While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone-what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending.

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death-as a quality of invention, of melancholy, of small victories in the face of greater threats-at the moment when his sight (and life) is eclipsed. This new edition includes an Introduction and Afterword contextualizing Guibert's work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

While studying caregiving and chronic illness in families living in situations of economic and social insecurity in Baltimore, anthropologist Todd Meyers met a woman named Beverly. In All That Was Not Her Meyers presents an intimate ethnographic portrait of Beverly, stitching together small moments they shared scattered over months and years and, following her death, into the present. He meditates on the possibilities of writing about someone who is gone-what should be represented, what experiences resist rendering, what ethical challenges exist when studying the lives of others. Meyers considers how chronic illness is bound up in the racialized and socioeconomic conditions of Beverly's life and explores the stakes of the anthropologist's engagement with one subject. Even as Meyers struggles to give Beverly the final word, he finds himself unmade alongside her. All That Was Not Her captures the complexity of personal relationships in the field and the difficulty of their ending.

The study of facial expression and its musculature undertaken by Guillaume-Benjamin Duchenne de Boulogne in 1862, an attempt to secure biological meaning in the natural language of the emotions, resulted in the pioneering "Mechanisme du physiognomie humaine," Duchenne, who used photography to document his experiments, inspired Charles Darwin's "Expression of the Emotions in Man and Animals" (1872) and had a significant influence on artists (his teachings were incorporated into the curriculum of the Ecole Normale Superieur des Beaux Arts). Through Duchenne, Francois Delaporte provides a remarkable philosophical and historical examination of expressive physiology during the mid-nineteenth century and considers the science of emotion as a means of revealing inner life upon the surface of the face. The central concern of "Anatomy of the Passions" is how techniques of studying facial musculature became a point of contact between existing and novel understandings of the body's expressive anatomy. Delaporte shows that Duchenne entirely reordered the knowledge and limits of expressive physiology in science and art. The face became a site where the signs of inner life are silently revealed, not yet betrayed by speech, but brought forth by reflexive physiology or by technical manipulation.

Benjamin Christensen's Haxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Haxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of female "hysterics" and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how Haxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Haxan is a film that travels along the winding path of art and science rather than between the narrow division of "documentary" and "fiction." Baxstrom and Meyers reveal how Christensen's attempt to tame the irrationality of "the witch" risked validating the very "nonsense" that such an effort sought to master and dispel. Haxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless "know" to be there.

In the 1950s the colonial British government in Northern and Southern Rhodesia (present-day Zambia and Zimbabwe) began construction on a large hydroelectric dam that created Lake Kariba and dislocated nearly 60,000 indigenous residents. Three decades later, Pamela Reynolds began fieldwork with the Tonga people to study the lasting effects of the dispossession of their land on their lives. In The Uncaring, Intricate World Reynolds shares her field diary, in which she records her efforts to study children and their labor and, by doing so, exposes the character of everyday life. More than a memoir, her diary captures the range of pleasures, difficulties, frustrations, contradictions, and grappling with ethical questions that all anthropologists experience in the field. The Uncaring, Intricate World concludes with afterwords by Jane I. Guyer and Julie Livingston, who critically reflect on its context, its meaning for today, and relevance to conducting anthropological work.

Despite increasingly nuanced understandings of the neurobiology of addiction and a greater appreciation of the social and economic conditions that allow drug dependency to persist, there remain many unknowns regarding the individual experience of substance abuse and its treatment. In recent years, novel pharmaceutical therapies have given rise to both new hopes for recovery and renewed fears about drug diversion and abuse. "In The Clinic and Elsewhere," Todd Meyers looks at the problems of meaning caused by drug dependency and appraises the changing terms of medical intervention today.

