I looked around and people's faces were distorted...lights were flashing everywhere...the screen at the end of the room had three or four different films on it at once, and the strobe light was flashing faster than it had been...the band was playing but I couldn't hear the music...people were dancing...someone came up to me and I shut my eyes and with a machine he projected images on the back of my eye-lids...I sought out a person I trusted and he laughed and told me that the Kool-Aid had been spiked and that I was beginning my first LSD experience...

Tom Wolfe introduces a wide range of journalistic reportage by writers including Truman Capote, Terry Southern, George Plimpton, Norman Mailer and Hunter S. Thompson.

Discover The Power Of Purpose You've read the books, you've done the seminars, and you've changed jobs, geography, and maybe even churches, but you've never really made peace with your past felt passion in the present or had purpose for your future. Identity and Destiny - 7 Steps to a Purpose-filled Life is the missing link in your quest for fulfillment Now you can answer the questions "Who am I?" and "Why am I here?" By following the principles laid out in this amazing journey of discovery, you will have the foundational information and tools to put your life in high gear and live a life you love. Completing the 7 Steps will help you: Know and focus your God-given strengths, gifts, and passion. Use the events of your past to benefit yourself and others. Gain confidence through self-awareness and self-acceptance. Transform your relationship with the Lord. Establish a solid plumb line for all future decisions. Improve every aspect of your life - career, finances, health, and relationships. FIND, KNOW and LIVE your God-given purpose. THAT'S THE POWER OF PURPOSE With this workbook's unique resources and user-friendly approach, you will discover God's plan and have the tools to laser focus your future on the destiny you were created to fulfill. Tom and Pam Wolf operate a thriving coaching and consulting practice in Tampa, Florida. Before creating the 7 Steps program, they enjoyed successful careers as entrepreneurs. This personal and professional experience uniquely equips them to create practical, step-by-step programs that aren't just theory, but produce tangible results and improvement. As they now follow their God-given purpose, you will often hear them say, "Before we built people for a business, now we build people for a life " For more information visit www.IDENTITYandDESTINY.com.

The magazine that is the city that is the world
Just in time for its fortieth anniversary, "New York" magazine presents a stunning collection of some of its best and most influential articles, stories that captured the spectacle, the turbulence, and the cultural realignments of the past four decades.
Covering subjects from "Radical Chic" to Gawker.com, written by some of the country's most renowned authors, here are works that broke news, perfectly captured the moment, or set trends in motion. In "New York Stories," Gloria Steinem (whose "Ms. Magazine" was introduced in "New York") broaches the subject of women's liberation; Tom Wolfe coins "The Me Decade"; and Steve Fishman piercingly portrays the unwanted martyrdom of the 9/11 widows. Cutting edge features that invented terms like "brat pack" and "grup"; profiles of defining cultural figures including Joe Namath, Truman Capote, and long-shot presidential candidate Bill Clinton; and reports that inspired the acclaimed movies "Saturday Night Fever, GoodFellas," and "Grey Gardens"-all are included in this one-of-a-kind compilation.
The writers who chronicled the times that began with Nixon's campaign and end with Obama's are at their best in "New York Stories." It's an irresistible anthology from a magazine that, like the city itself, is still making stars, setting standards, and going strong.

Simple Pleasures presents the first major critical assessment of works by the artist Doris Lee (1904-1983). Lee was one of the most recognized artists in America during the 1930s and 40s, and was a leading figure in the Woodstock Artist's Colony. Her oeuvre reveals a remarkable ability to merge the reduction of abstraction with the appeal of the everyday. In so doing, she offers one of the very rare examples of a coherent visual identity that successfully bridged the various artistic "camps" that formed with the shift in the art world in the post-World War II era.Doris Lee exploded onto the national scene in 1935 when her painting Thanksgiving was awarded the Art Institute of Chicago's Logan Prize and instigated the Sanity in Art movement in protest. Two years later, her painting Catastrophe was purchased by the Metropolitan Museum of Art. Simple Pleasures explores this initial national recognition in the 1930s within the context of American Scene painting, and traces the artist's thematic interest in the simple objects and scenes of the everyday through her career. It also examines the influence of the rise in abstraction during the late 1940s and 1950s, and the particular way in which this abstraction found resonance with Lee's long-held interest in, and collections of, folk and non-western art. During this post-war period, Lee, like many of her American Scene colleagues, found lucrative work in the heyday of commercial advertising. Lee's commercial commissions for patrons such as American Tobacco Company, Life magazine, Abbott Laboratories, and Associated American Artists are especially compelling in both their populist accessibility and in their deceptively sophisticated abstraction. Sixty-five works by the artist span the 1930s through the 1960s and are comprised of paintings, drawings, prints, and commissioned commercial designs in fabric and pottery. Included are advertisements by companies that commissioned images from Lee, and photographs that contextualize the artist's work within the Woodstock artist's community.

