This Is Dinosaur was first published in 1955, in the midst of a bitter controversy over the proposed construction of dams at Echo Park. The outcome of the controversy--a congressional vote to prohibit the dams--"set in brass the principle that any part of the national park system should be immune from any sort of intrusion and damage," wrote Wallace Stegner in the 1985 edition of the book. Reprinted with new color photographs, This Is Dinosaur still stands as a classic introduction to the historic, scenic, archeological, and biological resources of the Monument by an impressive array of writers.

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A "Kansas City Star" Best Book of the Year
"Brilliant, meditative, and full of surprises, wisdom, and wonder."--Ann Lamott, author of "Imperfect Birds"

"I am leaving you all my journals, but you must promise me you won't look at them until after I'm gone." This is what Terry Tempest Williams's mother, the matriarch of a large Mormon clan in northern Utah, told her a week before she died. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as it was to discover that the three shelves of journals were all blank. In fifty-four short chapters, Williams recounts memories of her mother, ponders her own faith, and contemplates the notion of absence and presence art and in our world. "When Women Were Birds" is a carefully crafted kaleidoscope that keeps turning around the question: What does it mean to have a voice?

"Shards of glass can cut and wound or magnify a vision," Terry Tempest Williams tells us. "Mosaic celebrates brokenness and the beauty of being brought together." Ranging from Ravenna, Italy, where she learns the ancient art of mosaic, to the American Southwest, where she observes prairie dogs on the brink of extinction, to a small village in Rwanda where she joins genocide survivors to build a memorial from the rubble of war, Williams searches for meaning and community in an era of physical and spiritual fragmentation.
In her compassionate meditation on how nature and humans both collide and connect, Williams affirms a reverence for all life, and constructs a narrative of hopeful acts, taking that which is broken and creating something whole.

The beloved author of Refuge, Terry Tempest Williams is one of the country’s most eloquent and imaginative writers. The desert is her blood. In this potent collage of stories, essays, and testimony, Red makes a stirring case for the preservation of America’s Redrock Wilderness in the canyon country of southern Utah.

As passionate as she is persuasive, Williams writes lyrically about the desert’s power and vulnerability, describing wonders that range from an ancient Puebloan sash of macaw feathers found in Canyonlands National Park to the desert tortoise–an animal that can “teach us the slow art of revolutionary patience” as it extends our notion of kinship with all life. She examines the civil war being waged in the West today over public and private uses of land–an issue that divides even her own family. With grace, humor, and compassionate intelligence, Williams reminds us that the preservation of wildness is not simply a political process but a spiritual one.


“Lush elegies to the wilderness. . . . Earthy, spiritual, evocative.” —The Boston Globe

“Erotic, scientific, literary. . . . Her intimacy with this landscape is complex and passionate.” —Los Angeles Times Book Review

“Her finest writing . . . Use[s] pure language in the face of laws that need to be changed and lawmakers and citizens who need to understand that there is another way to see.” —Portland Oregonian

Featuring some of America's greatest writers and poets, this landmark anthology is a one-of-a-kind field guide to the American literary imagination. Americans have always been fascinated by birds and from the beginning American writers have captured this keen interest in a variety of genres: poems, journals, memoirs, short stories, essays, and travel accounts. Here literature professor and avid birder Andrew Rubenfeld, in collaboration with acclaimed writer Terry Tempest Williams, who provides a foreword, gathers evocative and surprising writings on birds and our fascination with them from an astonishing array of American poets and writers. The result is a literature of singular depth and beauty, with occasional flights of fancy in the mix. Experience the exquisite beauty of Native American songs about birds. Accompany Lewis and Clark as they encounter new species, Audubon as he sketches near New Orleans, and Emerson and Thoreau birding together around Walden Pond. Delight in Sarah Orne Jewett's poignant tale of a snowy egret in the Maine woods and Florence Merriam's portrait of a winter wren in Central Park. Join Rachel Carson as she watches skimmers along the Atlantic coast and Roger Tory Peterson observing snail kites in the Everglades. And thrill to an impressive roster of modern and contemporary poets, including Robert Frost, Elizabeth Bishop, Sterling A. Brown, Cornelius Eady, Mary Oliver, Linda Hogan, Louise Erdrich, and David Tomas Martinez, as they evoke the magic and haunting beauty of America's birds.

Called a “magnificently crafted story . . . brimming with wisdom” by Howard Frank Mosher in The Washington Post Book World, Crossing to Safety has, since its publication in 1987, established itself as one of the greatest and most cherished American novels of the twentieth century. Tracing the lives, loves, and aspirations of two couples who move between Vermont and Wisconsin, it is a work of quiet majesty, deep compassion, and powerful insight into the alchemy of friendship and marriage.

This volume of John Muir's selected writings chronicles the key turning points in his life and study of the American wilderness. The Story of My Boyhood and Youth is Muir's account of his childhood on a Wisconsin farm, where his interest in nature was first piqued; in The Mountains of California, The Yosemite, and Travels in Alaska we follow him on long journeys into stunning mountain ranges and valleys, where he records native flora and fauna and finds proof of his theories of the effect of glaciers on landscape formation. These four full-length works--along with a selection of important essays also included here--helped galvanize American naturalists, leading to the founding of the Sierra Club and several national parks. In these pages, written with meticulous thoroughness and an impassioned lyricism, we witness Muir's awakening to the incredible beauty of our planet, and the honing of an eye turned as acutely toward the scientific as the spiritual.

This enduring story of life, adventure, and love in Alaska was written by a woman who embraced the remote Alaskan wilderness and became one of its strongest advocates. In this moving testimonial to the preservation of the Arctic wilderness, Mardy Murie writes from her heart about growing up in Fairbanks, becoming the first woman graduate of the University of Alaska, and marrying noted biologist Olaus J. Murie. So begins her lifelong journey in Alaska and on to Jackson Hole, Wyoming where along with her husband and others, they founded The Wilderness Society. Mardy's work as one of the earliest female voices for the wilderness movement earned her the Presidential Medal of Freedom.

"A Voice for Earth" is a collection of poems, essays, and stories that together give a voice to the ethical principles outlined in the Earth Charter. The Earth Charter was adopted in the year 2000 with the mission of addressing the economic, social, political, spiritual, and environmental problems confronting the world in the twenty-first century.

Part 1 of the book, "Imagination into Principle," comprises Steven C. Rockefeller's behind-the-scenes summary of how the language for the Earth Charter was drafted. In part 2, "Principle into Imagination," ten writers breathe life into its concepts with their own original work. Contributors include Rick Bass, Alison Hawthorne Deming, John Lane, Robert Michael Pyle, Janisse Ray, Scott Russell Sanders, Lauret Savoy, and Mary Evelyn Tucker. In part 3, "Imagination and Principle into a New Ethic," Leonardo Boff offers a new paradigm created through reflecting on the concept of care in the Earth Charter.

Williams weaves her observations in the naturalist field and her personal experience--as a woman, a Westerner, and a Mormon--into a resonant manifesto on behalf of the landscapes she loves, making clear as well that, through our disregard of this world, we have lost an essential connection to our deepest selves.