By following a group of adolescents from the time they enter drug rehabilitation treatment through their reentry into the outside world-the clinic, their homes and neighborhoods, and other institutional settings-Meyers traces patterns of life that become mediated by pharmaceutical intervention. His focus is not on the drug economy but rather on the therapeutic economy, where new markets, transactions of care, and highly porous conceptions of success and failure come together to shape addiction and recovery. The book is at once a meditative work of anthropology, a demonstration of the theoretical and methodological limits of medical research, and a forceful intervention into the philosophy of therapeutics at the level of the individual.

Todd Meyers is assistant professor of medical anthropology at Wayne State University in Detroit.

"Unflinching and erudite, "The Clinic and Elsewhere" is an evocative ethnography on the meaning of clinical encounters in an age of adolescent addiction. For people living with addictions, family members, treatment providers, and all who struggle with recovery, Meyers shows how much place matters for the therapeutic careers of adolescent patients." -Nancy D. Campbell, author of "Discovering Addiction: The Science and Politics of Substance Abuse Research "

"A provocative and innovative portrayal of the real-life tension between curing and healing-a tension that pervades both the moral-social world of the clinic and the life-world of the patient and the various bodies that she either occupies or provides-experimental, therapeutic, dangerous, medically altered, reluctant, and recovered." -Allan Young, McGill University

""The Clinic and Elsewhere" is a compelling exploration of the uses and implications of drug addiction treatment. I know of no other text that examines the many tricky dimensions of substance use therapy programs in such rich and informed terms. Part anthropological inquiry, part ethnographic portrait, it will make a lasting contribution to the study of medical care and practice in the world today." -Robert Desjarlais, Sarah Lawrence College

By the time of his death, Herve Guibert had become a singular literary voice on the impact of AIDS in France. He was prolific. His oeuvre contained some twenty novels, including To the Friend Who Did Not Save My Life and The Compassion Protocol. He was thirty-six years old. In Cytomegalovirus, Guibert offers an autobiographical narrative of the everyday moments of his hospitalization because of complications of AIDS. Cytomegalovirus is spare, biting, and anguished. Guibert writes through the minutiae of living and of death-as a quality of invention, of melancholy, of small victories in the face of greater threats-at the moment when his sight (and life) is eclipsed. This new edition includes an Introduction and Afterword contextualizing Guibert's work within the history of the AIDS pandemic, its relevance in the contemporary moment, and the importance of understanding the quotidian aspects of terminal illness.

Francois Delaporte's Chagas Disease chronicles Brazilian medicine's encounter with a disease, an insect, and a history of discovery. Between 1909 and 1911, Carlos Chagas described an infection (pathogenic trypanosome), its intermediate host, and the illness that he believed it caused, parasitic thyroiditis. Chagas's work did not lack significance: the disease that came to share his name would be one of Latin America's most serious endemic diseases. However, the clinical identification of the disease through "Romana's sign" (a palpebral edema or swelling of the eyelid) some decades later marked a transformation in the general medical knowledge of the disease and its basis altogether. Not only was the disease entity that Chagas had described shown to be a nosological illusion, but twenty-five years of scientific controversy turned out to have been based on a misunderstanding. The continued use of the term "Chagas's Disease" even after Cecilio Romana's discovery thus refers to a fundamental ambiguity. Delaporte dispels this ambiguity by re-examining the various discoveries, dead ends, controversies, and major epistemological transformations that marked the history of the disease--a history that begins with the creation of the Oswaldo Cruz Institute in Rio de Janeiro and ends in the forests of Santa Fe in northern Argentina. Delaporte's study shows how an epistemological focus can add depth to the history of medicine and complexity to accounts of scientific discovery.

