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Garden At Monceau (Hardcover)
Carmontelle; Edited by Elizabeth Barlow Rogers, Joseph Disponzio; Translated by Andrew Ayers; Introduction by Laurence Chatel de Brancion; Contributions by …
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R1,789
Discovery Miles 17 890
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Ships in 12 - 17 working days
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Carmontelle's landmark publication, Garden at Monceau, beautifully
reproduced to show the Parisian garden's artistic and cultural
importance before the French Revolution. Originally published in
1779, Garden at Monceau is a richly illustrated presentation of the
garden Louis Carrogis, known as Carmontelle, designed on the eve of
the French Revolution for Louis-Philippe-Joseph d'Orleans, duc de
Chartres. With its array of architectural follies intended to
surprise and amaze the visitor, the garden was a setting for ancien
regime social life. Carmontelle's portrayal of his work in Garden
at Monceau therefore serves as an expression of a key moment in the
history of European landscape design, garden architecture, and
social history. This facsimile edition, with its English-language
text and reproductions of the original engravings, is accompanied
by essays that interpret the landscape design and examine
Carmontelle's larger career as a painter and theater producer.
Challenging the established historiography that frames the French
picturesque garden movement as an international style, this book
contends that the French picturesque gardens from 1775 until 1867
functioned as liminal zones at the epicenter of court patronage
systems. Four French consorts-queen Marie-Antoinette and empresses
Josephine Bonaparte, Marie-Louise and Eugenie-constructed their
gardens betwixt and between court ritual and personal agency, where
they transgressed sociopolitical boundaries in order to perform
gender and identity politics. Each patron endorsed embodied
strolling, promoting an awareness of the sentient body in artfully
contrived sensoria at the Petit Trianon and Malmaison, transforming
these places into spaces of shared affectivity. The gardens became
living legacies, where female agency, excluded from the garden
history canon, created a forum for spatial politics. Beyond the
garden gates, the spatial experience of the picturesque influenced
the development of cultural fields dedicated to performances of
subjectivity, including landscape design, cultural geography and
the origination of landscape aesthetics in France.
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