Tom Wolfe, "America's most skillful satirist" ("The Atlantic Monthly"), examines the strange saga of American architecture in this sequel to "The Painted Word."

'A great journalist with a whip-like satirical prose style... Wolfe's great gift is to make the heavy seem light and this book is such an entertaining polemic that I read it in a day and immediately wanted to read it again.' - Bryan Appleyard, Sunday Times Tom Wolfe, whose legend began in journalism, takes us on an eye-opening journey through language. The Kingdom of Speech is a paradigm-shifting argument that speech - not evolution - is responsible for humanity's complex societies and achievements. From Alfred Russel Wallace, the Englishman who beat Darwin to the theory of natural selection but later renounced it, and through the controversial work of modern-day anthropologist Daniel Everett, who defies the current wisdom that language is hard-wired in humans, Wolfe examines the solemn, long-faced, laugh-out-loud zig-zags of Darwinism, old and Neo, and finds it irrelevant here in our Kingdom of Speech.

Tom Wolfe, the master social novelist of our time, the spot-on chronicler of all things contemporary and cultural, presents a sensational new novel about life, love, and learning--or the lack of it--amid today's American colleges.
Our story unfolds at fictional Dupont University: those Olympian halls of scholarship housing the cream of America's youth, the roseate Gothic spires and manicured lawns suffused with tradition . . . Or so it appears to beautiful, brilliant Charlotte Simmons, a sheltered freshman from North Carolina. But Charlotte soon learns, to her mounting dismay, that for the upper-crust coeds of Dupont, sex, cool, and kegs trump academic achievement every time.
As Charlotte encounters the paragons of Dupont's privileged elite--her roommate, Beverly, a Groton-educated Brahmin in lusty pursuit of lacrosse players; Jojo Johanssen, the only white starting player on Dupont's godlike basketball team, whose position is threatened by a hotshot black freshman from the projects; the Young Turk of Saint Ray fraternity, Hoyt Thorpe, whose heady sense of entitlement and social domination is clinched by his accidental brawl with a bodyguard for the governor of California; and Adam Geller, one of the Millennial Mutants who run the university's "independent" newspaper and who consider themselves the last bastion of intellectual endeavor on the sex-crazed, jock-obsessed campus--she is seduced by the heady glamour of acceptance, betraying both her values and upbringing before she grasps the power of being different--and the exotic allure of her own innocence.
With his trademark satirical wit and famously sharp eye for telling detail, Wolfe draws on extensive observations at campuses across the country to immortalize the early-21st-century college-going experience.

The setting is Atlanta, Georgia — a racially mixed, late-century boomtown full of fresh wealth and wily politicians. The protagonist is Charles Croker, once a college football star, now a late-middle-aged Atlanta conglomerate king whose outsize ego has at last hit up against reality. Charlie has a 29,000 acre quail-shooting plantation, a young and demanding second wife, and a half-empty office complex with a staggering load of debt.

Meanwhile, Conrad Hensley, idealistic young father of two, is laid off from his job at the Croker Global Foods warehouse near Oakland and finds himself spiraling into the lower depths of the American legal system.

And back in Atlanta, when star Georgia Tech running back Fareek “the Canon” Fanon, a homegrown product of the city’s slums, is accused of date-raping the daughter of a pillar of the white establishment, upscale black lawyer Roger White II is asked to represent Fanon and help keep the city’s delicate racial balance from blowing sky-high.

Networks of illegal Asian immigrants crisscrossing the continent, daily life behind bars, shady real estate syndicates — Wolfe shows us contemporary America with all the verve, wit, and insight that have made him our most admired novelist. Charlie Croker’s deliverance from his tribulations provides an unforgettable denouement to the most widely awaited, hilarious and telling novel America has seen in ages — Tom Wolfe’s most outstanding achievement to date.