The study of facial expression and its musculature undertaken by Guillaume-Benjamin Duchenne de Boulogne in 1862, an attempt to secure biological meaning in the natural language of the emotions, resulted in the pioneering "Mechanisme du physiognomie humaine," Duchenne, who used photography to document his experiments, inspired Charles Darwin's "Expression of the Emotions in Man and Animals" (1872) and had a significant influence on artists (his teachings were incorporated into the curriculum of the Ecole Normale Superieur des Beaux Arts). Through Duchenne, Francois Delaporte provides a remarkable philosophical and historical examination of expressive physiology during the mid-nineteenth century and considers the science of emotion as a means of revealing inner life upon the surface of the face. The central concern of "Anatomy of the Passions" is how techniques of studying facial musculature became a point of contact between existing and novel understandings of the body's expressive anatomy. Delaporte shows that Duchenne entirely reordered the knowledge and limits of expressive physiology in science and art. The face became a site where the signs of inner life are silently revealed, not yet betrayed by speech, but brought forth by reflexive physiology or by technical manipulation.

As the work of thinkers like Michel Foucault, FranAois Jacob, Louis Althusser, and Pierre Bourdieu demonstrates, Georges Canguilhem exerted tremendous influence on the philosophy of science and French philosophy more generally. In Knowledge of Life, a book that spans twenty years of his essays and lectures, Canguilhem offers a series of epistemological histories that seek to establish and clarify the stakes, ambiguities, and emergence of philosophical and biological concepts that defined the rise of modern biology. How do transformations in biology and modern medicine shape conceptions of life? How do philosophical concepts feed into biological ideas and experimental practices and how re they themselves transformed? How does knowledge "undo the experience of life so as to help man remake what life has made without him, in him or outside of him?" Knowledge of Life is Georges Canguilhem's effort to explain how the movements of knowledge and life each come to rest on the other. Published at the dawn of the genetic revolution, and still pertinent today, Knowledge of Life tackles the history of cell theory, the conceptual moves towards and away from mechanical understandings of the organism, the persistence of vitalism, the nature of normality in science and its objects.

Benjamin Christensen's Haxan (The Witch, 1922) stands as a singular film within the history of cinema. Deftly weaving contemporary scientific analysis and powerfully staged historical scenes of satanic initiation, confession under torture, possession, and persecution, Haxan creatively blends spectacle and argument to provoke a humanist re-evaluation of witchcraft in European history as well as the contemporary treatment of female "hysterics" and the mentally ill. In Realizing the Witch, Baxstrom and Meyers show how Haxan opens a window onto wider debates in the 1920s regarding the relationship of film to scientific evidence, the evolving study of religion from historical and anthropological perspectives, and the complex relations between popular culture, artistic expression, and concepts in medicine and psychology. Haxan is a film that travels along the winding path of art and science rather than between the narrow division of "documentary" and "fiction." Baxstrom and Meyers reveal how Christensen's attempt to tame the irrationality of "the witch" risked validating the very "nonsense" that such an effort sought to master and dispel. Haxan is a notorious, genre-bending, excessive cinematic account of the witch in early modern Europe. Realizing the Witch not only illustrates the underrated importance of the film within the canons of classic cinema, it lays bare the relation of the invisible to that which we cannot prove but nevertheless "know" to be there.

At the time of his death in 1995, Georges Canguilhem was a highly respected historian of science and medicine, whose engagement with questions of normality, the ideologization of scientific thought, and the conceptual history of biology had marked the thought of philosophers such as Michel Foucault, Louis Althusser, Pierre Bourdieu, and Gilles Deleuze. This collection of short, incisive, and highly accessible essays on the major concepts of modern medicine shows Canguilhem at the peak of his use of historical practice for philosophical engagement. In order to elaborate a philosophy of medicine, Canguilhem examines paramount problems such as the definition and uses of health, the decline of the Hippocratic understanding of nature, the experience of disease, the limits of psychology in medicine, myths and realities of therapeutic practices, the difference between cure and healing, the organism’s self-regulation, and medical metaphors linking the organism to society. Writings on Medicine is at once an excellent introduction to Canguilhem’s work and a forceful, insightful, and accessible engagement with elemental concepts in medicine. The book is certain to leave its imprint on anthropology, history, philosophy, bioethics, and the social studies of medicine.

