Giant perennials are show-stoppers in the garden. There is something magical about the fact that starting from nothing in spring they rise to towering heights by midsummer only to disappear again for the winter. These are plants that make a statement and can be used to provide a backdrop to a herbaceous border or as specimens to draw the eye and amaze the visitor. From the astounding gunnera, 2.4m (8ft) with its leaves as big as the biggest golf umbrella, to the spectacular verbascum (giant mullein) as tall as a tree at 1.8-2.7m (6-9ft), or the socking great Eupatorium purpureum, with 2.1m (7ft) tall stems and cinnamon pink flowers. Quite simply these plants make us feel like Lilliputians. Covering a wide range of herbaceous perennials, including some biennials and bulbs, Giant Perennials provides at-a-glance information for everything you need to know about these amazing plants. In addition to design ideas and planting suggestions, Giant Perennials has an extensive directory of these majestic plants with easy-to-use symbols that show you size, spread, planting situation, cultivation needs and hardiness. Whether you have a large country garden or a small town plot, you can give you

This book focuses on the collaborative work between Native women storytellers and their female ethnographers and/or editors, but the book is also about what it is that is constitutive of scientific rigor, factual accuracy, cultural authenticity, and storytelling signification and meaning. Regardless of discipline, academic ethnographers who conducted their field work research during the twentieth century were trained in the accepted scientific methods and theories of the time that prescribed observation, objectivity, and evaluative distance. In contradistinction to such prescribed methods, regarding the ethnographic work conducted among Native Americans, it turns out that the intersubjectively relational work of women (both ethnographers and the Indigenous storytellers with whom they worked) has produced far more reliably factual, historically accurate, and tribally specific Indigenous autobiographies than the more "scientifically objective" approaches of most of the male ethnographers. This volume provides a close lens to the work of a number of women ethnographers and Native American women storytellers to elucidate the effectiveness of their relational methods. Through a combined rhetorical and literary analysis of these ethnographies, we are able to differentiate the products of the women's working relationships. By shifting our focus away from the surface level textual reading that largely approaches the texts as factually informative documents, literary analysis provides access into the deeper levels of the storytelling that lies beneath the surface of the edited texts. Non-Native scholars and editors such as Franc Johnson Newcomb, Ruth Underhill, Nancy Lurie, Julie Cruikshank, and Noel Bennett and Native storytellers and writers such as Grandma Klah, Maria Chona, Mountain Wolf Woman, Mrs. Angela Sidney, Mrs. Kitty Smith, Mrs. Annie Ned, and Tiana Bighorse help us to understand that there are ways by which voices and worlds are more and less disclosed for posterity. The results vary based upon the range of factors surrounding their production, but consistent across each case is the fact that informational accuracy is contingent upon the the degree of mutual respect and collaboration in the women's working relationships. And it is in their pioneering intersubjective methodologies that the work of these women deserves far greater attention and approbation.

The ultimate guide to adding beautiful, imaginative, and colorful container gardens to your yard, deck, patio, porch, sidewalk, windowsills, balcony, or roof terrace

An invaluable sourcebook of ideas with more than 400 gorgeous color photos that inspire and teach

Clear, simple, and informative instructions for both first-time and experienced gardeners

Specially commissioned photography by leading garden photographer Andrew Lawson

Comprehensive information on what types of containers work best for what plants; seasonal planting schemes; step-by-step planting techniques; care and maintenance; and selecting the right plants

Complete care guidelines, including feeding and watering, pruning, staking, propagation, and dealing with pests and diseases

A fully illustrated A-Z directory of more than 100 species and varieties of plants, with detailed information on how to grow them

Plants for Small Spaces provides practical i nformation on how to make the best use of any available spac e in a whole range of situations, from wall tops to steps, w indowsills to narrow alleys. '

Have you ever been Lost? Carol had lost herself in the trials and busyness of life. On her soulful journey to find healing for her fractured heart she takes us from a desperate winter night in a snow covered field to a joy-filled, spiritual trip to Europe where she encountered a surprising appointment with the Divine. In her search for love she found that the most important relationship of all resides within her. If you have been lost, discouraged or short-on-faith, Carol's insightful writing and coaching style will guide you inward to find the resilience and strength necessary to overcome adversity and to thrive. "Carol seeks meaning and wholeness by learning from the failures and building on the gifts that come her way. The result is a testimony to the way that love in relationships is intertwined with the love of God." Bruce C. Birch, Dean and Professor of Biblical Theology, Wesley Theological Seminary, Washington, DC. "Carol is a gifted leadership coach whose thought-provoking and enjoyable book is a great springboard for those seeking love and faith." Bruce D. Schneider, author Energy Leadership, Founder of the Institute for Professional Excellence in Coaching (iPEC) Include Reflection Questions

This heavily illustrated, full colour historical narrative is a testament to the past 11,000 years of Aboriginal history in Alberta. It conveys the many challenges that Aboriginal people confronted, and celebrates their enduring legacy. Berry and Brink explore grassroots political and cultural movements of the 1960s, contemporary self-government initiatives, and the ongoing reclamation of the Aboriginal voice.

