Stunning illustrations by Chris Mould make this one of the most exciting editions of The Iron Man to be published. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Stunning.' WRD Magazine 'Whether you're already a fan of this classic children's story or a new reader, this wonderful new version is a real treat.' BookTrust 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

A beautiful 50th Anniversary edition of The Iron Man, the bestselling classic by Ted Hughes, with the stunning original wood engravings from Andrew Davidson and an introduction by Michael Morpurgo. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

A beautiful new edition of The Iron Man, the bestselling classic by Ted Hughes. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year. 'To read [Birthday Letters] is to experience the psychic equivalent of "the bends". It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney 'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion

This book is part of Wordsmith, the complete programme for all your Primary English teaching needs.

This comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees. The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia. This collection was awarded the 1981 Pulitzer Prize for poetry. 'For me, the most important literary event of 1981 has been the publication, eighteen years after her death, of Sylvia Plath's Collected Poems, confirming her as one of the most powerful and lavishly gifted poets of our time.' A. Alvarez in the Observer

This anniversary edition with a new foreword by Marina Warner celebrates fifty years since original publication of Crow (1970), which marked a pivotal moment in Ted Hughes's writing career. Growing out of an invitation by Leonard Baskin to make a book with him about crows, Hughes found both a structure and a persona that gave his vision a new power and coherence. A deep engagement with history, mythology and the natural world combine to forge a work of impressive and unsettling force.

Sylvia Plath is one of the defining voices in twentieth-century poetry. This classic selection of her work, made by her former husband Ted Hughes, provides the perfect introduction to this most influential of poets. The poems are taken from Sylvia Plath's four collections Ariel, The Colossus, Crossing the Water and Winter Trees, and include many of her most celebrated works, such as 'Daddy', 'Lady Lazarus' and 'Wuthering Heights'.

Lupercal was Ted Hughes's second collection, containing some of his most brilliant animal poetry. It confirmed his reputation as a major talent in British poetry. 'Hughes has found his own voice, created his own artistic world and has emerged as a poet of the first importance . . . What Ted Hughes has done is to take a limited, personal theme and, by an act of immensely assured poetic skill, has broadened it until it seems to touch upon nearly everything that concerns us.' Al Alvarez, Observer, 27 March, 1960 In language that is by now utterly distinctive, the poems both describe and deliver a kind of psychic shock. Hughes's singularity of vision provides a ready symbiosis between theme and subject - the brute survival instinct of 'Hawk Roosting' or 'Pike', for instance; the rapturous attention bestowed upon 'An Otter' or 'The Bull Moses'; the pervasive legacy of human history that can be seen to saturate a Hughesian landscape. Lupercal is as vital and urgent today as it was when it was first published, its edict, implicit in every poem: to wake up, to pay attention.

The award-winning illustrated edition of Ted Hughes' classic tale in paperback. Part modern fairy tale, part science fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant "metal man" who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him and Hogarth and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome "space-bat-angel-dragon" from outer space. This children's classic, with its message of peace and hope, is known and loved all over the UK and is part of an exciting collaboration between Walker Books and Faber and Faber.

Ted Hughes wrote a series of stories for children from the early 1960s through until 1995 about how the world, and the creatures in it, came into being. They are collected here in one volume for the first time.

These are richly told tales of sparkling intensity about animals finding their form, and God's struggle to understand what he has created. Meet the Polar Bear whose obsession with her snowy white fur is so great that she can only live in a landscape surrounded by her own reflection; the Whale, growing in God's garden beside the carrots; King Leo, who began life because God was hungry for his sausages; poor Parrot's painful defeat in the marriage song contest at the wedding of Man and Woman; and Sparrow's heroic battle against the bird-swallowing Black Hole.

There are stories here to suit children from four to fourteen, whether for reading aloud or alone.

'The Calder valley, west of Halifax, was the last ditch of Elmet, the last British Celtic kingdom to fall to the Angles. For centuries it was considered a more or less uninhabitable wilderness, a notorious refuge for criminals, a hide-out for refugees. Then in the early 1800s it became the cradle for the Industrial Revolution in textiles, and the upper Calder became "the hardest-worked river in England". Throughout my lifetime, since 1930, I have watched the mills of the region and their attendant chapels die. Within the last fifteen years the end has come. They are now virtually dead, and the population of the valley and the hillsides, so rooted for so long, is changing rapidly.' Ted Hughes, Preface to Remains of Elmet (1979) Ted Hughes's remarkable 'pennine sequence' celebrates the area where he spent his early childhood. It mixes social, political, religious and historical matter - a tapestry rich in the personal and poetic investment of a landscape that both creates and is inured to its people, whose moors 'Are a stage for the performance of heaven. / Any audience is incidental.' Remains of Elmet is one of Hughes's most personal and enduring achievements.

This multi-award winning collection, the first from Ted Hughes, has at its heart the mixture of beauty and violence in the natural world. Dedicated to Sylvia Plath, Hawk in the Rain is a stunning collection of poems on the themes of competition and the struggle for survival. Hughes would go on to become Britain's Poet Laureate in 1984 until his death in 1998. Including many of Hughes' best-known poems, such as 'The Jaguar', 'The Thought-Fox' and 'Wind' - now stapes of British poetry anthologies - Hawk in the Rain is the foundation of Hughes' reputation as one of the twentieth-century's greatest poets.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature. Ted Hughes (1930-98) was born in Yorkshire. His first book, The Hawk in the Rain, was published in 1957. His last collection, Birthday Letters, was published in 1998 and won the Whitbread Book of the Year, the Forward Prize and the T. S. Eliot Prize. He was appointed Poet Laureate in 1984 and appointed to the Order of Merit in 1998.

