." John Simon, New York magazine

Richard Lester directs this farcical musical comedy. Set in ancient Rome, it tells the story of Pseudolus (Zero Mostel), an idle slave who has made a deal to win his freedom if he can procure for his master (Michael Crawford) the beautiful virgin slave, Philia (Annette André), who lives in the house next door. Pseudolus does his best, but the forces of farce are against him and his efforts soon come up against a series of bizarre complications involving mistaken identites, sly tricks, comic chases, unexpected arrivals and narrow escapes. Phil Silvers, Michael Horden, Roy Kinnear and Buster Keaton also star.

Stephen Sondheim has won seven Tonys, an Academy Award, seven Grammys, a Pulitzer Prize and the Kennedy Center Honors. His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in "Finishing the Hat"--titled after perhaps his most autobiographical song, from "Sunday in the Park with George"--Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions.
Along with the lyrics for all of his musicals from 1954 to 1981--including "West Side Story, Company, Follies, A Little Night Music" and "Sweeney Todd"--Sondheim treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes--filled with history, pointed observations and intimate details--transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come.
Accompanying Sondheim's sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter's personal collection.
Penetrating and surprising, poignant, funny and sometimes provocative, "Finishing the Hat" is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart's "Act One" and Arthur Miller's "Timebends." It is also a book that will leave you humming the final bars of "Merrily We Roll Along, " while eagerly anticipating the next volume, which begins with the opening lines of "Sunday in the Park with George."

(P/V/G Composer Collection). The first definitive collection of Sondheim's songs, with selections from Anyone Can Whistle, Assassins, Company, Dick Tracy, Evening Primrose, Follies, The Frogs, A Funny Thing Happened on the Way to the Forum, Into the Woods, A Little Night Music, Merrily We Roll Along, Pacific Overtures, Passion, Road Show, Saturday Night, Sunday in the Park with George, and Sweeney Todd. Includes detailed notes about the shows and films.

Natalie Wood and Richard Beymer star in this Academy Award-winning musical drama adapted from the Broadway stage show. A neighbourhood in Manhattan, New York, provides the setting for a love affair between Tony (Beymer) and Maria (Wood), a young man and woman caught on opposite sides of a gang war. Maria is the sister of Bernardo (George Chakiris), leader of the Sharks, and Tony is the best friend of Riff (Russ Tamblyn), leader of the Jets. The two gangs are sworn enemies, and nothing Maria or Tony can say will dissuade them from the violence which leads to the film's heartbreaking finale. The film won ten Oscars including Best Picture, Best Director and Best Original Score.

Evoking a fraternity of political assassins and would-be assassins across a hundred years of our history, Sondheim and Weidman daringly examine success, failure and the questionable drive for power and celebrity in American society. "Dark, demented humor, as horrifying as it is hilarious."--Michael Kuchwara, "Associated Press"

Stephen Sondheim returns with the second volume of his collected lyrics, giving us another remarkable glimpse into
his life's work, and into his life.
As he did in the acclaimed and best-selling "Finishing the Hat" (one of "The New York Times "10 Best Books of 2010), Sondheim richly annotates his lyrics with personal and theater history, discussions of his collaborations, and exacting, charming dissections of his work--both the successes and the failures. Picking up where he left off in "Finishing the Hat, "he gives us all the lyrics, along with cutouts and early drafts, to the Pulitzer Prize-winning "Sunday in the Park with George, "as well as "Into the Woods, Assassins, " and "Passion." Here too is an in-depth look at "Wise Guys, "subsequently transformed into "Bounce, "and eventually into "Road Show." And we are treated to chapters on his work for television and film and his "orphan songs," culled from parodies and special occasions over the years.
Filled with behind-the-scenes photographs and illustrations from original manuscripts, and with the same elegant design as the earlier book, "Look, I Made a Hat" will be devoured by Sondheim's passionate fans today and for years to come.

Oozing with sophistication and wit, Stephen Sondheim and Hugh Wheeler's A Little Night Music (based on Ingmar Bergman's film Smiles on a Summer Night) is a passionate story of intertwined love affairs, regret and longing centred on elegant actress Desiree Armfeldt, and her family and flirtations. When Desiree performs in the town of her former lover, old passions rekindle and during a weekend in the country, the entangled romances of four couples are laid bare. With the magic of music on a summer's night, love's joys and complications play out in three-quarter time. Filled with beautiful iconic numbers, including 'Send in the Clowns' and 'A Weekend in the Country', A Little Night Music is a romantic musical by one of our greatest living composers. It opened on Broadway at the Shubert Theatre in February 1973 in a production directed by Harold Prince, winning Best Musical at the New York Drama Critics' Circle Awards and the Tony Awards. The musical premiered in the West End at the Adelphi Theatre in April 1975. It has since enjoyed professional productions in the West End, by opera companies, in a 2009 Broadway revival, and elsewhere, and it is a popular choice for regional groups. It was adapted for film in 1977, with Harold Prince directing.

(Vocal Score). Vocal score to Sondheim's classic tale of the demon barber of Fleet Street. 25 songs, including: The Ballad of Sweeney Todd * The Contest * God, That's Good * Johanna * Kiss Me * My Friends * No Place like London * Not While I'm Around * Poor Thing * Pretty Women * The Worst Pies in London * and more. 396 pages.

(Vocal Selections). Newly revised, with new music engravings, added songs, articles and photos. Includes The Ballad of Sweeney Todd * By the Sea * Green Finch and Linnet Bird * Johanna * Ladies in Their Sensitivities * A Little Priest * Not While I'm Around * Pretty Women * Wait * The Worst Pies in London.

A handsome army officer, entangled with a married woman, is despatched to a distant military outpost. There he has to beat off the attentions of Fosca, the sickly - and distinctly unattractive - cousin of his commanding officer, only to realise that he's falling in love with her.

(Vocal Score). Into the Woods blends various familiar fairy tales with an original story of a childless baker and his wife, who catalyze the action of the story by attempting to reverse a curse on their family in order to have a child. Newly edited. Complete vocal score including: Agony * Any Moment * Children Will Listen * Giants in the Sky * I Know Things Now * Into the Woods * It Takes Two * No More * No One Is Alone * On the Steps of the Palace * Stay with Me.