Best known for his pioneering work in theories of self-organization and complexity, the biophysicist and philosopher Henri Atlan has during the past thirty years been a major voice in contemporary European philosophical and bioethical debates. In a massive oeuvre that ranges from biology and neural network theory to Spinoza's thought and the history of philosophy, and from artificial intelligence and information theory to Jewish mysticism and contemporary medical ethics, Atlan has come to offer an exceptionally powerful philosophical argumentation that is as hostile to scientism as it is attentive to biology's conceptual and experimental rigor, as careful with concepts of rationality as it is committed to rethinking the human place in a radically determined yet forever changing world. This is the first volume to bring together the major strands of Atlan's work for an English-language audience. It is an indispensable compendium for those seeking to clarify the joint stakes and shared import of philosophy and science for questions of life and the living-today and tomorrow.

Best known for his pioneering work in theories of self-organization and complexity, the biophysicist and philosopher Henri Atlan has during the past thirty years been a major voice in contemporary European philosophical and bioethical debates. In a massive oeuvre that ranges from biology and neural network theory to Spinoza's thought and the history of philosophy, and from artificial intelligence and information theory to Jewish mysticism and contemporary medical ethics, Atlan has come to offer an exceptionally powerful philosophical argumentation that is as hostile to scientism as it is attentive to biology's conceptual and experimental rigor, as careful with concepts of rationality as it is committed to rethinking the human place in a radically determined yet forever changing world. This is the first volume to bring together the major strands of Atlan's work for an English-language audience. It is an indispensable compendium for those seeking to clarify the joint stakes and shared import of philosophy and science for questions of life and the living-today and tomorrow.

The injuries suffered by soldiers during WWI were as varied as they were brutal. How could the human body suffer and often absorb such disparate traumas? Why might the same wound lead one soldier to die but allow another to recover? In The Human Body in the Age of Catastrophe, Stefanos Geroulanos and Todd Meyers uncover a fascinating story of how medical scientists came to conceptualize the body as an integrated yet brittle whole. Responding to the harrowing experience of the Great War, the medical community sought conceptual frameworks to understand bodily shock, brain injury, and the wildly divergence between patients. Geroulanos and Meyers carefully trace how this emerging constellation of concepts became essential for thinking about integration, individuality, fragility, and collapse far beyond medicine: in fields as diverse as anthropology, political economy, psychoanalysis, and cybernetics. Moving effortlessly between the history of medicine and intellectual history, The Human Body in the Age of Catastrophe is an intriguing look into the conceptual underpinnings of the world the Great War ushered in.

The injuries suffered by soldiers during WWI were as varied as they were brutal. How could the human body suffer and often absorb such disparate traumas? Why might the same wound lead one soldier to die but allow another to recover? In The Human Body in the Age of Catastrophe, Stefanos Geroulanos and Todd Meyers uncover a fascinating story of how medical scientists came to conceptualize the body as an integrated yet brittle whole. Responding to the harrowing experience of the Great War, the medical community sought conceptual frameworks to understand bodily shock, brain injury, and the wildly divergence between patients. Geroulanos and Meyers carefully trace how this emerging constellation of concepts became essential for thinking about integration, individuality, fragility, and collapse far beyond medicine: in fields as diverse as anthropology, political economy, psychoanalysis, and cybernetics. Moving effortlessly between the history of medicine and intellectual history, The Human Body in the Age of Catastrophe is an intriguing look into the conceptual underpinnings of the world the Great War ushered in.

At an early age Todd's father taught him to fear and loathe the Man. Going against his father's advice, he enters the corporate world in hopes of a better life. Beaten and battered, this story provides a humorous and insightful account of life with the Man and Todd's fight to escape it. This story brings to life the concerns so many of us face in our daily struggle to provide for our families while also pursuing our dreams.

