A beautiful new edition of The Iron Man, the bestselling classic by Ted Hughes. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

Stunning illustrations by Chris Mould make this one of the most exciting editions of The Iron Man to be published. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Stunning.' WRD Magazine 'Whether you're already a fan of this classic children's story or a new reader, this wonderful new version is a real treat.' BookTrust 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

Lupercal was Ted Hughes's second collection, containing some of his most brilliant animal poetry. It confirmed his reputation as a major talent in British poetry. 'Hughes has found his own voice, created his own artistic world and has emerged as a poet of the first importance . . . What Ted Hughes has done is to take a limited, personal theme and, by an act of immensely assured poetic skill, has broadened it until it seems to touch upon nearly everything that concerns us.' Al Alvarez, Observer, 27 March, 1960 In language that is by now utterly distinctive, the poems both describe and deliver a kind of psychic shock. Hughes's singularity of vision provides a ready symbiosis between theme and subject - the brute survival instinct of 'Hawk Roosting' or 'Pike', for instance; the rapturous attention bestowed upon 'An Otter' or 'The Bull Moses'; the pervasive legacy of human history that can be seen to saturate a Hughesian landscape. Lupercal is as vital and urgent today as it was when it was first published, its edict, implicit in every poem: to wake up, to pay attention.

A powerful version of the Latin classic by England's late Poet Laureate, now in paperback.When it was published in 1997, Tales from Ovid was immediately recognized as a classic in its own right, as the best rering of Ovid in generations, and as a major book in Ted Hughes's oeuvre. The Metamorphoses of Ovid stands with the works of Homer, Virgil, Dante, and Milton as a classic of world poetry; Hughes translated twenty-four of its stories with great power and directness. The result is the liveliest twentieth-century version of the classic, at once a delight for the Latinist and an appealing introduction to Ovid for the general reader.

Sylvia Plath is one of the defining voices in twentieth-century poetry. This classic selection of her work, made by her former husband Ted Hughes, provides the perfect introduction to this most influential of poets. The poems are taken from Sylvia Plath's four collections Ariel, The Colossus, Crossing the Water and Winter Trees, and include many of her most celebrated works, such as 'Daddy', 'Lady Lazarus' and 'Wuthering Heights'.

A beautiful new gift edition of Ted Hughes's The Iron Woman, the incredible sequel to The Iron Man. The streaming shape reared . . . like a sudden wall of cliff, pouring cataracts of black mud and clotted, rooty lumps of reeds. Mankind for has polluted the seas, lakes and rivers. The Iron Woman has come to take revenge. Lucy understands the Iron Woman's rage and she too wants to save the water creatures from their painful deaths. But she also wants to save her town from total destruction. She needs help. Who better to call on but Hogarth and the Iron Man . . . ? A sequel and companion volume to Ted Hughes' The Iron Man, this new, child-friendly setting will be treasured by a new generation of readers. 'A beautiful new edition . . . wonderfully imagined, hugely challenging, modern myth.' Carousel

What has happened to the lost art of memorising poems? Why do we no longer feel that it is necessary to know the most enduring, beautiful poems in the English language 'by heart'? In his introduction Ted Hughes explains how we can overcome the problem by using a memory system that becomes easier the more frequently it is practised. The collected 101 poems are both personal favourites and particularly well-suited to the method Hughes demonstrates. Spanning four centuries, ranging from Shakespeare and Keats through to Thomas Hardy and Seamus Heaney, By Heart offers the reader a 'mental gymnasium' in which the memory can be exercised and trained in the most pleasurable way. Some poems will be more of a challenge than others, but all will be treasured once they have become part of the memory bank. This edition is part of a series of anthologies edited by poets such as Don Paterson and Simon Armitage and features an attractive new design to complement an anthology of classic poems.

A very ordinary boy. Nobody noticed him, he was just like everyone else. But Fred knew he was different. He just didn't know quite how different. And when he did.... Well, what then?