A wonderful novel and perfect book club choice, The Right Stuff is a wildly vivid and entertaining chronicle of America's early space programme. WITH AN INTRODUCTION BY US ASTRONAUT SCOTT KELLY 'What is it,' asks Tom Wolfe, 'that makes a man willing to sit on top of an enormous Roman Candle...and wait for someone to light the fuse?' Arrogance? Stupidity? Courage? Or, simply, that quality we call 'the right stuff'? A monument to the men who battled to beat the Russians into space, The Right Stuff is a voyage into the mythology of the American space programme, and a dizzying dive into the sweat, fear, beauty and danger of being on the white-hot edge of history in the making. 'Tom Wolfe at his very best... Learned, cheeky, risky, touching, tough, compassionate, nostalgic, worshipful, jingoistic...The Right Stuff is superb' New York Times Book Review

"An excellent book by a genius," said Kurt Vonnegut, Jr., of this now classic exploration of the 1960s from the founder of new journalism. "This is a book that will be a sharp pleasure to reread years from now, when it will bring back, like a falcon in the sky of memory, a whole world that is currently jetting and jazzing its way somewhere or other."--"Newsweek"""

Tom Wolfe's genre-defining magical mystery tour through the 1960s published in Vintage Classics for the first time to mark its fiftieth anniversary. WITH AN INTRODUCTION BY JARVIS COCKER In the summer of 1964, author Ken Kesey and his Merry Band of Pranksters set out on an awesome social experiment like no other. Blazing across America in their day-glo schoolbus, doped up and deep 'in the pudding', the Pranksters' arrival on the scene - anarchic, exuberant and LSD-infused - would turn on an entire counter-culture, and provide Tom Wolfe with the perfect free-wheeling subject for this, his pioneering masterpiece of New Journalism. 'The Electric Kool-Aid Acid Test is not simply the best book on the hippies, it is the essential book...the pushing, ballooning heart of the matter' New York Times

Tom Wolfe's debut collection of essays - a brilliant, form-bending dive into the future of America as it careened through the 1960s In 1965, Tom Wolfe dropped like a bomb onto the American literary scene with his first book, The Kandy-Kolored Tangerine-Flake Streamline Baby, an incandescent panorama of American counter-culture, its dances, bouffant hairdos, customised cars and rock concerts. Capturing the energy of the age in its portraits of Phil Spector, Cassius Clay, Las Vegas and the Nanny Mafia - as well as asking, why do doormen hate Volkswagens? - Wolfe's flamboyant essay collection remains one of the great, revolutionary landmarks of modern non-fiction. 'Journalism, it is said, is the first draft of history. Nobody exemplifies the dictum better than Wolfe, the cultural observer and social critic par excellence' Daily Telegraph

Life's a gamble when you live in East Town, Florida... The once quiet beach side town along Florida's east coast has traded seasonal tourism for year round 24/7 gambling. Games of chance have taken hold changing the dynamic of the town even the currency. In a town running on poker chips for currency Loan Sharks control the winners and losers. A Shark is only as good as the Fish he collects on. With badges from the state, John and Luis Solo are considered two of the best collectors to ever work East Town. Now their reputation has caught up to them as they struggle to learn who set them up and why. It seemed like an easy collection when feared Mexican Mafia boss King Lito calls on the brothers to collect fifty grand on a fish. Things quickly go wrong when the fish turns up dead and the collection is not what the brothers expect. Now pinned between King Lito and their former employer, Boss Ducci, the brothers hit the streets of East Town dodging hitmen and bounty killers, until they can uncover the truth behind the set up and escape East Town with their lives. Plus bonus Collectors Story you can only find in print.

A big, panoramic story of the new America, as told by our master chronicler of the way we live now.
As a police launch speeds across Miami's Biscayne Bay-with officer Nestor Camacho on board-Tom Wolfe is off and running. Into the feverous landscape of the city, he introduces the Cuban mayor, the black police chief, a wanna-go-muckraking young journalist and his Yale-marinated editor; an Anglo sex-addiction psychiatrist and his Latina nurse by day, loin lock by night-until lately, the love of Nestor's life; a refined, and oh-so-light-skinned young woman from Haiti and her Creole-spouting, black-gang-banger-stylin' little brother; a billionaire porn addict, crack dealers in the 'hoods, "de-skilled" conceptual artists at the Miami Art Basel Fair, "spectators" at the annual Biscayne Bay regatta looking only for that night's orgy, yenta-heavy ex-New Yorkers at an "Active Adult" condo, and a nest of shady Russians. Based on the same sort of detailed, on-scene, high-energy reporting that powered Tom Wolfe's previous bestselling novels, BACK TO BLOOD is another brilliant, spot-on, scrupulous, and often hilarious reckoning with our times.

