This book presents a detailed exploration into the Centre for Alternative Technology (CAT), an enterprise concerned with finding and communicating sustainable ways of living, established in Wales in 1973. Playing a central role in the global green network, this study examines CAT's history and context for creation, its development over time and its wider influence in the progression of green ideas at the local, national and international levels. Based on original archival and ethnographic research, this book provides the first in-depth analysis of CAT and uses the case study to explore wider issues of sustainability and environmental communication. It situates the Centre within current environmental and political discourse and emphasises the relevance and reach of CAT's practical solutions and creative educational programme. These practical solutions to the destruction of the environment of human activity are increasingly vital in today's context of climate change, loss of biodiversity and rising levels of pollution. It debates the spectrum of attitudes between environmentalism and ecologism evident at CAT and in broader conversations surrounding sustainability. Woven throughout the text, the author makes clear what we can learn from CAT's almost 50 years of experiments and experiences, from his first-hand account of working at the site. This will be a fascinating and revealing read for academics, researchers, students and practitioners interested in all aspects of sustainability and environmental issues.

The Hindu-derived meditation movement, The Art of Living (AOL), founded in 1981 by Sri Sri Ravi Shankar in Bangalore, has grown into a global organization which claims presence in more than 150 countries. Stephen Jacobs presents the first comprehensive study of AOL as an important transnational movement and an alternative global spirituality. Exploring the nature and characteristics of spirituality in the contemporary global context, Jacobs considers whether alternative spiritualities are primarily concerned with individual wellbeing and can simply be regarded as another consumer product. The book concludes that involvement in movements such as AOL is not necessarily narcissistic but can foster a sense of community and inspire altruistic activity.

The Hindu-derived meditation movement, The Art of Living (AOL), founded in 1981 by Sri Sri Ravi Shankar in Bangalore, has grown into a global organization which claims presence in more than 150 countries. Stephen Jacobs presents the first comprehensive study of AOL as an important transnational movement and an alternative global spirituality. Exploring the nature and characteristics of spirituality in the contemporary global context, Jacobs considers whether alternative spiritualities are primarily concerned with individual wellbeing and can simply be regarded as another consumer product. The book concludes that involvement in movements such as AOL is not necessarily narcissistic but can foster a sense of community and inspire altruistic activity.

In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystere Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by Andre Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.

Seven year old Sage Saccio has compiled a series of writings and illustrations on emotions.

This is an exploration of contemporary Hinduism, illustrated by case studies from the lived religion. Understanding Hinduism today requires an understanding of how it is practised in the contemporary world. Stephen Jacob's new introduction tackles these central issues, beginning with case studies of the grassroots practice of Hinduism in India and in diaspora communities. He covers issues of singular importance in the modern study of Hinduism, including the importance and role of mass media to this essentially orally transmitted religion. Other major areas covered include the concept of Hindu dharma, particularly in relation to caste, gender and Hindu nationalism, key and often controversial concepts in Hinduism. These useful guides aim to introduce religions through the lens of contemporary issues, illustrated throughout with examples and case studies taken from lived religion. The perfect companion for the student of religion, each guide interprets the teachings of the religion in question in a modern context and applies them to modern day scenarios.

This collection of academic essays written by friends and colleagues of Professor Zev Garber, is a long-overdue tribute to an outstanding scholar, teacher, and mentor. Each contribution was written especially for this volume; none have been previously published. The various sections into which these essays are divided reflect the areas in which Professor Garber has devoted his own prodigious teaching and writing energies: the Holocaust, Jewish-Christian relations, philosophy and theology, history, biblical interpretation. Also included is a full bibliography of Professor Garber's own writings: books, articles both scholarly and popular, opinion pieces, and the like. The introduction by his good friend Steven Jacobs introduces Professor Garber to those who do not know him and reminds those who do of his important contributions to scholarship.

Screening Statues: Sculpture and Cinema is the first book to focus on the relationship between sculpture and the silver screen. It covers a broad range of magical, mystical and phenomenological interactions between the two media, from early film's eroticized tableaux vivants to enigmatic sculptures in modernist cinema. Sculptures are literally brought to life on the silver screen, while living people are turned into, or trapped inside, statuary. The book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films. Considering the work of directors like Georges Melies, Jean Cocteau and Alain Resnais, as well as films like House of Wax, Jason and the Argonauts and Clash of the Titans, this is an innovative exploration of two different media, their artistic traditions and their respective theoretical paradigms.