Ted Hughes's Birthday Letters are addressed, with just two exceptions, to Sylvia Plath, the American poet to whom he was married. They were written over a period of more than twenty-five years, the first a few years after her suicide in 1963, and represent Ted Hughes's only account of his relationship with Plath and of the psychological drama that led both to the writing of her greatest poems and to her death. The book became an instant bestseller on its publication in 1998 and won the Forward Prize for Poetry in the same year. 'To read [Birthday Letters] is to experience the psychic equivalent of "the bends". It takes you down to levels of pressure where the undertruths of sadness and endurance leave you gasping.' Seamus Heaney 'Even if it were possible to set aside its biographical value . . . its linguistic, technical and imaginative feats would guarantee its future. Hughes is one of the most important poets of the century and this is his greatest book.' Andrew Motion

A beautiful 50th Anniversary edition of The Iron Man, the bestselling classic by Ted Hughes, with the stunning original wood engravings from Andrew Davidson and an introduction by Michael Morpurgo. The Iron Man came to the top of the cliff. Where had he come from? Nobody knows. How was he made? Nobody knows. Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world. 'Gripping . . a classic.' Phillip Pullman 'A visionary tale.' Michael Morpurgo 'One of the greatest of modern fairy tales.' Observer

This comprehensive volume contains all Sylvia Plath's mature poetry written from 1956 up to her death in 1963. The poems are drawn from the only collection Plath published while alive, The Colossus, as well as from posthumous collections Ariel, Crossing the Water and Winter Trees. The text is preceded by an introduction by Ted Hughes and followed by notes and comments on individual poems. There is also an appendix containing fifty poems from Sylvia Plath's juvenilia. This collection was awarded the 1981 Pulitzer Prize for poetry. 'For me, the most important literary event of 1981 has been the publication, eighteen years after her death, of Sylvia Plath's Collected Poems, confirming her as one of the most powerful and lavishly gifted poets of our time.' A. Alvarez in the Observer

Right from the start he is dressed in his best - his blacks and his whites.

Little Fauntleroy - quiffed and glossy,

A Sunday suit, a wedding natty get-up,

Standing in dunged straw

For older readers than the first two volumes of Collected Animal Poems, animal life is seen afresh through the diversity and imaginative energy of this collected volume.

"In a series of chapters built round poems by a number of writers including himself . . . [Ted Hughes] explores, colourfully and intensively, themes such as 'Capturing Animals', 'Wind and Weather' and 'Writing about People'. The purpose throughout is to lead on, via a discussion of the poems (which he does with riveting skill) to some direct encouragement to the children to think and write for themselves. He makes the whole venture seem enjoyable, and somehow urgent . . . ' Times Literary Supplement

Why is it

The roustabout Rooster, raging at the dawn

Wakes us so early?

A warrior king is on fire!

His armour is all crooked daggers and scimitars

And it's shivering red-hot - with rage!

First published in 1984, this book of prose-linked animal poems won both the Guardian Children's Fiction Award and the Signal Poetry Award. This new, illustated edition remains 'a very beautiful book: God and his son go to visit mankind and ask a few simple questions . . . the poems are pure enchantment' (The School Librarian).

The response of one writer to the work of another can be doubly illuminating. In this series, a poet selects and introduces another poet whom they have particularly admired. Ted Hughes's classic selection of Sylvia Plath's poetry provides the perfect introduction to a major body of work in twentieth-century poetry. Hughes draws upon the collections Ariel, The Colossus, Crossing the Water and Winter Trees, and from Sylvia Plath's Pulitzer Prize-winning Collected Poems.

This volume replaced Ted Hughes's Selected Poems 1957-1981. It contains a larger selection from the same period, to which are added poems from more recent books, uncollected poems from each decade of Ted Hughes's writing life, and some new work. Another notable feature is the inclusion of poems from his books for younger readers, What is the Truth? and Season Songs.

Ted Hughes wrote a series of stories for children from the early 1960s through until 1995 about how the world, and the creatures in it, came into being. They are collected here in one volume for the first time.

These are richly told tales of sparkling intensity about animals finding their form, and God's struggle to understand what he has created. Meet the Polar Bear whose obsession with her snowy white fur is so great that she can only live in a landscape surrounded by her own reflection; the Whale, growing in God's garden beside the carrots; King Leo, who began life because God was hungry for his sausages; poor Parrot's painful defeat in the marriage song contest at the wedding of Man and Woman; and Sparrow's heroic battle against the bird-swallowing Black Hole.

There are stories here to suit children from four to fourteen, whether for reading aloud or alone.

Formerly Poet Laureate to Queen Elizabeth II, the late Ted Hughes (1930-98) is recognized as one of the few contemporary poets whose work has mythic scope and power. And few episodes in postwar literature have the legendary stature of Hughes's romance with, and marriage to, the great American poet Sylvia Plath.

The poems in Birthday Letters are addressed (with just two exceptions) to Plath, and were written over a period of more than twenty-five years, the first a few years after her suicide in 1963. Some are love letters, others haunted recollections and ruminations. In them, Hughes recalls his and Plath's time together, drawing on the powerful imagery of his work--animal, vegetable, mythological--as well as on Plath's famous verse.

