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Garden At Monceau (Hardcover): Carmontelle Garden At Monceau (Hardcover)
Carmontelle; Edited by Elizabeth Barlow Rogers, Joseph Disponzio; Translated by Andrew Ayers; Introduction by Laurence Chatel de Brancion; Contributions by …
R1,789 Discovery Miles 17 890 Ships in 12 - 17 working days

Carmontelle's landmark publication, Garden at Monceau, beautifully reproduced to show the Parisian garden's artistic and cultural importance before the French Revolution. Originally published in 1779, Garden at Monceau is a richly illustrated presentation of the garden Louis Carrogis, known as Carmontelle, designed on the eve of the French Revolution for Louis-Philippe-Joseph d'Orleans, duc de Chartres. With its array of architectural follies intended to surprise and amaze the visitor, the garden was a setting for ancien regime social life. Carmontelle's portrayal of his work in Garden at Monceau therefore serves as an expression of a key moment in the history of European landscape design, garden architecture, and social history. This facsimile edition, with its English-language text and reproductions of the original engravings, is accompanied by essays that interpret the landscape design and examine Carmontelle's larger career as a painter and theater producer.

Marie-Antoinette's Legacy - The Politics of French Garden Patronage and Picturesque Design, 1775-1867 (Hardcover): Susan... Marie-Antoinette's Legacy - The Politics of French Garden Patronage and Picturesque Design, 1775-1867 (Hardcover)
Susan Taylor-Leduc
R3,945 Discovery Miles 39 450 Ships in 12 - 17 working days

Challenging the established historiography that frames the French picturesque garden movement as an international style, this book contends that the French picturesque gardens from 1775 until 1867 functioned as liminal zones at the epicenter of court patronage systems. Four French consorts-queen Marie-Antoinette and empresses Josephine Bonaparte, Marie-Louise and Eugenie-constructed their gardens betwixt and between court ritual and personal agency, where they transgressed sociopolitical boundaries in order to perform gender and identity politics. Each patron endorsed embodied strolling, promoting an awareness of the sentient body in artfully contrived sensoria at the Petit Trianon and Malmaison, transforming these places into spaces of shared affectivity. The gardens became living legacies, where female agency, excluded from the garden history canon, created a forum for spatial politics. Beyond the garden gates, the spatial experience of the picturesque influenced the development of cultural fields dedicated to performances of subjectivity, including landscape design, cultural geography and the origination of landscape aesthetics in France.

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