Born in a rough-and-tumble neighborhood of Dublin, John F. Timoney moved to New York with his family in 1961. Not long after graduating from high school in the Bronx, he entered the New York City Police Department, quickly rising through the ranks to become the youngest four-star chief in the history of that department. Timoney and the rest of the command assembled under Police Commissioner Bill Bratton implemented a number of radical strategies, protocols, and management systems, including CompStat, that led to historic declines in nearly every category of crime. In 1998, Mayor Ed Rendell of Philadelphia hired Timoney as police commissioner to tackle the city's seemingly intractable violent crime rate. Philadelphia became the great laboratory experiment: Could the systems and policies employed in New York work elsewhere? Under Timoney's leadership, crime declined in every major category, especially homicide. A similar decrease not only in crime but also in corruption marked Timoney's tenure in his next position as police chief of Miami, a post he held from 2003 to January 2010. Beat Cop to Top Cop: A Tale of Three Cities documents Timoney's rise, from his days as a tough street cop in the South Bronx to his role as police chief of Miami. This fast-moving narrative by the man Esquire magazine named "America's Top Cop" offers a blueprint for crime prevention through first-person accounts from the street, detailing how big-city chiefs and their teams can tame even the most unruly cities. Policy makers and academicians have long embraced the view that the police could do little to affect crime in the long term. John Timoney has devoted his career to dispelling this notion. Beat Cop to Top Cop tells us how.

Two decades ago "A Nation at Risk" sounded a national alarm on K-12 education. Now, an equally urgent alarm is being sounded for higher education in America. In "Declining by Degrees, "leading authors and educators such as Tom Wolfe, Jim Fallows, and Jay Mathews provide us with a valuable understanding of the serious issues facing colleges today, such as budget cuts, grade inflation, questionable recruitment strategies, and a major focus on Big Time Sports. Tied to the PBS documentary of the same name, "Declining by Degrees" creates a national discussion about the future of higher education and what we can do about it.

In Hooking Up, Tom Wolfe ranges from coast to coast observing 'the lurid carnival actually taking place in the mightiest country on earth in the year 2000.' From teenage sexual manners and mores to fundamental changes in the way human beings now regard themselves thanks to the hot new fields of genetics and neuroscience; from his legendary profile of William Shawn, editor of The New Yorker (first published in 1965), to a remarkable portrait of Bob Noyce, the man who invented Silicon Valley, Tom Wolfe the master of reportage and satire returns in vintage form.

Only yesterday boys and girls spoke of embracing and kissing (necking) as getting to first base. Second base was deep kissing, plus groping and fondling this and that. Third base was oral sex. Home plate was going all the way. That was yesterday. Here in the Year 2000 we can forget about necking. Today's girls and boys have never heard of anything that dainty. Today first base is deep kissing, now known as tonsil hockey, plus groping and fondling this and that. Second base is oral sex. Third base is going all the way. Home plate is being introduced by name.

And how rarely our hooked-up boys and girls are introduced by name!-as Tom Wolfe has discovered from a survey of girls' File-o-Fax diaries, to cite but one of Hooking Up's displays of his famed reporting prowess. Wolfe ranges from coast to coast chronicling everything from the sexual manners and mores of teenagers... to fundamental changes in the way human beings now regard themselves thanks to the hot new field of genetics and neuroscience. . . to the inner workings of television's magazine-show sting operations.

Printed here in its entirety is "Ambush at Fort Bragg," a novella about sting TV in which Wolfe prefigured with eerie accuracy three cases of scandal and betrayal that would soon explode in the press. A second piece of fiction, "U. R. Here," the story of a New York artist who triumphs precisely because of his total lack of talent, gives us a case history preparing us for Wolfe's forecast ("My Three Stooges," "The Invisible Artist") of radical changes about to sweep the arts in America.

As an espresso after so much full-bodied twenty-first-century fare, we get a trip to Memory Mall. Reprinted here for the first time are Wolfe's two articles about The New Yorker magazine and its editor, William Shawn, which ignited one of the great firestorms of twentieth-century journalism. Wolfe's afterword about it all is in itself a delicious draught of an intoxicating era, the Twistin' Sixties.

In sum, here is Tom Wolfe at the height of his powers as reporter, novelist, sociologist, memoirist, and-to paraphrase what Balzac called himself-the very secretary of American society in the 21st century.