Countless books have discussed the subject of this intense relationship from a necessary distance, but this volume--at last--offers us Hughes's own account. Moreover, it is a truly remarkable collection of pems in its own right.

The Iron Wolf, the Iron Wolf

Stands on the world with jagged fur.

The rusty Moon rolls through the sky.

The iron river cannot stir.

The iron wind leaks out a cry

Animals of air, land and sea are brilliantly imagined in this perfect introduction for young readers to the work of Ted Hughes. Part of Hughes's Collected Animal Poems, The Iron Wolf is for the youngest readers, both to listen to and explore themselves. Chris Riddell's delightful line illustrations add to the journey of discovery.

This multi-award winning collection, the first from Ted Hughes, has at its heart the mixture of beauty and violence in the natural world. Dedicated to Sylvia Plath, The Hawk in the Rain is a stunning collection of poems on the themes of competition and the struggle for survival. Hughes would go on to become Britain's Poet Laureate in 1984 until his death in 1998. Including many of Hughes' best-known poems, such as 'The Jaguar', 'The Thought-Fox' and 'Wind' - now staples of British poetry anthologies - The Hawk in the Rain is the foundation of Hughes' reputation as one of the twentieth-century's greatest poets.

This beautifully designed edition forms part of a series of ten titles celebrating Faber's publishing over the decades.

The award-winning illustrated edition of Ted Hughes' classic tale in paperback. Part modern fairy tale, part science fiction myth, The Iron Man describes the unexpected arrival in England of a mysterious giant "metal man" who wreaks havoc on the countryside by attacking the neighbouring farms and eating all their machinery. A young boy called Hogarth befriends him and Hogarth and the extraordinary being end up defending and saving the earth when it is attacked by a fearsome "space-bat-angel-dragon" from outer space. This children's classic, with its message of peace and hope, is known and loved all over the UK and is part of an exciting collaboration between Walker Books and Faber and Faber.

This collection of eleven evocative, accessible and funny stories for children of 5+ tells how a particular animal came to be as it is now. The Whale grew up in God's vegetable patch but was banished to sea when he became too large and crushed all His carrots; the Polar Bear was lured to the North Pole by the other animals who were jealous that she always won the annual beauty contest; the Hare has asked the moon to marry him but can never stretch his ears high enough to hear her reply; the Bee must sip honey all day long to sweeten the bitter demon that runs through his veins . . . each story is a delight for reading alone or aloud.

Yehuda Amichai was first brought to attention in this country by his inclusion in Modern Poetry in Translation (1965). The magazine's editors, Daniel Weissbort and Ted Hughes, here provide a selection of Amichai's poetry translated by various hands, placing his achievements alongside those other Eastern European poets with whom he was first introduced - Zbigniew Herbert, Miroslav Holub, Vasko Popa, Czeslaw Milosz and Andrei Voznesensky - while demonstrating what makes his own talent so unique. In Ted Hughes's words, Amichai was 'the poet whose books I still open most often, most often take on a journey, most often return to when the whole business of writing anything natural, real and satisfying, seems impossible. And that after thirty years of feeling the same way about him. The effect his poetry has on me is to give me my own life - to open it up somehow, to make it available to me afresh, to uncover all kinds of riches in every moment of it, and to free me from my mental prisons'.

The Iron Man came to the top of the cliff.
Where had he come from? Nobody knows.
How was he made? Nobody knows.

Mankind must put a stop to the dreadful destruction by the Iron Man and set a trap for him, but he cannot be kept down. Then, when a terrible monster from outer space threatens to lay waste to the planet, it is the Iron Man who finds a way to save the world.

When Michael Hofmann and James Lasdun's ground-breaking anthology After Ovid (also Faber) was published in 1995, Hughes's three contributions to the collective effort were nominated by most critics as outstanding. He had shown that rare translator's gift for providing not just an accurate account of the original, but one so thoroughly imbued with his own qualities that it was as if Latin and English poet were somehow the same person. Tales from Ovid, which went on to win the Whitbread Prize for Poetry, continued the project of recreation with 24 passages, including the stories of Phaeton, Actaeon, Echo and Narcissus, Procne, Midas and Pyramus and Thisbe. In them, Hughes's supreme narrative and poetic skills combine to produce a book that stands, alongside his Crow and Gaudete, as an inspired addition to the myth-making of our time.