A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

First published in 1983, River celebrates fluvial landscapes, their creatures and their regenerative powers. Inspired by Hughes's love of fishing and by his environmental activism, the poems are a deftly and passionately attentive chronicle of change over the course of the seasons. West Country rivers predominate ('The West Dart' and 'Torridge'), but other poems imagine or recall Japanese rivers or Celtic rivers, and 'The Gulkana' explores an ancient Alaskan watercourse. At its core the sequence rehearses, in various settings, from winter to winter, the life-cycle of the salmon. All this, too, is stitched into the torn richness, The epic poise That holds him so steady in his wounds, so loyal to his doom, so patient In the machinery of heaven. from 'October Salmon'

Formerly Poet Laureate to Queen Elizabeth II, the late Ted Hughes (1930-98) is recognized as one of the few contemporary poets whose work has mythic scope and power. And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.

The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.

Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it is a truly remarkable collection of pems in its own right.

'The Forward Prizes have turned a spotlight on contemporary poetry which is both searching and glamorous' Carol Ann Duffy 100 Prized Poems brings together the best of the poems published over a quarter century in twenty-five editions of the Forward books of poetry, a series highlighting the works commended annually for the prestigious Forward Prizes. The roll-call of poets included is a Who's Who of poetry excellence and includes both familiar names - Simon Armitage, Jackie Kay, Derek Walcott - and fresh voices - Kae Tempest, Kei Miller and Emily Berry. This anthology of anthologies is a great way of encountering the richness that new poetry has to offer.

This volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.

A lean, high-tension version of a classic tragedy.

The myth of Phaedra is one of the most powerful in all of classical mythology. As dramatized by the French playwright Jean Racine (1639-99), the dying Queen's obsessive love for her stepson, Hippolytus, and the scrupulously upright Hippolytus' love for the forbidden beauty Aricia has come to be known as one of the great stories of tragic infatuation, a tale of love strong enough to bring down a kingdom.

In this "tough, unrhyming avalanche of a translation" (Paul Taylor, The Independent), Hughes replaces Racine's alexandrines with an English verse that serves eloquently to convey the passions of his protagonists. The translation was performed to acclaim in London in 1998, and the London production, starring Diana Rigg, was staged in 1999 at the Brooklyn Academy of Music.

"We are still catching up with Ted Hughes's gift for narrative verse after his Tales from Ovid," one English critic observed after the London premiere. "Little needs to happen on stage when there's a swirling action-packed disaster movie-riddled with sex and violence-in Hughes's free verse."

"A classic is something utterly strange and original, and yet as deeply familiar and necessary as your own hands. The Iron Man is like no other story in the world and, fifty years after its first publication, we need it as much as ever." -- Philip Pullman

Part modern fairy tale, part science-fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant "metal man" who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him, and Hogarth and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome "space-bat-angel-dragon" from outer space. Ted Hughes' classic tale, with its message of peace and hope, is known and loved all over the UK and is an exciting collaboration between Walker Books and Faber and Faber. This beautiful, small-format paperback celebrates 50 wonderful years of Ted Hughes' classic tale.

WINNER OF THE V&A BEST ILLUSTRATED BOOK OF THE YEAR

The Iron Wolf, the Iron Wolf

Stands on the world with jagged fur.

The rusty Moon rolls through the sky.

The iron river cannot stir.

The iron wind leaks out a cry

Animals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.

In this series, a contemporary poet selects and introduces a poet of the past. By their choice of poems and by the personal and critical reactions they express in their prefaces, the editors offer insights into their own work as well as providing an accessible and passionate introduction to some of the greatest poets in our literature. Emily Dickinson (1830-86) was born in Amherst, Massachussetts, where she lived most of her life as a recluse, seldom leaving the house or receiving visitors. She published just a handful of poems in her lifetime, her first collection appearing posthumously in 1890.

The response of one writer to the work of another can be doubly illuminating. In this series, a poet selects and introduces another poet whom they have particularly admired. Ted Hughes's classic selection of Sylvia Plath's poetry provides the perfect introduction to a major body of work in twentieth-century poetry. Hughes draws upon the collections Ariel, The Colossus, Crossing the Water and Winter Trees, and from Sylvia Plath's Pulitzer Prize-winning Collected Poems.

When Michael Hofmann and James Lasdun's ground-breaking anthology After Ovid (also Faber) was published in 1995, Hughes's three contributions to the collective effort were nominated by most critics as outstanding. He had shown that rare translator's gift for providing not just an accurate account of the original, but one so thoroughly imbued with his own qualities that it was as if Latin and English poet were somehow the same person. Tales from Ovid, which went on to win the Whitbread Prize for Poetry, continued the project of recreation with 24 passages, including the stories of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe. In them, Hughes's supreme narrative and poetic skills combine to produce a book that stands, alongside his Crow and Gaudete, as an inspired addition to the myth-making of our time.