In the 1950s the colonial British government in Northern and Southern Rhodesia (present-day Zambia and Zimbabwe) began construction on a large hydroelectric dam that created Lake Kariba and dislocated nearly 60,000 indigenous residents. Three decades later, Pamela Reynolds began fieldwork with the Tonga people to study the lasting effects of the dispossession of their land on their lives. In The Uncaring, Intricate World Reynolds shares her field diary, in which she records her efforts to study children and their labor and, by doing so, exposes the character of everyday life. More than a memoir, her diary captures the range of pleasures, difficulties, frustrations, contradictions, and grappling with ethical questions that all anthropologists experience in the field. The Uncaring, Intricate World concludes with afterwords by Jane I. Guyer and Julie Livingston, who critically reflect on its context, its meaning for today, and relevance to conducting anthropological work.

Despite increasingly nuanced understandings of the neurobiology of addiction and a greater appreciation of the social and economic conditions that allow drug dependency to persist, there remain many unknowns regarding the individual experience of substance abuse and its treatment. In recent years, novel pharmaceutical therapies have given rise to both new hopes for recovery and renewed fears about drug diversion and abuse. "In The Clinic and Elsewhere," Todd Meyers looks at the problems of meaning caused by drug dependency and appraises the changing terms of medical intervention today.

By following a group of adolescents from the time they enter drug rehabilitation treatment through their reentry into the outside world-the clinic, their homes and neighborhoods, and other institutional settings-Meyers traces patterns of life that become mediated by pharmaceutical intervention. His focus is not on the drug economy but rather on the therapeutic economy, where new markets, transactions of care, and highly porous conceptions of success and failure come together to shape addiction and recovery. The book is at once a meditative work of anthropology, a demonstration of the theoretical and methodological limits of medical research, and a forceful intervention into the philosophy of therapeutics at the level of the individual.

Todd Meyers is assistant professor of medical anthropology at Wayne State University in Detroit.

"Unflinching and erudite, "The Clinic and Elsewhere" is an evocative ethnography on the meaning of clinical encounters in an age of adolescent addiction. For people living with addictions, family members, treatment providers, and all who struggle with recovery, Meyers shows how much place matters for the therapeutic careers of adolescent patients." -Nancy D. Campbell, author of "Discovering Addiction: The Science and Politics of Substance Abuse Research "

"A provocative and innovative portrayal of the real-life tension between curing and healing-a tension that pervades both the moral-social world of the clinic and the life-world of the patient and the various bodies that she either occupies or provides-experimental, therapeutic, dangerous, medically altered, reluctant, and recovered." -Allan Young, McGill University

""The Clinic and Elsewhere" is a compelling exploration of the uses and implications of drug addiction treatment. I know of no other text that examines the many tricky dimensions of substance use therapy programs in such rich and informed terms. Part anthropological inquiry, part ethnographic portrait, it will make a lasting contribution to the study of medical care and practice in the world today." -Robert Desjarlais, Sarah Lawrence College

Farming across Borders uses agricultural history to connect the regional experiences of the American West, northern Mexico, western Canada, and the North American side of the Pacific Rim, now writ large into a broad history of the North American West. Case studies of commodity production and distribution, trans-border agricultural labor, and environmental change unite to reveal new perspectives on a historiography traditionally limited to a regional approach. Sterling Evans has curated nineteen essays to explore the contours of "big" agricultural history. Crops and commodities discussed include wheat, cattle, citrus, pecans, chiles, tomatoes, sugar beets, hops, henequen, and more. Toiling over such crops, of course, were the people of the North American West, and as such, the contributing authors investigate the role of agricultural labor, from braceros and Hutterites to women working in the sorghum fields and countless other groups in between. As Evans concludes, "society as a whole (no matter in what country) often ignores the role of agriculture in the past and the present." Farming across Borders takes an important step toward cultivating awareness and understanding of the agricultural, economic, and environmental connections that loom over the North American West regardless of lines on a map. In the words of one essay, "we are tied together . . . in a hundred different ways."