A pure pleasure of a novel set in Georgian London, where the discovery of a mysterious ancient Greek vase sets in motion conspiracies, revelations and romance.

London, 1799. Dora Blake is an aspiring jewellery artist who lives with her uncle in what used to be her parents' famed shop of antiquities. When a mysterious Greek vase is delivered, Dora is intrigued by her uncle's suspicious behaviour and enlists the help of Edward Lawrence, a young antiquarian scholar. Edward sees the ancient vase as key to unlocking his academic future. Dora sees it as a chance to restore the shop to its former glory, and to escape her nefarious uncle.

But what Edward discovers about the vase has Dora questioning everything she has believed about her life, her family, and the world as she knows it. As Dora uncovers the truth she starts to realise that some mysteries are buried, and some doors are locked, for a reason.

Gorgeously atmospheric and deliciously page-turning, Pandora is a story of secrets and deception, love and fulfilment, fate and hope.

This volume is about the many ways we perceive. In nineteen new essays, philosophers and cognitive scientists explore the nature of the individual senses, how and what they tell us about the world, and how they interrelate. They consider how the senses extract perceptual content from receptoral information and what kinds of objects we perceive and whether multiple senses ever perceive a single event. Questions pertaining to how many senses we have, what makes one sense distinct from another, and whether and why distinguishing senses may be useful feature prominently. Contributors examine the extent to which the senses act in concert, rather than as discrete modalities, and whether this influence is epistemically pernicious, neutral, or beneficial. Many of the essays engage with the idea that it is unduly restrictive to think of perception as a collation of contents provided by individual sense modalities. Rather, contributors contend that to understand perception properly we need to build into our accounts the idea that the senses work together. In doing so, they aim to develop better paradigms for understanding the senses and thereby to move toward a better understanding of perception.

During the fateful winter and spring of 1865, thousands of civilians in South Carolina, young and old, black and white, felt the impact of what General William T. Sherman called "the hard hand of war." This book tells their stories, many of which were corroborated by the testimony of Sherman's own soldiers and officers, and other eyewitnesses. These historical narratives are taken from letters and diaries of the time, as well as newspaper accounts and memoirs. The author has drawn on the superb resources of the South Carolina Historical Society's collection of manuscripts and publications to present these true, compelling stories of South Carolinians.

- Directly relevant to the needs of teachers and researchers in music, musicology, ethnomusicology and social anthropology. This book examines the significance of music in the construction of identities and ethnicities, and suggests ways to understand music as social practice. The authors focus on the role of music in the construction of national and regional identities; the media and 'postmodern identity'; concepts of authenticity; aesthetics; meaning; performance; 'world music'; and the use of music as a focus for discursive evocations of 'place'. The chapters tackle a wide range of subjects including 16th century etiquette, Celtic music and Chopin. The volume will be of interest to social anthropologists, and those working in the fields of cultural studies, politics, gender studies, musicology and folklore.

This study focuses on Laches, Protagoras, and the conversation between Socrates and Agathon in the Symposium. For these dialogues the author "proposes a strategy of interpretation that insists on the dialogues' essentially interrogatory character. . . . Stokes argues that we are not entitled to ascribea thesis to Socrates (far less to Plato) unless he unambiguously asserts it as his own belief. . . . For the most part, Stokes argues, Socrates is doing what he claims to be doing: cross-examining his interlocutor. He draws the materials of his own argument from the respondent's explicit admissions and from his own knowledge of the respondent's character, commitments and ways of life.What is shown by such a procedure is not, . . . according to Stokes], that acertain thesis is true or false, but, rather, that a certain sort of person, with certain commitments, can be led, on pain of inconsistency, to assent to theses that at first seem alien to him. Sometimes, as it turns out, these are theses that Socrates also endorses in his own person." "Times Literary Supplement"

In 1864, six hundred Confederate prisoners of war, all officers, were taken out of a prison camp in Delaware and transported to South Carolina, where most were confined in a Union stockade prison on Morris Island. They were placed in front of two Union forts as "human shields" during the siege of Charleston and exposed to a fearful barrage of artillery fire from Confederate forts. Many of these men would suffer an even worse ordeal at Union-held Fort Pulaski near Savannah, Georgia, where they were subjected to severe food rationing as retaliatory policy. Author and historian Karen Stokes uses the prisoners' writings to relive the courage, fraternity and struggle of the "Immortal 600."

In the latest of our celebrated series, you find yourself surfacing, dazed in the waiting room. You read snatches of lines over the shoulders of raincoats. In the carriage you have glimpses and visions. At your destination you can hear space, see thunder, taste realization. You are running towards something, someone in the trees who holds out to you an understanding hand. Welcome to the wonderful and sometimes frightening world of Unthology 5.

Nearing the end of his career as a ship surgeon, he agreed in 1817 to take a three year posting to St Helena. Stokoe set out for St Helena on HMS Conqueror in 1817. At St Helena there was discord following the Governor, Lieutenant-General Sir Hudson Lowe's controversial decision to dismiss Napoleon's doctor, Barry O'Mara. About this time, Napoleon asked that Mr Stokoe, who had once attended him and who he understood was returning to St Helena, might attend him again 'or would the Governor authorize some other English doctor to come, providing he sign similar conditions as had been accepted by Stokoe in the past.' Immediately after, Mr Stokoe arrived at St Helena, was put under arrest and tried on varying counts-seven in all. The whole was found proven. The third indictment read, 'That he had signed a paper purporting to be a bulletin of General Bonaparte's health, and divulged the same to the General and his attendants contrary to orders, ' and the seventh, 'That he had contrary to his duty, and the character of a British Naval Officer, communicated to General Bonaparte or his attendant an infamous and calumnious imputation cast upon Lieutenant-General Sir Hudson Lowe. etc. by Barry O'Meara, late surgeon in the Royal Navy' (also now dismissed) 'implying that Sir Hudson Lowe had practiced with the said O'Meara to induce him to put an end to the existence of General Bonaparte. ' Stokoe, though dismissed the Navy, was put on half-pay. At Stokoe's treatment Napoleon, enraged, refused the future services of British doctors. This book is Stokoe's own defense, another book with damning evidence against the notorious Governor-Sir Hudson Lowe

Charles Stokes has personally witnessed many of the huge technological and social changes of the past 100 years. He saw a zeppelin that dropped bombs on his home town during World War I; his family worked on steam engines, then the favoured method of power; he serviced fighters during the Battle of Britain and had tea with a German family as World War II ended; he helped thousands revolutionise their cooking and lighting with bottled gas; he bought his first laptop at the age of 99. Yet his life has also been underpinned by values that have not changed: his devotion to one woman for 70 years; his belief in planning in advance, saving before spending, the beauty of a garden and the virtue of clean shoes. He is not unique in reaching an advanced age, but he is unusual in his ability to still remember, in detail, events and people stretching back over a century of life. This is his story, told in his own words.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.