Women Ethnographers and Native Women Storytellers focuses on the collaborative work between Native women storytellers and their female ethnographers and/or editors, but the book is also about what it is that is constitutive of scientific rigor, factual accuracy, cultural authenticity, and storytelling signification and meaning. Regardless of discipline, academic ethnographers who conducted their field work research during the twentieth century were trained in the accepted scientific methods and theories of the time that prescribed observation, objectivity, and evaluative distance. In contradistinction to such prescribed methods, regarding the ethnographic work conducted among Native Americans, it turns out that the intersubjectively relational work of women (both ethnographers and the Indigenous storytellers with whom they worked) has produced far more reliably factual, historically accurate, and tribally specific Indigenous autobiographies than the more "scientifically objective" approaches of most of the male ethnographers. This volume provides a close lens to the work of a number of women ethnographers and Native American women storytellers to elucidate the effectiveness of their relational methods. Through a combined rhetorical and literary analysis of these ethnographies, we are able to differentiate the products of the women's working relationships. By shifting our focus away from the surface level textual reading that largely approaches the texts as factually informative documents, literary analysis provides access into the deeper levels of the storytelling that lies beneath the surface of the edited texts. Non-Native scholars and editors such as Franc Johnson Newcomb, Ruth Underhill, Nancy Lurie, Julie Cruikshank, and Noel Bennett and Native storytellers and writers such as Grandma Klah, Maria Chona, Mountain Wolf Woman, Mrs. Angela Sidney, and Tiana Bighorse help us to understand that there are ways by which voices and worlds are more and less disclosed for posterity. The results vary based upon the range of factors surrounding their production, but consistent across each case is the fact that informational accuracy is contingent upon the degree of mutual respect and collaboration in the women's working relationships. And it is in their pioneering intersubjective methodologies that the work of these women deserves far greater attention and approbation.

Simon J. Ortiz is widely regarded as one of the literary giants of the twentieth and twenty-first centuries with more than two dozen volumes of poetry, prose fiction, children's literature, and nonfiction work to his credit and his being anthologized around the world. This edited volume is devoted to the depth and range of Ortiz's contribution to contemporary Native American literature and literary scholarship.
Including interviews with Ortiz, short creative nonfiction essays by Native women writers and scholars, and innovative critical discussions by a dozen scholars of Native literatures, the volume shows his role in the development of cultural studies and Native American literatures on a number of fronts, garnering tribal, regional, national, hemispheric, and global levels of awareness and appreciation. The range of scholarship herein sheds light on the larger historical, cultural, and political factors that have shaped Native writing over the last four decades.
This volume reveals the insights and aesthetics of Ortiz's indigenous lens, which provides invaluable contributions to literary studies that turn to the postcolonial, the ecocritical, the globally indigenous and comparative as indigenous geographies of belonging are found to inform an aesthetics of inclusion and authenticity.
Contributors:
Elizabeth Ammons, Tufts University (Boston)
Elizabeth Archuleta (Yaqui), Arizona State University
Esther Belin, Durango, Colorado
Jeff Berglund, Northern Arizona University (Flagstaff)
Kimberly Blaeser (Chippewa), University of Wisconsin (Milwaukee)
Gregory Cajete (Tewa), University of New Mexico
Sophia Cantave, Boston
David Dunaway, University of New Mexico (Albuquerque)
Roger Dunsmore, University of Montana (retired)
Lawrence Evers, University of Arizona
Gwen Westerman Griffin (Sisseton Wahpeton Dakota Oyate), Minnesota State University (Mankato)
Joy Harjo (Mvskoke), Honolulu
Geary Hobson (Cherokee, Arkansas Quapaw), University of Oklahoma
David L. Moore, University of Montana
Debbie Reese (Nambe Pueblo), University of Illinois
Kimberly Roppolo (Cherokee, Choctaw, and Creek), University of Oklahoma
Ralph Salisbury, University of Oregon (retired)
Kathryn W. Shanley (Assiniboine), University of Montana
Leslie Marmon Silko (Laguna Pueblo), Tucson
Sean Kicummah Teuton (Cherokee), University of Wisconsin (Madison)
Laura Tohe (DinA(c)), Arizona State University
Robert Warrior (Osage), University of Illinois (Urbana-Champaign)